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Monica Seger

Biographic Data

ID834429
NAMEMonica Seger
GIVEN NAMESMonica
FAMILY NAMESeger
SIGNATURESEGER M
AFFILIATIONSUniversity of Oklahoma
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Aesthetic Engagement

    Monica Seger•ARTICLE•Italian Studies•2016

    This essay examines a series of television programmes produced by Anna Zanoli for the RAI during the years 1968 to 1974. Each episode of the programmes in question is hosted by a notable cultural figure and dedicated to the promotion of a ‘forgotten’ work of Italian art, architectural monument or landscape. The essay argues that by exploring Italy’s rich visual-cultural patrimony through the use of a new popular media, Zanoli’s programmes seek to…

  • Landscapes in Between

    Monica Seger•BOOK•Landscapes in Between•2015

  • Le Quattro Volte, All at Once

    Monica Seger•ARTICLE•The Italianist•2014

    Michelangelo Frammartino’s Le quattro volte (2010) finds inspiration in the theory, attributed to Greek philosopher Pythagoras, that all beings contain four lives within them: the animal, the human

  • The Woman of Porto Pim

    Monica Seger•ARTICLE•World Literature Today•2013

    Nachoem M. Wijnberg Advance Payment David Colmer, tr. Anvil Press The inaugural offering in English from a renowned Dutch poet, Advance Payment includes poems from two previous collections. Nachoem Wijnberg is a scholar of business studies as well as a prolific writer, and his verse is marked by economic precision as well as erudite allusions. These charming poems place the obscure past alongside everyday reality. Mariapia Veladiano A Life Apart …

  • When the Night

    Monica Seger•ARTICLE•World Literature Today•2013

    58 World Literature Today reviews of fundamentalist fervor, and racial bias, which lead her toward loneliness and alcoholism even as her star rises politically. Askew shows incomparable skill for illuminating the complicated and immediate context in which lifechanging decisions are made. While Sweet is trying to keep Misty and her husband from the sheriff’s clutches in the church where she has claimed sanctuary for him, she also has to consider t…

  • The Dual Realm

    Monica Seger•ARTICLE•World Literature Today•2013

    for representing such a dispiriting point of view remains unclear. The best story in the collection, “Godspeed and Perpetua,” happens to be the longest. This suggests that Barrett is at his best when he allows himself to move from caricature, a problem that plagues other stories, to more fully developed characters. In “Godspeed and Perpetua,” Barrett carefully portrays complicated family dynamics, the clash between faith and skepticism, tensions …

  • Unattainable horizons

    Monica Seger•ARTICLE•The Italianist•2012•References: 2

    This article considers the realms of space, time and body in Daniele Ciprì and Franco Maresco's films Lo zio di Brooklyn (1995), Totò che visse due volte (1998) and the shorter A memoria (1996). It engages with the directors' use of the horizon, both physical and phenomenological, as a tool through which to examine man's relationship to history, as well as the effects of this relationship on the body. Proposing that a visually obfuscated on-scree…

  • Slow Violence and the Environmentalism of the Poor by Rob Nixon

    Monica Seger•ARTICLE•World Literature Today•2012

    78 World Literature Today reviews daydreams about the literature he left behind, his beloved library, and how texts changed and adopted new meanings in his memories. He recounts his fury that a Chilean guilty of horrific war crimes relished a classical symphony that Dorfman loves. The same song both connects him and distances him from his enemy. Later in life it helps Dorfman recognize the enemy’s humanity. Language itself is as fluid and interco…

  • A Conversation with Dacia Maraini

    Dacia Maraini, Monica Seger•ARTICLE•World Literature Today•2011

    A Conversation with Maria Stepanova Kevin M. F. Platt (bio), Mark Lipovetsky (bio), and Translation from the Russian Translated by Kevin M. F. Platt (bio) Click for larger view View full resolution PHOTO BY ANDREY NATOTSINSKY Maria Stepanova is a prizewinning poet and the author of In Memory of Memory, a volume of creative nonfiction that has been recognized with many Russian and European awards and was shortlisted for the Booker Prize (see WLT, …

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  • A Conversation with Dacia Maraini

    Dacia Maraini, Monica Seger•ARTICLE•World Literature Today•2011

    A Conversation with Maria Stepanova Kevin M. F. Platt (bio), Mark Lipovetsky (bio), and Translation from the Russian Translated by Kevin M. F. Platt (bio) Click for larger view View full resolution PHOTO BY ANDREY NATOTSINSKY Maria Stepanova is a prizewinning poet and the author of In Memory of Memory, a volume of creative nonfiction that has been recognized with many Russian and European awards and was shortlisted for the Booker Prize (see WLT, …

  • Unattainable horizons

    Monica Seger•ARTICLE•The Italianist•2012•References: 2

    This article considers the realms of space, time and body in Daniele Ciprì and Franco Maresco's films Lo zio di Brooklyn (1995), Totò che visse due volte (1998) and the shorter A memoria (1996). It engages with the directors' use of the horizon, both physical and phenomenological, as a tool through which to examine man's relationship to history, as well as the effects of this relationship on the body. Proposing that a visually obfuscated on-scree…

  • Slow Violence and the Environmentalism of the Poor by Rob Nixon

    Monica Seger•ARTICLE•World Literature Today•2012

    78 World Literature Today reviews daydreams about the literature he left behind, his beloved library, and how texts changed and adopted new meanings in his memories. He recounts his fury that a Chilean guilty of horrific war crimes relished a classical symphony that Dorfman loves. The same song both connects him and distances him from his enemy. Later in life it helps Dorfman recognize the enemy’s humanity. Language itself is as fluid and interco…

  • The Woman of Porto Pim

    Monica Seger•ARTICLE•World Literature Today•2013

    Nachoem M. Wijnberg Advance Payment David Colmer, tr. Anvil Press The inaugural offering in English from a renowned Dutch poet, Advance Payment includes poems from two previous collections. Nachoem Wijnberg is a scholar of business studies as well as a prolific writer, and his verse is marked by economic precision as well as erudite allusions. These charming poems place the obscure past alongside everyday reality. Mariapia Veladiano A Life Apart …

  • When the Night

    Monica Seger•ARTICLE•World Literature Today•2013

    58 World Literature Today reviews of fundamentalist fervor, and racial bias, which lead her toward loneliness and alcoholism even as her star rises politically. Askew shows incomparable skill for illuminating the complicated and immediate context in which lifechanging decisions are made. While Sweet is trying to keep Misty and her husband from the sheriff’s clutches in the church where she has claimed sanctuary for him, she also has to consider t…

  • The Dual Realm

    Monica Seger•ARTICLE•World Literature Today•2013

    for representing such a dispiriting point of view remains unclear. The best story in the collection, “Godspeed and Perpetua,” happens to be the longest. This suggests that Barrett is at his best when he allows himself to move from caricature, a problem that plagues other stories, to more fully developed characters. In “Godspeed and Perpetua,” Barrett carefully portrays complicated family dynamics, the clash between faith and skepticism, tensions …

  • Le Quattro Volte, All at Once

    Monica Seger•ARTICLE•The Italianist•2014

    Michelangelo Frammartino’s Le quattro volte (2010) finds inspiration in the theory, attributed to Greek philosopher Pythagoras, that all beings contain four lives within them: the animal, the human

  • Landscapes in Between

    Monica Seger•BOOK•Landscapes in Between•2015

  • Aesthetic Engagement

    Monica Seger•ARTICLE•Italian Studies•2016

    This essay examines a series of television programmes produced by Anna Zanoli for the RAI during the years 1968 to 1974. Each episode of the programmes in question is hosted by a notable cultural figure and dedicated to the promotion of a ‘forgotten’ work of Italian art, architectural monument or landscape. The essay argues that by exploring Italy’s rich visual-cultural patrimony through the use of a new popular media, Zanoli’s programmes seek to…

Art (6 works) · History (6 works) · Law (5 works) · Political science (5 works) · Art history (4 works) · Philosophy (4 works) · Sociology (4 works) · Aesthetics (3 works) · Literature (3 works) · Politics (3 works)

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