Ana Cândida De Avelar
Biographic Data
| ID | 871398 |
|---|---|
| NAME | Ana Cândida De Avelar |
| GIVEN NAMES | Ana Cândida |
| FAMILY NAME | De Avelar |
| SIGNATURE | DE AVELAR A C |
| AFFILIATIONS | UnB, Brazil |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Toda forma carrega a marca do artista: Gestualidade na crítica de arte brasileira contemporânea
The gestuality present in gestural painting is often read as the result of the artist's emotional discharge. Faced with this reading of criticism, such works are seen by the association of the mark of gestuality with the idea of an attitude of the artist committed to art. In this article, I propose to present a commentary on this discourse that merges artist and work as a place of contemporary art criticism in Brazil, whenever it is faced with wo…
Acervo: Outras Abordagens, vol. II
Neste segundo volume, são reunidos textos de estudiosos de várias gerações para compor os verbetes, oferecendo abordagens originais das obras pertencentes ao Museu. O resultado é um conjunto que identifica tendências do acervo e percorre-o, cobrindo desde Boccioni e Tarsila do Amaral até aquisições de novos artistas, como Jonathas de Andrade e Albano Afonso, oferecendo ao leitor, simultaneamente, um panorama do MACUSP e da crítica de arte atual. …
Por Uma História Da Arte De "Objetos Incompletos" - Entrevista Com Sônia Salzstein
Na entrevista a seguir, a professora de Artes Visuais Sônia Salzstein discute a história da arte que se produz no Brasil, o formalismo e a História Social da Arte dentro desse debate e as mudanças no cenário das instituições artísticas brasileiras, a partir de sua própria experiência como docente e crítica. Este depoimento integra o projeto "História e crítica de arte hoje: referências, diálogos", desenvolvido pelo Núcleo de Pesquisa e Mediação d…
Controversies of a Juror: Alfred Barr Jr at the 4th São Paulo Bienal
During the 4th Bienal de São Paulo in 1957, many artists excluded from the selection confronted the selection commitee. Still more controversy was created when Alfred Barr Jr, member of the award jury and former director of New York's Museum of Modern Art, criticised Brazilian and Argentinian Concrete art as mere ‘bauhaus exercises’. Lourival Gomes Machado, director of the first Bienal, reproached Barr for ignoring ‘Brazil's artistic reality’. Má…
Controversies of a Juror: Alfred Barr Jr at the 4th São Paulo Bienal
During the 4th Bienal de São Paulo in 1957, many artists excluded from the selection confronted the selection commitee. Still more controversy was created when Alfred Barr Jr, member of the award jury and former director of New York's Museum of Modern Art, criticised Brazilian and Argentinian Concrete art as mere ‘bauhaus exercises’. Lourival Gomes Machado, director of the first Bienal, reproached Barr for ignoring ‘Brazil's artistic reality’. Má…
Controversies of a Juror: Alfred Barr Jr at the 4th São Paulo Bienal
During the 4th Bienal de São Paulo in 1957, many artists excluded from the selection confronted the selection commitee. Still more controversy was created when Alfred Barr Jr, member of the award jury and former director of New York's Museum of Modern Art, criticised Brazilian and Argentinian Concrete art as mere ‘bauhaus exercises’. Lourival Gomes Machado, director of the first Bienal, reproached Barr for ignoring ‘Brazil's artistic reality’. Má…
Por Uma História Da Arte De "Objetos Incompletos" - Entrevista Com Sônia Salzstein
Na entrevista a seguir, a professora de Artes Visuais Sônia Salzstein discute a história da arte que se produz no Brasil, o formalismo e a História Social da Arte dentro desse debate e as mudanças no cenário das instituições artísticas brasileiras, a partir de sua própria experiência como docente e crítica. Este depoimento integra o projeto "História e crítica de arte hoje: referências, diálogos", desenvolvido pelo Núcleo de Pesquisa e Mediação d…
Acervo: Outras Abordagens, vol. II
Neste segundo volume, são reunidos textos de estudiosos de várias gerações para compor os verbetes, oferecendo abordagens originais das obras pertencentes ao Museu. O resultado é um conjunto que identifica tendências do acervo e percorre-o, cobrindo desde Boccioni e Tarsila do Amaral até aquisições de novos artistas, como Jonathas de Andrade e Albano Afonso, oferecendo ao leitor, simultaneamente, um panorama do MACUSP e da crítica de arte atual. …
Toda forma carrega a marca do artista: Gestualidade na crítica de arte brasileira contemporânea
The gestuality present in gestural painting is often read as the result of the artist's emotional discharge. Faced with this reading of criticism, such works are seen by the association of the mark of gestuality with the idea of an attitude of the artist committed to art. In this article, I propose to present a commentary on this discourse that merges artist and work as a place of contemporary art criticism in Brazil, whenever it is faced with wo…
Art (3 works) · Art, Politics, and Modernism (2 works) · Arts and Performance Studies (2 works) · Humanities (2 works) · Art history (1 works) · Brazilian cultural history and politics (1 works) · Exhibition (1 works) · History, Culture, and Society (1 works) · Jury (1 works) · Law (1 works)