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Marcello Sorce Keller

Biographic Data

ID89059
NAMEMarcello Sorce Keller
GIVEN NAMESMarcello Sorce
FAMILY NAMEKeller
SIGNATUREKELLER M S
AFFILIATIONSUniversity of Bern
VERIFIEDNo
TOTAL WORKS28
TOTAL CITATIONS7
AUTHOR COUNT28
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2024
H-INDEX2
  • European American music

    Philip V Bohlman, Stephen Erdely et al.•CHAPTER•The new Grove dictionary of music…•2024

  • Bernd Brabec de Mori

    Open Access•Marcello Sorce Keller•ARTICLE•Die Musikforschung•2016

  • Linnaeus, Zoomusicology, Ecomusicology, and the Quest for Meaningful Categories

    Open Access•Marcello Sorce Keller•ARTICLE•Musicological Annual•2016

    “Music” is not a scientific term. In the course of time, it has become like a big container, where sonic objects and practices that have nothing in common are put together. It carries so many historical and cultural connotations as to make it unfit for scholarly discourse about the social use of sound

  • Continuing opera with other means

    Open Access•Marcello Sorce Keller•ARTICLE•Forum Italicum A Journal of…•2016•Cited by: 2•References: 4

    The author asks himself how it is that without a specific local or even national connection to Neapolitan song, Naples’ music heritage ‘speaks’ to him, as it speaks to millions of people around the world. Neapolitan song is indeed one of the few local musical traditions that have become truly global. The notions of imagined community, cultural distance, geographic distance, and nostalgia must be summoned and played out against each other if we wa…

  • Ignored and forgotten

    Open Access•Marcello Sorce Keller•ARTICLE•Forum Italicum A Journal of…•2015•References: 4

    Why has research on Italian Jewish music been until recently almost nonexistent? This can only in part be explained by the small number of Jews living in Italy, compared to other European countries. Nor is racism a convincing answer. Even in the early years of Fascism, before Mussolini enacted the racial laws in 1938, the Jewish presence in Italy was not perceived, by and large, as ‘problematic’. Rather, what prevented people from gaining an awar…

  • Expressing, Communicating, Sharing and Representing Grief and Sorrow with Organised Sound (Musings in Eight Short Segments)

    Marcello Sorce Keller•ARTICLE•Humanities Research•2013

    In Ancient Rome Marcus Cato (234-149 BC), commonly surnamed the Censor, or the Wise, would often speak up in the Senate and, whatever the topic under discussion, he would unfailingly start with words such as 'the City of Carthage must be destroyed' ('Carthago delenda est'). He was obsessed with the idea that Carthage, the great power competing with Rome for dominance in the Mediterranean, should be annihilated. At some point, the Phoenician city …

  • Zoomusicology and Ethnomusicology

    Open Access•Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•2012•Cited by: 4•References: 28

    What Cartesian nonsense to think of birdsong as pre-programmed cries uttered by birds to advertise their presence to the opposite sex, and so forth! Each bird-cry is a full-hearted release of the self into the air, accompanied by such joy, as we can barely comprehend.(J. M. Coetzee,Diary of a Bad Year, 2008:132)S'il s'avère que la musique est un phénomène répandu chez plusieurs espèces vivantes en-dehors de l'homme, cela remettra forcément en cau…

  • Italian Treasury

    Open Access•Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•2005

    Italian Treasury: Piemonte and Valle D'Aosta. 2004. The Alan Lomax Collection. Rounder CD 82161-1807-2. Recorded by Alan Lomax and Diego Carpitella. Selected, compiled, researched, and edited by Goffredo Plastino. Annotated by Franco Castelli and Rosito Champrétavy. 38 pages of notes in English (including song texts in local dialects). Translations from Italian by Ellen Harold. 5 B/W photographs, 1 map. 18-item bibliography, 5-item discography. 1…

  • La forza dei simboli

    Marcello Sorce Keller, Ignazio E Buttitta et al.•ARTICLE•Yearbook for Traditional Music•2003

  • Italian Treasury

    Marcello Sorce Keller, Alan Lomax et al.•ARTICLE•Yearbook for Traditional Music•2003

  • United States of America

    Richard Crawford, Philip V Bohlman et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Musica e sociologia

    Ilaria Candeloro, Marcello Sorce Keller•ARTICLE•Ethnomusicology•1997

  • Musica e sociologia

    Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•1996

  • Tradizione orale e canto corale

    Tullia Magrini, Marcello Sorce Keller•ARTICLE•Ethnomusicology•1996

  • Music in Human Life

    Marcello Sorce Keller, John E Kaemmer•ARTICLE•Yearbook for Traditional Music•1994

  • La Collezione Degli Strumenti Musicali (Museo Nazionale delle Arti e Tradizioni Popolari - Roma)

    Marcello Sorce Keller, Paola Elisabetta Simeoni et al.•ARTICLE•Ethnomusicology•1994

