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Artistic Ethnofilm

Piebald Dog, Running Along the Shore

Bibliographic Data

ID21254680
AuthorsIvan Golovnev (corresponding author), I A Golovnev (0000-0003-4866-7122)
Year2025
Volume2
Issue28
Pages134-147
Publication date2025-07-10
Open AccessYes
TypeARTICLE
VenueKunstkamera (JOURNAL)
Journal identifiersISSN: 2618-8619 • E-ISSN: 2712-8636
PublisherPeter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (The Kunstkamera) (PUBLISHER)
DOI10.31250/2618-8619-2025-2(28)-134-147
OpenAlexW7117261189
LanguageEN

The “Northerness” as a thematic vector permeated the history of Russian (Soviet, if we mean this historical period) cinema, which was expressed in a colorful series of films that have survived to this day. By involving a mass audience in screen expeditions, cinematography contributed significantly to the creation of an image of the Russian North in the consciousness of broad strata of Russian society. Moreover, one of the key components of this multifaceted image was invariably associated with the lifestyle of indigenous northerners. The creative participation of scholars in such film projects ensured an increase in the quality of the films: from superficial exoticism to fascinating ethnography. It is no coincidence that at present, an increasing number of researchers are turning to ethnofilm in their studies. A special dimension in this field is revealed by the analysis of artistic ethnographic film projects. The film Piebald Dog Running Along the Shore, considered in this article, was the result of co-creation of a wide range of representatives of various national, regional and professional communities. The film is based on the traditional culture of the Sakhalin Nivkhs, which is why a number of special issues related to the methods of artistic reconstruction and forms of ethnographic materials translation in film work were of primary research interest. What scientific research sources determined the birth and development of the film’s concept? How was the interaction of the film crew and scientific consultants organized? What was the role of the representatives of the local Nivkh community themselves in the process of film production? The author of the article managed to clarify these and numerous other off-screen nuances in a thematic interview with the film’s director Karen Gevorkian, which formed the basis of the publication

Cinematography · Ethnography · Exoticism · Field research · Film director · Indigenous · Shore · Tourism · European Linguistics and Anthropology · Indigenous Studies and Ecology · Vladimir Nabokov Literary Studies

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