Adam Eric Berkowitz
Biographic Data
| ID | 9030386 |
|---|---|
| NAME | Adam Eric Berkowitz |
| GIVEN NAMES | Adam Eric |
| FAMILY NAME | Berkowitz |
| SIGNATURE | BERKOWITZ A E |
| AFFILIATIONS | University of Alabama |
| ORCID | 0000-0001-8340-4745 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Simulating Voice and the Simulacra of Voice Clones
Digital Sweat from the Virtual Brow
Generative artificial intelligence (genAI) tests the limits of copyright law in the United States (US), requiring the US Copyright Office to reassess its longstanding position on computer-made works. The Copyright Office argues against awarding copyright to genAI works because it overextends the limits of Sweat of the Brow Doctrine, which rewards effort with ownership and protection because the result has value. Sweat of the Brow Doctrine is base…
Look Who’s Talking
Generative AI has quickly expanded voice cloning’s capabilities, while also lowering barriers for using this technology. Questions about how voice cloning may impact our claim to ownership over our voices remain open, with legal standards lagging in protections for everyday people. This suggests there is a critical need for researchers to develop more frameworks to understand the complexities of voice and voice data as emerging sites where extrac…
Artificial Intelligence and Musicking
Artificial intelligence (AI) deployed for customer relationship management (CRM), digital rights management (DRM), content recommendation, and content generation challenge longstanding truths about listening to and making music. CRM uses music to surveil audiences, removes decision-making responsibilities from consumers, and alters relationships among listeners, artists, and music. DRM overprotects copyrighted content by subverting Fair Use Doctr…
No prominent works on this page.
Artificial Intelligence and Musicking
Artificial intelligence (AI) deployed for customer relationship management (CRM), digital rights management (DRM), content recommendation, and content generation challenge longstanding truths about listening to and making music. CRM uses music to surveil audiences, removes decision-making responsibilities from consumers, and alters relationships among listeners, artists, and music. DRM overprotects copyrighted content by subverting Fair Use Doctr…
Digital Sweat from the Virtual Brow
Generative artificial intelligence (genAI) tests the limits of copyright law in the United States (US), requiring the US Copyright Office to reassess its longstanding position on computer-made works. The Copyright Office argues against awarding copyright to genAI works because it overextends the limits of Sweat of the Brow Doctrine, which rewards effort with ownership and protection because the result has value. Sweat of the Brow Doctrine is base…
Look Who’s Talking
Generative AI has quickly expanded voice cloning’s capabilities, while also lowering barriers for using this technology. Questions about how voice cloning may impact our claim to ownership over our voices remain open, with legal standards lagging in protections for everyday people. This suggests there is a critical need for researchers to develop more frameworks to understand the complexities of voice and voice data as emerging sites where extrac…
Simulating Voice and the Simulacra of Voice Clones
Commodification (2 works) · Human voice (2 works) · Aesthetics (1 work) · AI in Service Interactions (1 work) · Art (1 work) · Computer Science (1 work) · Copyright and Intellectual Property (1 work) · Digital Communication and Language (1 work) · Digital content (1 work) · Diverse Musicological Studies (1 work)