  • Il concetto di musica. Contributi e prospettive della ricerca etnomusicologica

    Marcello Sorce Keller, Francesco Giannattasio•ARTICLE•Cahiers de musiques traditionnelles•1993

  • Poesies chantees de tradition orale en Flandre et en Bretagne

    Marcello Sorce Keller, D Crochu et al.•ARTICLE•Yearbook for Traditional Music•1992

  • Tradizione orale e canto corale

    Linda Barwick, Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•1992

  • Chesta e' la voci ca canuscite. Southern Italian Mountain Music from Calabria, Campania, Basilicata, and Abruzzi

    Marcello Sorce Keller, Anna L Chairetakis•ARTICLE•Ethnomusicology•1990

  • Musiksoziologie

    Marcello Sorce Keller, Christian Kaden•ARTICLE•Yearbook for Traditional Music•1988

  • Das korsische Volkslied

    Marcello Sorce Keller, Wolfgang Laade•ARTICLE•Yearbook for Traditional Music•1988

  • La tradizione musicale a Maranola. Materiali di ricerca etnomusicologica nel basso Lazio

    Marcello Sorce Keller, Ambrogio Sparagna et al.•ARTICLE•Ethnomusicology•1986

  • Canti liturgici popolari nel Ticino

    Marcello Sorce Keller, Arnold Geering et al.•ARTICLE•Ethnomusicology•1986

  • Life of a Traditional Ballad in Oral Tradition and Choral Practice

    Marcello Sorce Keller•ARTICLE•Ethnomusicology•1986

    his article, like a previous one of mine that appeared in this journal, deals with the folk music of the Italian Trentino'. My former study describes the tradition of that area in general terms focusing on the association of musical repertories with vernacular languages, and on some peculiar aspects of the process of transmission. The present one, on the other hand, is a case study showing how the text and the music of a particular song are actua…

Next
  • Zoomusicology and Ethnomusicology

    Open Access•Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•2012•Cited by: 4•References: 28

    What Cartesian nonsense to think of birdsong as pre-programmed cries uttered by birds to advertise their presence to the opposite sex, and so forth! Each bird-cry is a full-hearted release of the self into the air, accompanied by such joy, as we can barely comprehend.(J. M. Coetzee,Diary of a Bad Year, 2008:132)S'il s'avère que la musique est un phénomène répandu chez plusieurs espèces vivantes en-dehors de l'homme, cela remettra forcément en cau…

  • Continuing opera with other means

    Open Access•Marcello Sorce Keller•ARTICLE•Forum Italicum A Journal of…•2016•Cited by: 2•References: 4

    The author asks himself how it is that without a specific local or even national connection to Neapolitan song, Naples’ music heritage ‘speaks’ to him, as it speaks to millions of people around the world. Neapolitan song is indeed one of the few local musical traditions that have become truly global. The notions of imagined community, cultural distance, geographic distance, and nostalgia must be summoned and played out against each other if we wa…

  • The Problem of Classification in Folksong Research

    Marcello Sorce Keller•ARTICLE•Folklore•1984•Cited by: 1•References: 1

    THE problem of folksong classification has been extensively dealt with in the ethnomusicological literature since the beginnings of the discipline in the late nineteenth century.' That no ideal solution has been found so far is shown by the constant appearance of new endeavours throughout our century. Today, even though no major breakthrough is foreseen for the immediate future, the use of the computer promises at least the possibility of more ef…

  • The Problem of Classification in Folksong Research

    Marcello Sorce Keller•ARTICLE•Folklore•1984•Cited by: 1•References: 1

    THE problem of folksong classification has been extensively dealt with in the ethnomusicological literature since the beginnings of the discipline in the late nineteenth century.' That no ideal solution has been found so far is shown by the constant appearance of new endeavours throughout our century. Today, even though no major breakthrough is foreseen for the immediate future, the use of the computer promises at least the possibility of more ef…

  • Folk Music in Trentino

    Marcello Sorce Keller•ARTICLE•Ethnomusicology•1984

    Presentation de la musique populaire de la province du Trentin (Italie) et de son lien avec la geographie linguistique de la region

  • Il romanzo del canto popolare piemontese

    Marcello Sorce Keller, Franca Orengo et al.•ARTICLE•Journal of American Folklore•1985

  • La tradizione musicale a Maranola. Materiali di ricerca etnomusicologica nel basso Lazio

    Marcello Sorce Keller, Ambrogio Sparagna et al.•ARTICLE•Ethnomusicology•1986

  • Canti liturgici popolari nel Ticino

    Marcello Sorce Keller, Arnold Geering et al.•ARTICLE•Ethnomusicology•1986

  • Life of a Traditional Ballad in Oral Tradition and Choral Practice

    Marcello Sorce Keller•ARTICLE•Ethnomusicology•1986

    his article, like a previous one of mine that appeared in this journal, deals with the folk music of the Italian Trentino'. My former study describes the tradition of that area in general terms focusing on the association of musical repertories with vernacular languages, and on some peculiar aspects of the process of transmission. The present one, on the other hand, is a case study showing how the text and the music of a particular song are actua…

