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Dwayne Dixon

Biographic Data

ID8516216
NAMEDwayne Dixon
GIVEN NAMESDwayne
FAMILY NAMEDixon
SIGNATUREDIXON D
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2011
H-INDEX0
  • Getting the Make

    Open Access•Dwayne Dixon•ARTICLE•Postmodern Culture•2011

    Using Jean Rouch's concept of the ciné-transe , this essay argues that the camera transforms the relations between the anthropologist and the field site through movement and the filmic encounter. Critical focus on the camera/body assemblage shifts attention from the fetish of the recorded image and onto the subject and researcher's haptic experience with and through visual technology. This essay specifically examines how movement, media, and visu…

  • The City & The City

    Open Access•Hong-An Truong, Dwayne Dixon•ARTICLE•Postmodern Culture•2010

    This video is composed of two channels: the first depicts Tokyo and Saigon in small vignettes on a split screen while the second channel is another split screen image of a man and a woman in separate rooms each singing karaoke in a choreographed interplay of Japanese and Vietnamese/English. The tightly framed images of the cities provide the architectonics of an emergent Asian urbanism produced through shared histories of modern warfare and occup…

No prominent works on this page.

  • The City & The City

    Open Access•Hong-An Truong, Dwayne Dixon•ARTICLE•Postmodern Culture•2010

    This video is composed of two channels: the first depicts Tokyo and Saigon in small vignettes on a split screen while the second channel is another split screen image of a man and a woman in separate rooms each singing karaoke in a choreographed interplay of Japanese and Vietnamese/English. The tightly framed images of the cities provide the architectonics of an emergent Asian urbanism produced through shared histories of modern warfare and occup…

  • Getting the Make

    Open Access•Dwayne Dixon•ARTICLE•Postmodern Culture•2011

    Using Jean Rouch's concept of the ciné-transe , this essay argues that the camera transforms the relations between the anthropologist and the field site through movement and the filmic encounter. Critical focus on the camera/body assemblage shifts attention from the fetish of the recorded image and onto the subject and researcher's haptic experience with and through visual technology. This essay specifically examines how movement, media, and visu…

History (2 works) · History (2 works) · Adventure Sports and Sensation Seeking (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art (1 work) · Asian Culture and Media Studies (1 work) · Assemblage (archaeology (1 work) · Computer Science (1 work) · Digital Games and Media (1 work)

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