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Performing Cosmology

Sound, Movement, and World-Making in the Turuk Lagai Ritual of Mentawai

Bibliographic Data

ID21987612
AuthorsSusas Rita Loravianti (0000-0001-9476-6354, Institut Seni Indonesia Padangpanjang), Alfalah Alfalah (0009-0003-9863-4385, Institut Seni Indonesia Padangpanjang), Iswandi Iswandi (0000-0001-5223-3074, Institut Seni Indonesia Padangpanjang), Emri Emri (0009-0004-5865-4514, Institut Seni Indonesia Padangpanjang), Katia Chaterji (0009-0008-6461-8690, Loyola Marymount University), Eva Y (0000-0001-8975-2126, Institut Seni Indonesia Padangpanjang)
Year2025
Volume26
Issue2
Pages312-338
Publication date2025-08-30
Open AccessYes
TypeARTICLE
VenueRESITAL JURNAL SENI PERTUNJUKAN (JOURNAL)
Journal identifiersISSN: 2085-9910 • E-ISSN: 2338-6770
PublisherInstitut Seni Indonesia Yogyakarta (PUBLISHER)
DOI10.24821/resital.v26i2.17136
OpenAlexW7117132354
LanguageEN

This research investigates Turuk Lagai, a central ritual of the Mentawai people in West Sumatra, Indonesia, as a performative act that enacts and sustains their cosmological worldview. The study's objective is to understand how this ritual reflects belief and constitutes reality through embodied and relational practices. Using a qualitative ethnographic approach, the study draws on long-term fieldwork, in-depth interviews, and thematic analysis assisted by QualCoder. Data were coded and interpreted through a theoretical framework combining Victor Turner's ritual process, Catherine Bell's ritualization theory, and Tim Ingold's concept of relational ontology. The analysis identified three overarching themes—Embodiment, Spiritual Correspondence, and Relational Ontology—that demonstrate how bodily movement, chants, offerings, and environmental elements co-produce a cosmological order. Rather than symbolizing cosmology, Turuk Lagai brings it into being, renewing social and spiritual relationships between humans, nature, and ancestral forces. The study concludes that Turuk Lagai is a dynamic system of knowledge production and cosmological maintenance. It recommends greater recognition of indigenous ritual not as static tradition but as an active and vital mode of world-making with implications for cultural preservation and ecological ethics

Embodied cognition · Ethnography · Indigenous · Performative utterance · Thematic analysis · Asian Studies and History · Cultural and Religious Practices in Indonesia · Diverse Musicological Studies

Highly citedNo

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