  • Musiksoziologie

    Marcello Sorce Keller, Christian Kaden•ARTICLE•Yearbook for Traditional Music•1988

  • Das korsische Volkslied

    Marcello Sorce Keller, Wolfgang Laade•ARTICLE•Yearbook for Traditional Music•1988

  • Chesta e' la voci ca canuscite. Southern Italian Mountain Music from Calabria, Campania, Basilicata, and Abruzzi

    Marcello Sorce Keller, Anna L Chairetakis•ARTICLE•Ethnomusicology•1990

  • Poesies chantees de tradition orale en Flandre et en Bretagne

    Marcello Sorce Keller, D Crochu et al.•ARTICLE•Yearbook for Traditional Music•1992

  • Tradizione orale e canto corale

    Linda Barwick, Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•1992

  • Il concetto di musica. Contributi e prospettive della ricerca etnomusicologica

    Marcello Sorce Keller, Francesco Giannattasio•ARTICLE•Cahiers de musiques traditionnelles•1993

  • Music in Human Life

    Marcello Sorce Keller, John E Kaemmer•ARTICLE•Yearbook for Traditional Music•1994

  • La Collezione Degli Strumenti Musicali (Museo Nazionale delle Arti e Tradizioni Popolari - Roma)

    Marcello Sorce Keller, Paola Elisabetta Simeoni et al.•ARTICLE•Ethnomusicology•1994

  • Musica e sociologia

    Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•1996

  • Tradizione orale e canto corale

    Tullia Magrini, Marcello Sorce Keller•ARTICLE•Ethnomusicology•1996

  • Musica e sociologia

    Ilaria Candeloro, Marcello Sorce Keller•ARTICLE•Ethnomusicology•1997

  • United States of America

    Richard Crawford, Philip V Bohlman et al.•CHAPTER•The new Grove dictionary of music…•2001

  • La forza dei simboli

    Marcello Sorce Keller, Ignazio E Buttitta et al.•ARTICLE•Yearbook for Traditional Music•2003

  • Italian Treasury

    Marcello Sorce Keller, Alan Lomax et al.•ARTICLE•Yearbook for Traditional Music•2003

  • Italian Treasury

    Open Access•Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•2005

    Italian Treasury: Piemonte and Valle D'Aosta. 2004. The Alan Lomax Collection. Rounder CD 82161-1807-2. Recorded by Alan Lomax and Diego Carpitella. Selected, compiled, researched, and edited by Goffredo Plastino. Annotated by Franco Castelli and Rosito Champrétavy. 38 pages of notes in English (including song texts in local dialects). Translations from Italian by Ellen Harold. 5 B/W photographs, 1 map. 18-item bibliography, 5-item discography. 1…

  • Zoomusicology and Ethnomusicology

    Open Access•Marcello Sorce Keller•ARTICLE•Yearbook for Traditional Music•2012•Cited by: 4•References: 28

    What Cartesian nonsense to think of birdsong as pre-programmed cries uttered by birds to advertise their presence to the opposite sex, and so forth! Each bird-cry is a full-hearted release of the self into the air, accompanied by such joy, as we can barely comprehend.(J. M. Coetzee,Diary of a Bad Year, 2008:132)S'il s'avère que la musique est un phénomène répandu chez plusieurs espèces vivantes en-dehors de l'homme, cela remettra forcément en cau…

  • Expressing, Communicating, Sharing and Representing Grief and Sorrow with Organised Sound (Musings in Eight Short Segments)

    Marcello Sorce Keller•ARTICLE•Humanities Research•2013

    In Ancient Rome Marcus Cato (234-149 BC), commonly surnamed the Censor, or the Wise, would often speak up in the Senate and, whatever the topic under discussion, he would unfailingly start with words such as 'the City of Carthage must be destroyed' ('Carthago delenda est'). He was obsessed with the idea that Carthage, the great power competing with Rome for dominance in the Mediterranean, should be annihilated. At some point, the Phoenician city …

  • Ignored and forgotten

    Open Access•Marcello Sorce Keller•ARTICLE•Forum Italicum A Journal of…•2015•References: 4

    Why has research on Italian Jewish music been until recently almost nonexistent? This can only in part be explained by the small number of Jews living in Italy, compared to other European countries. Nor is racism a convincing answer. Even in the early years of Fascism, before Mussolini enacted the racial laws in 1938, the Jewish presence in Italy was not perceived, by and large, as ‘problematic’. Rather, what prevented people from gaining an awar…

  • Bernd Brabec de Mori

    Open Access•Marcello Sorce Keller•ARTICLE•Die Musikforschung•2016

Art (17 works) · Diverse Musicological Studies (13 works) · History (12 works) · Humanities (9 works) · Literature (8 works) · Musicology and Musical Analysis (8 works) · Geography (6 works) · Italian Literature and Culture (6 works) · Linguistic Studies and Language Acquisition (6 works) · Sociology (6 works)

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