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Eduardo Kac

Biographic Data

ID887590
NAMEEduardo Kac
GIVEN NAMESEduardo
FAMILY NAMEKac
SIGNATUREKAC E
AFFILIATIONSSchool of the Art Institute of Chicago
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS5
AUTHOR COUNT23
EDITOR COUNT1
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Space Art

    Eduardo Kac•ARTICLE•Journal of Posthuman Studies•2022

    This essay traces the author’s trajectory in space art. It starts in 1986, when he first conceived of a holographic poem to be flown to deep space (scheduled for liftoff in 2023), and continues into the twenty-first century through several works, including Inner Telescope, realized with the cooperation of French astronaut Thomas Pesquet aboard the International Space Station (ISS) in 2017. The author discusses his theoretical and practical involv…

  • Adsum Chronology 2019–2022

    Simone Osthoff, Eduardo Kac•ARTICLE•Journal of Posthuman Studies•2022

    Two versions were made. The Proof of Concept version measures 10 × 10 × 10 cm (4 × 4 × 4 in.) and was published in an edition of five.The Flight-Ready version measures 1 × 1 × 1 cm (0.4 × 0.4 × 0.4 in.) and was also published in an edition of five. During the residency Kac also made over thirty Adsum black ink study drawings.Adsum was featured in the following exhibitions and events in 2020:Adsum was featured in the following exhibitions and even…

  • Bio art

    Open Access•Eduardo Kac•ARTICLE•AI & Society•2021

  • Poesia Digital

    Open Access•Eduardo Kac•ARTICLE•FronteiraZ. Revista do Programa…•2021

    Nessa entrevista, Eduardo Kac, artista pioneiro da arte digital que tem obras exibidas regularmente na América do Sul e do Norte, na Europa, na Austrália, e na Ásia, reflete sobre as relações entre a arte e as novas mídias, sua trajetória e as possibilidades da poesia digital

  • GFP Bunny at 20

    Eduardo Kac•ARTICLE•Journal of Posthuman Studies•2020•References: 1

    My artwork GFP Bunny was deemed polemical at the turn of the millennium. In the twenty years that followed, it has been appropriated by pop culture, transformed and incorporated into novels, television, games, and film. This article revisits this unique phenomenon and sheds light on the rabbit that shook the world

  • Bioart

    Eduardo Kac•ARTICLE•Les actes de colloques du musée…•2016

    Eduardo Kac gained prominence at the beginning of the twenty-first century with his transgenic work “GFP Bunny” (2000), centered on the green-glowing bunny named Alba that he created through genetic engineering. In 1997 Kac coined the term “Bio Art” to designate the new international movement that manipulates or creates biological life as an art medium. His presentation offers an overview of his trajectory, with emphasis on his most recent works.…

  • Entrevista com Wlademir Dias-Pino, poeta revolucionário

    Open Access•Eduardo Kac•ARTICLE•ARS (São Paulo•2015

  • O Movimento de Arte Pornô

    Open Access•Eduardo Kac•ARTICLE•ARS (São Paulo•2013

    O Movimento de Arte Pornô foi um movimento de arte experimental que iniciei no Rio de Janeiro e que durou, como um intervencionismo programático, por dois anos, de fevereiro de 1980 a fevereiro de 1982. Foi o último movimento de vanguarda organizado na arte e na poesia brasileiras. Também ficou conhecido como Poesia Pornô, Pornismo, ou Movimento Pornô ; neste artigo, usarei alternadamente os vários nomes desse movimento. O movimento realizou dive…

  • Biopoesia

    Open Access•Eduardo Kac•ARTICLE•Alea Estudos Neolatinos•2008

  • Poesia espacial

    Open Access•Eduardo Kac•ARTICLE•Alea Estudos Neolatinos•2008

  • Media poetry

    Eduardo Kac•BOOK•Media poetry•2007

    The first international anthology to document a radically new poetry which takes language beyond the confines of the printed page into a non-linear world of digital interactivity and hyperlinkage. The work of the poets discussed in this book challenges even the innovations of experimental poetics. It embraces new technologies to explore a new syntax made of linear and non-linear animation, hyperlinkage, interactivity, real-time text generation, s…

  • Holopoesia

    Eduardo Kac•ARTICLE•Revista Diálogos•2007

    O holopoema e o poema concebido, realizado e apresentado holograficamente. Isto implica dizer, a principio, que ele se organiza no espaco tridimensional e, a medida que o leitor o observa, se transforma e da origem a novos significados. Assim, ao ler o poema no espaco, ou seja, ao caminhar ao redor do holograma, o observador modifica constantemente a estrutura do texto. O holopoema nao e um poema em versos transformado em holograma nem um poema c…

