Toda forma carrega a marca do artista
Gestualidade na crítica de arte brasileira contemporânea
Bibliographic Data
| ID | 22015397 |
|---|---|
| Authors | Ana Cândida De Avelar, Ana Avelar (0000-0002-7026-7160, corresponding author) |
| Year | 2021 |
| Volume | 23 |
| Issue | 43 |
| Pages | 49-64 |
| Publication date | 2021-12-24 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ArtCultura (JOURNAL) |
| Journal identifiers | ISSN: 2178-3845 • E-ISSN: 2178-3845 |
| Publisher | PPUFU - Portal de Periódicos da Universidade Federal de Uberlândia (PUBLISHER) |
| DOI | 10.14393/artc-v23-n43-2021-64080 |
| OpenAlex | W4206576570 |
| Language | PT |
| References cited | 1 |
The gestuality present in gestural painting is often read as the result of the artist's emotional discharge. Faced with this reading of criticism, such works are seen by the association of the mark of gestuality with the idea of an attitude of the artist committed to art. In this article, I propose to present a commentary on this discourse that merges artist and work as a place of contemporary art criticism in Brazil, whenever it is faced with works that present an obvious gesture. I also aim to demonstrate certain genealogies of this reading, supported by ideas promoted by romanticism, expressionism and action painting
Art · Humanities · Art, Politics, and Modernism · Arts and Performance Studies · Philosophy · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |