Arabinda Rajkhowa
Biographic Data
| ID | 8968420 |
|---|---|
| NAME | Arabinda Rajkhowa |
| GIVEN NAMES | Arabinda |
| FAMILY NAME | Rajkhowa |
| SIGNATURE | RAJKHOWA A |
| AFFILIATIONS | Tezpur University |
| ORCID | 0009-0009-5599-3090 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Long Continuity: Assamese Popular Science Writing as a Vernacular Knowledge Ecosystem, 1846–2018
This article presents a sociohistorical analysis of Assamese popular science writing (bigyan sahitya) over nearly two centuries (1846–2018), arguing that what has often been described as a regional literary tradition is more usefully understood as a durable vernacular knowledge ecosystem—a sustained institutional, periodical, and discursive infrastructure through which scientific modernity has been linguistically mediated, socially circulated, an…
A Study of Male Characters in the Assamese Novel Through the Lens of Eco Masculinity
This paper examines male characters in Nilakshi Chaliha Gogoi’s Assamese novel Oiya Mor Dibru-Saikhowa (Oh, My Dibru-Saikhowa) through the lens of Eco Masculinity, drawing primarily on Hultman and Pulé’s tripartite typology of industrial, eco-modern, and ecological masculinities. The study reads the novel’s two principal male characters—Bakul Bora and Seuj—as contrasting masculine trajectories shaped, respectively, by socio-economic deprivation, …
The Architecture of Ghanshyam’s House: Heritage and the Present
The architectural monuments of the Ahom period constitute some of the most revered heritage sites of Assam. Among these, Ghanshyam’s House, located on the western bank of the Jayasagar tank in Sivasagar district, represents a structure of exceptional architectural and art-historical significance. Built by Ghanshyamuddin, a Muslim artisan from Kochbehar invited to the Ahom kingdom during the reign of Swargadeo Rudra Singha (r. 1696–1714 CE), the m…
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The Long Continuity: Assamese Popular Science Writing as a Vernacular Knowledge Ecosystem, 1846–2018
This article presents a sociohistorical analysis of Assamese popular science writing (bigyan sahitya) over nearly two centuries (1846–2018), arguing that what has often been described as a regional literary tradition is more usefully understood as a durable vernacular knowledge ecosystem—a sustained institutional, periodical, and discursive infrastructure through which scientific modernity has been linguistically mediated, socially circulated, an…
A Study of Male Characters in the Assamese Novel Through the Lens of Eco Masculinity
This paper examines male characters in Nilakshi Chaliha Gogoi’s Assamese novel Oiya Mor Dibru-Saikhowa (Oh, My Dibru-Saikhowa) through the lens of Eco Masculinity, drawing primarily on Hultman and Pulé’s tripartite typology of industrial, eco-modern, and ecological masculinities. The study reads the novel’s two principal male characters—Bakul Bora and Seuj—as contrasting masculine trajectories shaped, respectively, by socio-economic deprivation, …
The Architecture of Ghanshyam’s House: Heritage and the Present
The architectural monuments of the Ahom period constitute some of the most revered heritage sites of Assam. Among these, Ghanshyam’s House, located on the western bank of the Jayasagar tank in Sivasagar district, represents a structure of exceptional architectural and art-historical significance. Built by Ghanshyamuddin, a Muslim artisan from Kochbehar invited to the Ahom kingdom during the reign of Swargadeo Rudra Singha (r. 1696–1714 CE), the m…
Assamese (2 works) · Indian and Buddhist Studies (2 works) · South Asian Studies and Conflicts (2 works) · Architectural plan (1 works) · Architectural style (1 works) · Architecture (1 works) · Carelessness (1 works) · Colonial History and Postcolonial Studies (1 works) · Colonialism (1 works) · Consciousness (1 works)