  • Questions sur la vie qui reste à venir

    Eduardo Kac•ARTICLE•Critique•2006

  • Bio art

    Open Access•Eduardo Kac•ARTICLE•Social Science Information•2006•References: 3

  • A arte transgênica

    Open Access•Eduardo Kac•ARTICLE•História Ciências Saúde-Manguinhos•2006

    a relao entre arte plstica contempornea, cincia e tecnologia, por meio de sua obra. Considerado

  • Commentaries

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•2003

    October 01 2003 Commentaries Herbert W. Franke, Herbert W. Franke E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Eduardo Kac Eduardo Kac E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Herbert W. Franke Leonardo Honorary Editor E-mail: [email protected] Eduardo Kac Leonardo Editorial Advisor E-m…

  • GFP Bunny

    Eduardo Kac•ARTICLE•Leonardo•2003•Cited by: 3

    The author describes his transgenic artwork GFP Bunny and discusses the theoretical and practical implications of creating a new mammal in the context of art. Weaving together insights from philosophy, molecular biology, natural history, cognitive ethology and art, the author places primary emphasis on the welfare of the transgenic rabbit he has created. The author rejects biological determinism and states his goals of developing a dialogical rel…

  • Time capsule

    Open Access•Eduardo Kac•ARTICLE•AI & Society•2000

  • LEA Abstracts

    Stephen Wilson, Miroslaw Rogala et al.•ARTICLE•Leonardo•1999

    August 01 1999 LEA Abstracts Stephen Wilson, Stephen Wilson Search for other works by this author on: This Site Google Scholar Miroslaw Rogala, Miroslaw Rogala Search for other works by this author on: This Site Google Scholar Paul Hertz, Paul Hertz Search for other works by this author on: This Site Google Scholar Maureen Nappi, Maureen Nappi Search for other works by this author on: This Site Google Scholar Eduardo Kac, Eduardo Kac Search for o…

  • Biotelematics

    Eduardo Kac•ARTICLE•Leonardo•1999

    June 01 1999 Biotelematics Eduardo Kac Eduardo Kac Art and Technology Department, School of the Art Institute of Chicago, 112 S. Michigan Avenue, Room 414, Chicago, IL 60603, U.S.A. Email: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Information Eduardo Kac Art and Technology Department, School of the Art Institute of Chicago, 112 S. Michigan Avenue, Room 414, Chicago, IL 60603, U.S.A. Emai…

  • Abraham Palatnik, Pioneer of Kinetic Art

    Eduardo Kac•ARTICLE•Leonardo•1996

    Abraham Palatnik, the first Brazilian artist to explore the creative use of technology in art, continues to develop his research in light and movement. He also seeks to explore new possibilities in the use of traditional materials in his reliefs and paintings. On 14 October 1986, Palatnik had two exhibitions opening simultaneously in Rio deJaneiro. At the Aktuel Gallery he was showing new kinetic objects, and at the Gravura Brasileira he exhibite…

  • Ornitorrinco" and "Rara Avis

    Eduardo Kac•ARTICLE•Leonardo•1996

    THIS PAPER IS A DISCUSSION OF AESTHETIC IMPLICATIONS AND PRACTICAL implementations of the author’s telepresence art. Ornitorrinco in Eden and Rara Avis , two recent examples of worldwide networked telepresence installations presented publicly over the Internet, are discussed in the paper. A framework is presented to introduce theoretical and cultural aspects of this work. It is proposed that the use of electronic media in art to physically act on…

  • Nomads

    Eduardo Kac•ARTICLE•Leonardo•1996•Cited by: 1

  • Holopoetry and Fractal Holopoetry

    Eduardo Kac, Ormeo Botelho•ARTICLE•Leonardo•1989•Cited by: 1

    In 1983 Eduardo Kac began researching the possibilities of holographic poetry, or holopoetry. This article briefly describes holopoems made between 1983 and 1988 and then focuses on the fractal holopoem Quando ? (When?), co-authored with computer artist, Ormeo Botelho. The authors present the basic concepts of fractal geometry as a tool for the creation of holographic art and show how it was used for the elaboration of Quando? In a technical appe…

  • GFP Bunny

    Eduardo Kac•ARTICLE•Leonardo•2003•Cited by: 3

    The author describes his transgenic artwork GFP Bunny and discusses the theoretical and practical implications of creating a new mammal in the context of art. Weaving together insights from philosophy, molecular biology, natural history, cognitive ethology and art, the author places primary emphasis on the welfare of the transgenic rabbit he has created. The author rejects biological determinism and states his goals of developing a dialogical rel…

