Susas Rita Loravianti
Biographic Data
| ID | 9078180 |
|---|---|
| NAME | Susas Rita Loravianti |
| GIVEN NAMES | Susas Rita |
| FAMILY NAME | Loravianti |
| SIGNATURE | LORAVIANTI S R |
| AFFILIATIONS | Institut Seni Indonesia Padangpanjang |
| ORCID | 0000-0001-9476-6354 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Vernacular choreography
The declining engagement with social spaces and cultural symbols threatens the survival of local cultures, necessitating immediate intervention. This research examines the role of performing arts, particularly vernacular choreography, in preserving local cultural heritage within communities. The study employs qualitative data sourced from online platforms, with YouTube serving as a primary documentation resource. Findings reveal that vernacular c…
Performing Cosmology
This research investigates Turuk Lagai, a central ritual of the Mentawai people in West Sumatra, Indonesia, as a performative act that enacts and sustains their cosmological worldview. The study's objective is to understand how this ritual reflects belief and constitutes reality through embodied and relational practices. Using a qualitative ethnographic approach, the study draws on long-term fieldwork, in-depth interviews, and thematic analysis a…
Choreography as Decolonial Practice
This article explores two dance choreographies, Menghimpun Cahaya (Gathering Light) and Ziarah Surau Kota Hujan (Pilgrimage to the City of Rain’s Prayer Hall), performed at the opening ceremonies of West Sumatra’s Qur’anic recitation competitions (Musabaqah Tilawatil Qur’an, or MTQ) in 2019 and in 2021. While the MTQ have been studied as sites of performing piety, nationalism, and/or “goodness”; this article explores the role of choreography in a…
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Performing Cosmology
This research investigates Turuk Lagai, a central ritual of the Mentawai people in West Sumatra, Indonesia, as a performative act that enacts and sustains their cosmological worldview. The study's objective is to understand how this ritual reflects belief and constitutes reality through embodied and relational practices. Using a qualitative ethnographic approach, the study draws on long-term fieldwork, in-depth interviews, and thematic analysis a…
Choreography as Decolonial Practice
This article explores two dance choreographies, Menghimpun Cahaya (Gathering Light) and Ziarah Surau Kota Hujan (Pilgrimage to the City of Rain’s Prayer Hall), performed at the opening ceremonies of West Sumatra’s Qur’anic recitation competitions (Musabaqah Tilawatil Qur’an, or MTQ) in 2019 and in 2021. While the MTQ have been studied as sites of performing piety, nationalism, and/or “goodness”; this article explores the role of choreography in a…
Vernacular choreography
The declining engagement with social spaces and cultural symbols threatens the survival of local cultures, necessitating immediate intervention. This research examines the role of performing arts, particularly vernacular choreography, in preserving local cultural heritage within communities. The study employs qualitative data sourced from online platforms, with YouTube serving as a primary documentation resource. Findings reveal that vernacular c…
Asian Studies and History (2 works) · Cultural and Religious Practices in Indonesia (2 works) · Performative utterance (2 works) · Anthropological Studies and Insights (1 work) · Art, Politics, and Modernism (1 work) · Choreography (1 work) · Conversation (1 work) · Dance (1 work) · Diverse Musicological Studies (1 work) · Diversity and Impact of Dance (1 work)