Göral Erinç Yılmaz
Biographic Data
| ID | 8585486 |
|---|---|
| NAME | Göral Erinç Yılmaz |
| GIVEN NAMES | Göral Erinç |
| FAMILY NAME | Yılmaz |
| SIGNATURE | YILMAZ G E |
| AFFILIATIONS | Cyprus International University |
| ORCID | 0000-0001-8680-3848 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Drakula Comes to İstanbul
This article aims to recount a brief history of Turkish fantastic cinema. Although fantastic themes have been a part of world cinemas almost since the beginning of cinema itself, the first examples of Turkish fantastic cinema appear much later in the 1950s. Most of the Turkish fantastic movies made between the 1950s and the 1980s are Hollywood and European film adaptations or domestic characters dealing with Western concepts such as space travel.…
Constructing and Deconstructing the Modern Hero in The Dark Knight Trilogy
This article aims to reveal the various representations of modernity and postmodernity in Christopher Nolan’s Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012). Across all three movies, it is asserted that Batman’s values correspond to modernity specifically in terms of his self-reflexive construction of the hero persona and his relationship with Gotham city. Furthermore, the way in which the villains confront Batman i…
No prominent works on this page.
Constructing and Deconstructing the Modern Hero in The Dark Knight Trilogy
This article aims to reveal the various representations of modernity and postmodernity in Christopher Nolan’s Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012). Across all three movies, it is asserted that Batman’s values correspond to modernity specifically in terms of his self-reflexive construction of the hero persona and his relationship with Gotham city. Furthermore, the way in which the villains confront Batman i…
Drakula Comes to İstanbul
This article aims to recount a brief history of Turkish fantastic cinema. Although fantastic themes have been a part of world cinemas almost since the beginning of cinema itself, the first examples of Turkish fantastic cinema appear much later in the 1950s. Most of the Turkish fantastic movies made between the 1950s and the 1980s are Hollywood and European film adaptations or domestic characters dealing with Western concepts such as space travel.…
Art (2 works) · Art history (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Cinema and Media Studies (1 work) · Comics and Graphic Narratives (1 work) · Crime, Deviance, and Social Control (1 work) · Epistemology (1 work)