Ivan Golovnev
Biographic Data
| ID | 906117 |
|---|---|
| NAME | Ivan Golovnev |
| GIVEN NAMES | Ivan |
| FAMILY NAME | Golovnev |
| SIGNATURE | GOLOVNEV I |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Artistic Ethnofilm
The “Northerness” as a thematic vector permeated the history of Russian (Soviet, if we mean this historical period) cinema, which was expressed in a colorful series of films that have survived to this day. By involving a mass audience in screen expeditions, cinematography contributed significantly to the creation of an image of the Russian North in the consciousness of broad strata of Russian society. Moreover, one of the key components of this m…
The “Marxist Ethno-Film” of Vladimir Bogoraz
The castle complexes of the belarusian nobility between the 14th and the 17th centuries
The Representation of Childhood in Ethnographic Films of Siberian Indigenous Peoples
This article investigates the representation of childhood in ethnographic films among the indigenous peoples of the Russian North. The article focuses on the documentary film Malen’kaia Katerina (Tiny Katerina; Ivan Golovnev 2004), which depicts the childhood of a Khanty girl in northwestern Siberia. The article employs the concept of ethnocinema as a synthesis of scientific and aesthetic approaches for perceiving and understanding traditional cu…
No prominent works on this page.
The Representation of Childhood in Ethnographic Films of Siberian Indigenous Peoples
This article investigates the representation of childhood in ethnographic films among the indigenous peoples of the Russian North. The article focuses on the documentary film Malen’kaia Katerina (Tiny Katerina; Ivan Golovnev 2004), which depicts the childhood of a Khanty girl in northwestern Siberia. The article employs the concept of ethnocinema as a synthesis of scientific and aesthetic approaches for perceiving and understanding traditional cu…
The castle complexes of the belarusian nobility between the 14th and the 17th centuries
The “Marxist Ethno-Film” of Vladimir Bogoraz
Artistic Ethnofilm
The “Northerness” as a thematic vector permeated the history of Russian (Soviet, if we mean this historical period) cinema, which was expressed in a colorful series of films that have survived to this day. By involving a mass audience in screen expeditions, cinematography contributed significantly to the creation of an image of the Russian North in the consciousness of broad strata of Russian society. Moreover, one of the key components of this m…
Ethnography (2 works) · Indigenous (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art (1 work) · Childhood studies (1 work) · Children's Rights and Participation (1 work)