Linnaeus, Zoomusicology, Ecomusicology, and the Quest for Meaningful Categories
Bibliographic Data
| ID | 14780317 |
|---|---|
| Authors | Marcello Sorce Keller (University of Bern, corresponding author) |
| Year | 2016 |
| Volume | 52 |
| Issue | 2 |
| Pages | 163-176 |
| Publication date | 2016-12-09 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.52.2.163-176 |
| OpenAlex | W2562023778 |
| Language | EN |
| References cited | 7 |
“Music” is not a scientific term. In the course of time, it has become like a big container, where sonic objects and practices that have nothing in common are put together. It carries so many historical and cultural connotations as to make it unfit for scholarly discourse about the social use of sound
Acoustics · Aesthetics · Art · Epistemology · Literature · Nothing · Sociology · Diverse Musicological Studies · Engineering · Historical Influence and Diplomacy · History · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |