Mathias Obert
Biographic Data
| ID | 9180340 |
|---|---|
| NAME | Mathias Obert |
| GIVEN NAMES | Mathias |
| FAMILY NAME | Obert |
| SIGNATURE | OBERT M |
| AFFILIATIONS | National Sun Yat-sen University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Heidegger on “Saying” and the Inconspicuousness of Showing in the Arts
The later Heidegger endeavors to elucidate human existence in its relying on language and the connection between “saying” and “showing.” I try to clarify the philosophical significance of showing, beyond a common semiotic understanding of “sign,” “signifying,” and “appearing.” For this I take advantage of a phenomenological inquiry about how showing is constituted by the inconspicuous effectiveness which is set free in pictorial showing
Martin Heidegger’s Phenomenology of the Inconspicuous
This paper is concerned with a fundamental problem of phenomenological research, namely the question how phenomena appear.Well-known is Martin Heidegger's talking about truth as "unconcealment," coupling appearing with "concealment" or "saving."Yet besides this important stance the later Heidegger developed a quite different approach regarding the relation between Being and appearing, now centered on what he termed "the inconspicuous" (das Unsche…
Welt als Bild
In dieser Studie wird die theoretische Grundlegung der chinesischen »Tuschelandschaft«, der sogenannten Berg-Wasser-Malerei (shan shui huà), zwischen dem 5. und dem 12. Jahrhundert nachgezeichnet. Den geistesgeschichtlichen Entwicklungen dieses Zeitraumes kommt prägende Bedeutung für das kulturelle Selbstverständnis des alten China zu. Indem die Abhandlung aus einer phänomenologischen Perspektive den philosophischen Zusammenhängen zwischen der An…
Sinndeutung und Zeitlichkeit
No prominent works on this page.
Sinndeutung und Zeitlichkeit
Welt als Bild
In dieser Studie wird die theoretische Grundlegung der chinesischen »Tuschelandschaft«, der sogenannten Berg-Wasser-Malerei (shan shui huà), zwischen dem 5. und dem 12. Jahrhundert nachgezeichnet. Den geistesgeschichtlichen Entwicklungen dieses Zeitraumes kommt prägende Bedeutung für das kulturelle Selbstverständnis des alten China zu. Indem die Abhandlung aus einer phänomenologischen Perspektive den philosophischen Zusammenhängen zwischen der An…
Martin Heidegger’s Phenomenology of the Inconspicuous
This paper is concerned with a fundamental problem of phenomenological research, namely the question how phenomena appear.Well-known is Martin Heidegger's talking about truth as "unconcealment," coupling appearing with "concealment" or "saving."Yet besides this important stance the later Heidegger developed a quite different approach regarding the relation between Being and appearing, now centered on what he termed "the inconspicuous" (das Unsche…
Heidegger on “Saying” and the Inconspicuousness of Showing in the Arts
The later Heidegger endeavors to elucidate human existence in its relying on language and the connection between “saying” and “showing.” I try to clarify the philosophical significance of showing, beyond a common semiotic understanding of “sign,” “signifying,” and “appearing.” For this I take advantage of a phenomenological inquiry about how showing is constituted by the inconspicuous effectiveness which is set free in pictorial showing
Computer Science (2 works) · Nietzsche, Schopenhauer, and Hegel (2 works) · Phenomenology and Existential Philosophy (2 works) · Aesthetics (1 work) · Art (1 work) · Art, Aesthetics, and Perception (1 work) · Art, Politics, and Modernism (1 work) · Chinese history and philosophy (1 work) · Epistemology (1 work) · Gaze (1 work)