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Constructing and Deconstructing the Modern Hero in The Dark Knight Trilogy

Bibliographic Data

ID16914248
AuthorsGöral Erinç Yılmaz (0000-0001-8680-3848, Cyprus International University, corresponding author), Serkan Fundalar (0000-0002-0666-9018, Near East University)
Year2022
Volume12
Issue4
Publication date2022-10-01
Open AccessYes
TypeARTICLE
VenueSAGE Open (JOURNAL)
Journal identifiersISSN: 2158-2440 • E-ISSN: 2158-2440
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/21582440221128476
OpenAlexW4302293770
LanguageEN
References cited22

This article aims to reveal the various representations of modernity and postmodernity in Christopher Nolan’s Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012). Across all three movies, it is asserted that Batman’s values correspond to modernity specifically in terms of his self-reflexive construction of the hero persona and his relationship with Gotham city. Furthermore, the way in which the villains confront Batman in a deconstructionist manner corresponds to the postmodern critique of modern values and constructs. What continues to make Batman a hero are precisely said to be his efforts and belief in modern values, both in his personal and social construction, despite facing endless accusations throughout the movies

Aesthetics · Art · Art history · Epistemology · HERO · Humanities · Knight · Literature · Modernity · Persona · Postmodernism · Postmodernity · Reflexivity · Sociology · Trilogy · Anthropology · Comics and Graphic Narratives · Crime, Deviance, and Social Control · Philosophy · Shakespeare, Adaptation, and Literary Criticism

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Highly citedNo

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