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Jeremy Montagu

Biographic Data

ID87094
NAMEJeremy Montagu
GIVEN NAMESJeremy
FAMILY NAMEMontagu
SIGNATUREMONTAGU J
AFFILIATIONSDulwich Community Hospital
VERIFIEDNo
TOTAL WORKS39
TOTAL CITATIONS128
AUTHOR COUNT37
EDITOR COUNT2
FIRST PUBLICATION YEAR1965
LATEST PUBLICATION YEAR2020
H-INDEX5
  • Music and Instruments of the Middle Ages: Essays in Honour of Christopher Page

    Christopher Page, Tess Knighton et al.•BOOK•Music and Instruments of the…•2020

  • Nolkin

    Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2018

  • Buzzers

    Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2018

  • How Music and Instruments Began: A Brief Overview of the Origin and Entire Development of Music, from Its Earliest Stages

    Open Access•Jeremy Montagu•ARTICLE•Frontiers in Sociology•2017•Cited by: 5•References: 7

    Music must first be defined and distinguished from speech, and from animal and bird cries. We discuss the stages of hominid anatomy that permit music to be perceived and created, with the likelihood of both H. neanderthalensis and H. sapiens both being capable. The earlier hominid ability to emit sounds of variable pitch with some meaning, shows that music at its simplest level must have predated speech. The possibilities of anthropoid motor impu…

  • Folk Song Style and Culture

    Jeremy Montagu, Edwin E Erickson et al.•BOOK•Folk Song Style and Culture•2017•Cited by: 84

    Song and dance style--viewed as nonverbal communications about culture--are here related to social structure and cultural history. Patterns of performance, theme, text and movement are analyzed in large samples of films an recordings from the whole range of human culture, according to the methods explained in this volume. Cantometrics, which means song as a measure of man, finds that traditions of singing trace the main historic distributions of …

  • Gender (instrument)

    Margaret J Kartomi, Ruby Ornstein et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Atoke

    Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2014

  • Andelu

    Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2014

  • Alo

    Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2014

  • Ānandalaharī

    Alastair Dick, Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2014

  • Duct flute

    Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2001

  • Military music

    Jeremy Montagu, Armin Suppan et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Shofar

    Jeremy Montagu•CHAPTER•The new Grove dictionary of music…•2001

  • Suspended Music: Chime-Bells in the Culture of Bronze Age China

    Jeremy Montagu, Lothar Von Falkenhausen•ARTICLE•The Galpin Society Journal•1998

  • The Forked Shawm. An Ingenious Invention

    Jeremy Montagu•ARTICLE•Yearbook for Traditional Music•1997

    La chalemie est un instrument de musique communement utilise dans les regions meridionales et orientales de la mediterranee, du Maroc jusqu'en Egypte, en Turquie, dans certaines regions des Balkans et en Asie centrale. On compte plusieurs variantes de cet aerophone en roseau selon la forme simple ou double de l'anche. L'A. montre les caracteristiques techniques generales de la chalemie, puis ses variantes regionales et ses utilisations dans diver…

  • World Instrumentarium

    Jeremy Montagu, Stanley Sadie•ARTICLE•The Musical Times•1985

  • The conch in prehistory: Pottery, stone and natural

    Jeremy Montagu•ARTICLE•World Archaeology•1981•Cited by: 4•References: 4

    A brief discussion of the use of the shell trumpet in various prehistoric cultures, with emphasis on skeuomorphs of stone (Crete) and pottery (Central and South America). Illustrated with X‐ray photographs of two pottery conches from Mochica and two vessel whistles in shell form from Colombia. One appendix raises some problems due to the lack of shell trumpets in some areas and a second discusses what little is known about the acoustical behaviou…

  • One of Tut'ankhamūn's trumpets

    Open Access•Jeremy Montagu•ARTICLE•The Journal of Egyptian Archaeology•1978

  • One of Tut'ankhamun's Trumpets

    Jeremy Montagu•ARTICLE•The Journal of Egyptian Archaeology•1978

  • Ethnomusicology . Journal of the Society for Ethnomusicology. Ann Arbor: Society for Ethnomusicology, 1973-75. Vol. 17, no. 3, vol 18, nos. 1 and 2 (ed. Norma McLeod); no. 3, vol. 19, nos. 1 and 2 (ed…

    Open Access•Jeremy Montagu•ARTICLE•Yearbook of the International…•1976

    Ethnomusicology. Journal of the Society for Ethnomusicology. Ann Arbor: Society for Ethnomusicology, 1973-75. Vol. 17, no. 3, vol 18, nos. 1 and 2 (ed. Norma McLeod); no. 3, vol. 19, nos. 1 and 2 (ed. Gerard Béhague); and no. 3 (ed. Portia K. Maultsby and Gerard Béhague). - Volume 8

  • Early Music

    David Fallows, Howard Mayer Brown et al.•ARTICLE•The Musical Times•1976

  • E Flat and D Sharp

    Edgar Hunt, Jeremy Montagu et al.•ARTICLE•The Musical Times•1975

  • Extant Medieval Musical Instruments: A Provisional Catalogue by Types

    Jeremy Montagu, Frederick Crane et al.•ARTICLE•Ethnomusicology•1974

  • Georgian Folk Music from Turkey

    Jeremy Montagu, Peter Gold•ARTICLE•Man•1974

  • Time, Place and Music: An Anthology of Ethnomusicological Observation C. 1550-1800

    Jeremy Montagu, Frank Harrison•ARTICLE•Man•1974•Cited by: 5

Next
  • Folk Song Style and Culture

    Jeremy Montagu, Edwin E Erickson et al.•BOOK•Folk Song Style and Culture•2017•Cited by: 84

    Song and dance style--viewed as nonverbal communications about culture--are here related to social structure and cultural history. Patterns of performance, theme, text and movement are analyzed in large samples of films an recordings from the whole range of human culture, according to the methods explained in this volume. Cantometrics, which means song as a measure of man, finds that traditions of singing trace the main historic distributions of …

  • Chopi Musicians: Their Music, Poetry and Instruments

    Jeremy Montagu, Hugh Tracey•ARTICLE•Man•1972•Cited by: 17

  • A Proposed New Classification System for Musical Instruments

    Jeremy Montagu, John Burton•ARTICLE•Ethnomusicology•1971•Cited by: 8

    While there have been many attempts to produce a satisfactory scheme for the classification of musical instruments, all in some respects, and some in many respects, fall short of the ideal. Properly speaking, and as scientists understand the term, a classification is a system into which facts can be integrated in order to show their relationships and their affinities. The Hornbostel and Sachs Systematik (1914) comes nearest to being such a classi…

  • How Music and Instruments Began: A Brief Overview of the Origin and Entire Development of Music, from Its Earliest Stages

    Open Access•Jeremy Montagu•ARTICLE•Frontiers in Sociology•2017•Cited by: 5•References: 7

    Music must first be defined and distinguished from speech, and from animal and bird cries. We discuss the stages of hominid anatomy that permit music to be perceived and created, with the likelihood of both H. neanderthalensis and H. sapiens both being capable. The earlier hominid ability to emit sounds of variable pitch with some meaning, shows that music at its simplest level must have predated speech. The possibilities of anthropoid motor impu…

  • Time, Place and Music: An Anthology of Ethnomusicological Observation C. 1550-1800

    Jeremy Montagu, Frank Harrison•ARTICLE•Man•1974•Cited by: 5

  • The conch in prehistory: Pottery, stone and natural

    Jeremy Montagu•ARTICLE•World Archaeology•1981•Cited by: 4•References: 4

    A brief discussion of the use of the shell trumpet in various prehistoric cultures, with emphasis on skeuomorphs of stone (Crete) and pottery (Central and South America). Illustrated with X‐ray photographs of two pottery conches from Mochica and two vessel whistles in shell form from Colombia. One appendix raises some problems due to the lack of shell trumpets in some areas and a second discusses what little is known about the acoustical behaviou…

  • Music Cultures of the Pacific, the Near East, and Asia

    Jeremy Montagu, Jeremy P S Montagu et al.•ARTICLE•Man•1967•Cited by: 3

  • Studia instrumentorum musicae popularis

    Jeremy Montagu, Jeremy P S Montagu et al.•ARTICLE•Ethnomusicology•1973•Cited by: 1

  • Folk Song Style and Culture

    Jeremy Montagu, Edwin E Erickson•REVIEW•Man•1969•Cited by: 1

  • Ethnographical Material in Early Organological Texts

    Jeremy Montagu•ARTICLE•Man•1965

  • What is a Gong

    Jeremy Montagu•ARTICLE•Man•1965

  • Music Cultures of the Pacific, the Near East, and Asia

    Jeremy Montagu, Jeremy P S Montagu et al.•ARTICLE•Man•1967•Cited by: 3

  • Music in New Guinea

    Jeremy Montagu, Jaap Kunst et al.•ARTICLE•Man•1968

  • Folk Song Style and Culture

    Jeremy Montagu, Edwin E Erickson•REVIEW•Man•1969•Cited by: 1

  • Joseph H. Howard. Drums in the Americas: The History and Development of Drums in the New World from the Pre-Columbian Era to Modern Times. New York: OAK Publications, 1967

    Open Access•Jeremy Montagu•ARTICLE•Yearbook of the International…•1970

  • A Proposed New Classification System for Musical Instruments

    Jeremy Montagu, John Burton•ARTICLE•Ethnomusicology•1971•Cited by: 8

    While there have been many attempts to produce a satisfactory scheme for the classification of musical instruments, all in some respects, and some in many respects, fall short of the ideal. Properly speaking, and as scientists understand the term, a classification is a system into which facts can be integrated in order to show their relationships and their affinities. The Hornbostel and Sachs Systematik (1914) comes nearest to being such a classi…