  • Nomads

    Eduardo Kac•ARTICLE•Leonardo•1996•Cited by: 1

  • Holopoetry and Fractal Holopoetry

    Eduardo Kac, Ormeo Botelho•ARTICLE•Leonardo•1989•Cited by: 1

    In 1983 Eduardo Kac began researching the possibilities of holographic poetry, or holopoetry. This article briefly describes holopoems made between 1983 and 1988 and then focuses on the fractal holopoem Quando ? (When?), co-authored with computer artist, Ormeo Botelho. The authors present the basic concepts of fractal geometry as a tool for the creation of holographic art and show how it was used for the elaboration of Quando? In a technical appe…

  • Holopoetry and Fractal Holopoetry

    Eduardo Kac, Ormeo Botelho•ARTICLE•Leonardo•1989•Cited by: 1

    In 1983 Eduardo Kac began researching the possibilities of holographic poetry, or holopoetry. This article briefly describes holopoems made between 1983 and 1988 and then focuses on the fractal holopoem Quando ? (When?), co-authored with computer artist, Ormeo Botelho. The authors present the basic concepts of fractal geometry as a tool for the creation of holographic art and show how it was used for the elaboration of Quando? In a technical appe…

  • Abraham Palatnik, Pioneer of Kinetic Art

    Eduardo Kac•ARTICLE•Leonardo•1996

    Abraham Palatnik, the first Brazilian artist to explore the creative use of technology in art, continues to develop his research in light and movement. He also seeks to explore new possibilities in the use of traditional materials in his reliefs and paintings. On 14 October 1986, Palatnik had two exhibitions opening simultaneously in Rio deJaneiro. At the Aktuel Gallery he was showing new kinetic objects, and at the Gravura Brasileira he exhibite…

  • Ornitorrinco" and "Rara Avis

    Eduardo Kac•ARTICLE•Leonardo•1996

    THIS PAPER IS A DISCUSSION OF AESTHETIC IMPLICATIONS AND PRACTICAL implementations of the author’s telepresence art. Ornitorrinco in Eden and Rara Avis , two recent examples of worldwide networked telepresence installations presented publicly over the Internet, are discussed in the paper. A framework is presented to introduce theoretical and cultural aspects of this work. It is proposed that the use of electronic media in art to physically act on…

  • Nomads

    Eduardo Kac•ARTICLE•Leonardo•1996•Cited by: 1

  • LEA Abstracts

    Stephen Wilson, Miroslaw Rogala et al.•ARTICLE•Leonardo•1999

    August 01 1999 LEA Abstracts Stephen Wilson, Stephen Wilson Search for other works by this author on: This Site Google Scholar Miroslaw Rogala, Miroslaw Rogala Search for other works by this author on: This Site Google Scholar Paul Hertz, Paul Hertz Search for other works by this author on: This Site Google Scholar Maureen Nappi, Maureen Nappi Search for other works by this author on: This Site Google Scholar Eduardo Kac, Eduardo Kac Search for o…

  • Biotelematics

    Eduardo Kac•ARTICLE•Leonardo•1999

    June 01 1999 Biotelematics Eduardo Kac Eduardo Kac Art and Technology Department, School of the Art Institute of Chicago, 112 S. Michigan Avenue, Room 414, Chicago, IL 60603, U.S.A. Email: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Information Eduardo Kac Art and Technology Department, School of the Art Institute of Chicago, 112 S. Michigan Avenue, Room 414, Chicago, IL 60603, U.S.A. Emai…

  • Time capsule

    Open Access•Eduardo Kac•ARTICLE•AI & Society•2000

  • Commentaries

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•2003

    October 01 2003 Commentaries Herbert W. Franke, Herbert W. Franke E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Eduardo Kac Eduardo Kac E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Herbert W. Franke Leonardo Honorary Editor E-mail: [email protected] Eduardo Kac Leonardo Editorial Advisor E-m…

  • GFP Bunny

    Eduardo Kac•ARTICLE•Leonardo•2003•Cited by: 3

    The author describes his transgenic artwork GFP Bunny and discusses the theoretical and practical implications of creating a new mammal in the context of art. Weaving together insights from philosophy, molecular biology, natural history, cognitive ethology and art, the author places primary emphasis on the welfare of the transgenic rabbit he has created. The author rejects biological determinism and states his goals of developing a dialogical rel…

  • Questions sur la vie qui reste à venir

    Eduardo Kac•ARTICLE•Critique•2006

  • Bio art

    Open Access•Eduardo Kac•ARTICLE•Social Science Information•2006•References: 3

  • A arte transgênica

    Open Access•Eduardo Kac•ARTICLE•História Ciências Saúde-Manguinhos•2006

    a relao entre arte plstica contempornea, cincia e tecnologia, por meio de sua obra. Considerado

