Hatmi Negria Taruan
Biographic Data
| ID | 8799029 |
|---|---|
| NAME | Hatmi Negria Taruan |
| GIVEN NAMES | Hatmi Negria |
| FAMILY NAME | Taruan |
| SIGNATURE | TARUAN H N |
| AFFILIATIONS | Institut Seni Budaya Indonesia Bandung |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Haro Hara Song
The song Haro Hara is one of the protest songs whose lyrics contain four bloody events during the 1998 conflict or after the revocation of the Military Operations Area (DOM) status in Aceh. This study aims to examine the development, social and political influences, and the phases of the ban on the protest song Haro Hara during the armed social conflict in Aceh. This study uses a qualitative approach based on archives, employing netnography techn…
Pertunjukan Sidalupa Buraq Lam Tapa Di Bubon-Aceh Barat Dalam Perspektif Performance Studies
This article aims to investigate the art of Sidalupa Buraq Lam Tapa in Bubon-West Aceh from various perspectives using the perspective of performance studies. The method applied is qualitative with literature study or document data collection, observation, interviews, and audio-video recording. The results obtained are that the community (the audience) is also a determinant of the existence and sustainability of Sidalupa art, because this art alw…
Dramaturgi Kesenian Tradisional Dalupa Produksi Sanggar Seni Datok Rimba Di Woyla Aceh Barat
Dalupa art emerged from the creative process of the people of West Aceh which can be stretched into three stages. First, Dalupa was originally a folk tale or folklore that was narrated from generation to generation. Second, the Dalupa then manifests (a person wearing the costume of a Dalupa character) so that it can be witnessed in person. At this stage, the Dalupa character does not manifest itself in the form of theater or dance. Its presence i…
No prominent works on this page.
Pertunjukan Sidalupa Buraq Lam Tapa Di Bubon-Aceh Barat Dalam Perspektif Performance Studies
This article aims to investigate the art of Sidalupa Buraq Lam Tapa in Bubon-West Aceh from various perspectives using the perspective of performance studies. The method applied is qualitative with literature study or document data collection, observation, interviews, and audio-video recording. The results obtained are that the community (the audience) is also a determinant of the existence and sustainability of Sidalupa art, because this art alw…
Dramaturgi Kesenian Tradisional Dalupa Produksi Sanggar Seni Datok Rimba Di Woyla Aceh Barat
Dalupa art emerged from the creative process of the people of West Aceh which can be stretched into three stages. First, Dalupa was originally a folk tale or folklore that was narrated from generation to generation. Second, the Dalupa then manifests (a person wearing the costume of a Dalupa character) so that it can be witnessed in person. At this stage, the Dalupa character does not manifest itself in the form of theater or dance. Its presence i…
Haro Hara Song
The song Haro Hara is one of the protest songs whose lyrics contain four bloody events during the 1998 conflict or after the revocation of the Military Operations Area (DOM) status in Aceh. This study aims to examine the development, social and political influences, and the phases of the ban on the protest song Haro Hara during the armed social conflict in Aceh. This study uses a qualitative approach based on archives, employing netnography techn…
Art (2 works) · Cultural and Artistic Studies (2 works) · Humanities (2 works) · Visual arts (2 works) · Art history (1 work) · Asian Studies and History (1 work) · Child Development and Education (1 work) · Community-based Tourism Development and Sustainability (1 work) · Cultural and Religious Practices in Indonesia (1 work) · Dance (1 work)