  • Ethiopian Music

    Jeremy Montagu, Jeremy P S Montagu et al.•ARTICLE•Man•1971

  • Karl Gustav Izikowitz. Musical and other Sound Instruments of the South American Indians. Wakefield, Yorkshire: SR Publishers, 1970. (Reprint). Original publication 1935

    Open Access•Jeremy Montagu•ARTICLE•Yearbook of the International…•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Klange fra Danmark's bronzealderlurer (Music Blown on Lurs from the Danish Bronze Age)

    Jeremy Montagu, Palmer Traulsen et al.•ARTICLE•Ethnomusicology•1972

  • Anfange der Instrumental musik: Zur akustischen Kommunikation bei Naturvolkern

    Jeremy Montagu, Urs Ramseyer•ARTICLE•Man•1972

  • Chopi Musicians: Their Music, Poetry and Instruments

    Jeremy Montagu, Hugh Tracey•ARTICLE•Man•1972•Cited by: 17

  • The Raffles Gamelan: A Historical Note

    Jeremy Montagu, William Fagg•ARTICLE•Man•1972

  • Studia instrumentorum musicae popularis

    Jeremy Montagu, Jeremy P S Montagu et al.•ARTICLE•Ethnomusicology•1973•Cited by: 1

  • Extant Medieval Musical Instruments: A Provisional Catalogue by Types

    Jeremy Montagu, Frederick Crane et al.•ARTICLE•Ethnomusicology•1974

  • Georgian Folk Music from Turkey

    Jeremy Montagu, Peter Gold•ARTICLE•Man•1974

  • Time, Place and Music: An Anthology of Ethnomusicological Observation C. 1550-1800

    Jeremy Montagu, Frank Harrison•ARTICLE•Man•1974•Cited by: 5

  • E Flat and D Sharp

    Edgar Hunt, Jeremy Montagu et al.•ARTICLE•The Musical Times•1975

  • Ethnomusicology . Journal of the Society for Ethnomusicology. Ann Arbor: Society for Ethnomusicology, 1973-75. Vol. 17, no. 3, vol 18, nos. 1 and 2 (ed. Norma McLeod); no. 3, vol. 19, nos. 1 and 2 (ed…

    Open Access•Jeremy Montagu•ARTICLE•Yearbook of the International…•1976

    Ethnomusicology. Journal of the Society for Ethnomusicology. Ann Arbor: Society for Ethnomusicology, 1973-75. Vol. 17, no. 3, vol 18, nos. 1 and 2 (ed. Norma McLeod); no. 3, vol. 19, nos. 1 and 2 (ed. Gerard Béhague); and no. 3 (ed. Portia K. Maultsby and Gerard Béhague). - Volume 8

  • Early Music

    David Fallows, Howard Mayer Brown et al.•ARTICLE•The Musical Times•1976

  • One of Tut'ankhamūn's trumpets

    Open Access•Jeremy Montagu•ARTICLE•The Journal of Egyptian Archaeology•1978

  • One of Tut'ankhamun's Trumpets

    Jeremy Montagu•ARTICLE•The Journal of Egyptian Archaeology•1978

  • The conch in prehistory: Pottery, stone and natural

    Jeremy Montagu•ARTICLE•World Archaeology•1981•Cited by: 4•References: 4

    A brief discussion of the use of the shell trumpet in various prehistoric cultures, with emphasis on skeuomorphs of stone (Crete) and pottery (Central and South America). Illustrated with X‐ray photographs of two pottery conches from Mochica and two vessel whistles in shell form from Colombia. One appendix raises some problems due to the lack of shell trumpets in some areas and a second discusses what little is known about the acoustical behaviou…

  • World Instrumentarium

    Jeremy Montagu, Stanley Sadie•ARTICLE•The Musical Times•1985

  • The Forked Shawm. An Ingenious Invention

    Jeremy Montagu•ARTICLE•Yearbook for Traditional Music•1997

    La chalemie est un instrument de musique communement utilise dans les regions meridionales et orientales de la mediterranee, du Maroc jusqu'en Egypte, en Turquie, dans certaines regions des Balkans et en Asie centrale. On compte plusieurs variantes de cet aerophone en roseau selon la forme simple ou double de l'anche. L'A. montre les caracteristiques techniques generales de la chalemie, puis ses variantes regionales et ses utilisations dans diver…

Art (21 works) · Diverse Musicological Studies (15 works) · History (13 works) · Computer Science (10 works) · History (7 works) · Musicology and Musical Analysis (6 works) · Visual arts (6 works) · Musical (5 works) · Archaeology (4 works) · Literature (4 works)

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