Heidegger on “Saying” and the Inconspicuousness of Showing in the Arts
Bibliographic Data
| ID | 21828010 |
|---|---|
| Authors | Mathias Obert (National Sun Yat-sen University, corresponding author) |
| Year | 2026 |
| Volume | 19 |
| Issue | 4 |
| Pages | 92-102 |
| Publication date | 2026-02-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Kritike An Online Journal of Philosophy (JOURNAL) |
| Journal identifiers | ISSN: 1908-7330 • E-ISSN: 1908-7330 |
| Publisher | Kritike: An Online Journal of Philosophy (PUBLISHER) |
| DOI | 10.25138/19.4.a10 |
| OpenAlex | W7161142211 |
| Language | EN |
The later Heidegger endeavors to elucidate human existence in its relying on language and the connection between “saying” and “showing.” I try to clarify the philosophical significance of showing, beyond a common semiotic understanding of “sign,” “signifying,” and “appearing.” For this I take advantage of a phenomenological inquiry about how showing is constituted by the inconspicuous effectiveness which is set free in pictorial showing
Semiotics · The arts · Art, Politics, and Modernism · Phenomenology and Existential Philosophy · Semiotics and Representation Studies
| Highly cited | No |
|---|