  • Media poetry

    Eduardo Kac•BOOK•Media poetry•2007

    The first international anthology to document a radically new poetry which takes language beyond the confines of the printed page into a non-linear world of digital interactivity and hyperlinkage. The work of the poets discussed in this book challenges even the innovations of experimental poetics. It embraces new technologies to explore a new syntax made of linear and non-linear animation, hyperlinkage, interactivity, real-time text generation, s…

  • Holopoesia

    Eduardo Kac•ARTICLE•Revista Diálogos•2007

    O holopoema e o poema concebido, realizado e apresentado holograficamente. Isto implica dizer, a principio, que ele se organiza no espaco tridimensional e, a medida que o leitor o observa, se transforma e da origem a novos significados. Assim, ao ler o poema no espaco, ou seja, ao caminhar ao redor do holograma, o observador modifica constantemente a estrutura do texto. O holopoema nao e um poema em versos transformado em holograma nem um poema c…

  • Biopoesia

    Open Access•Eduardo Kac•ARTICLE•Alea Estudos Neolatinos•2008

  • Poesia espacial

    Open Access•Eduardo Kac•ARTICLE•Alea Estudos Neolatinos•2008

  • O Movimento de Arte Pornô

    Open Access•Eduardo Kac•ARTICLE•ARS (São Paulo•2013

    O Movimento de Arte Pornô foi um movimento de arte experimental que iniciei no Rio de Janeiro e que durou, como um intervencionismo programático, por dois anos, de fevereiro de 1980 a fevereiro de 1982. Foi o último movimento de vanguarda organizado na arte e na poesia brasileiras. Também ficou conhecido como Poesia Pornô, Pornismo, ou Movimento Pornô ; neste artigo, usarei alternadamente os vários nomes desse movimento. O movimento realizou dive…

  • Entrevista com Wlademir Dias-Pino, poeta revolucionário

    Open Access•Eduardo Kac•ARTICLE•ARS (São Paulo•2015

  • Bioart

    Eduardo Kac•ARTICLE•Les actes de colloques du musée…•2016

    Eduardo Kac gained prominence at the beginning of the twenty-first century with his transgenic work “GFP Bunny” (2000), centered on the green-glowing bunny named Alba that he created through genetic engineering. In 1997 Kac coined the term “Bio Art” to designate the new international movement that manipulates or creates biological life as an art medium. His presentation offers an overview of his trajectory, with emphasis on his most recent works.…

  • GFP Bunny at 20

    Eduardo Kac•ARTICLE•Journal of Posthuman Studies•2020•References: 1

    My artwork GFP Bunny was deemed polemical at the turn of the millennium. In the twenty years that followed, it has been appropriated by pop culture, transformed and incorporated into novels, television, games, and film. This article revisits this unique phenomenon and sheds light on the rabbit that shook the world

  • Bio art

    Open Access•Eduardo Kac•ARTICLE•AI & Society•2021

  • Poesia Digital

    Open Access•Eduardo Kac•ARTICLE•FronteiraZ. Revista do Programa…•2021

    Nessa entrevista, Eduardo Kac, artista pioneiro da arte digital que tem obras exibidas regularmente na América do Sul e do Norte, na Europa, na Austrália, e na Ásia, reflete sobre as relações entre a arte e as novas mídias, sua trajetória e as possibilidades da poesia digital

  • Space Art

    Eduardo Kac•ARTICLE•Journal of Posthuman Studies•2022

    This essay traces the author’s trajectory in space art. It starts in 1986, when he first conceived of a holographic poem to be flown to deep space (scheduled for liftoff in 2023), and continues into the twenty-first century through several works, including Inner Telescope, realized with the cooperation of French astronaut Thomas Pesquet aboard the International Space Station (ISS) in 2017. The author discusses his theoretical and practical involv…

  • Adsum Chronology 2019–2022

    Simone Osthoff, Eduardo Kac•ARTICLE•Journal of Posthuman Studies•2022

    Two versions were made. The Proof of Concept version measures 10 × 10 × 10 cm (4 × 4 × 4 in.) and was published in an edition of five.The Flight-Ready version measures 1 × 1 × 1 cm (0.4 × 0.4 × 0.4 in.) and was also published in an edition of five. During the residency Kac also made over thirty Adsum black ink study drawings.Adsum was featured in the following exhibitions and events in 2020:Adsum was featured in the following exhibitions and even…

Art (17 works) · Computer Science (11 works) · Art history (9 works) · Science Education and Perceptions (6 works) · Humanities (4 works) · Visual arts (4 works) · World Wide Web (4 works) · Art, Technology, and Culture (3 works) · Biology (3 works) · Citation (3 works)

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