Getting the Make
Japanese Skateboarder Videography and the Entranced Ethnographic Lens
Bibliographic Data
| ID | 16714959 |
|---|---|
| Authors | Dwayne Dixon (corresponding author) |
| Year | 2011 |
| Volume | 22 |
| Issue | 1 |
| Publication date | 2011-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Postmodern Culture (JOURNAL) |
| Journal identifiers | ISSN: 1053-1920 • E-ISSN: 1053-1920 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/pmc.2012.0006 |
| OpenAlex | W2086495218 |
| Language | EN |
| Citations received | 5 |
| References cited | 14 |
Using Jean Rouch's concept of the ciné-transe , this essay argues that the camera transforms the relations between the anthropologist and the field site through movement and the filmic encounter. Critical focus on the camera/body assemblage shifts attention from the fetish of the recorded image and onto the subject and researcher's haptic experience with and through visual technology. This essay specifically examines how movement, media, and visual ethnographic methods intersect around the video practices of Japanese skateboarders. With cameras as the primary tools and the subjects of the research, the ciné-transe is reimagined as a mode of social being and anthropological data
Archaeology · Art · Assemblage (archaeology · Ethnography · Focus (optics · Lens (geology · Sociology · Subject (documents · Videography · Visual arts · Adventure Sports and Sensation Seeking · Anthropology · Computer Science · Digital Games and Media · History · Spatial and Cultural Studies
Kino-Eye
Ethnographic Approaches to Digital Media
Argonauts of the Western Pacific
The Work of Art in the Age of Mechanical Reproduction
Principles of Visual Anthropology
Post-Modern Ethnography
Photography’s Other Histories
Notes from the Surface of the Image
Anthropology as Cultural Critique
Gilles Deleuze's Time Machine
Mimicry and Legendary Psychasthenia
Cinema I
| Citations per year | 0.71 |
|---|---|
| Citation span | 2019 - 2023 (5) |
| Highly cited | No |