Carl Sweeney
Datos Biográficos
| ID | 9230560 |
|---|---|
| NOMBRE | Carl Sweeney |
| NOMBRES | Carl |
| APELLIDO | Sweeney |
| FIRMA | SWEENEY C |
| AFILIACIONES | University of Wolverhampton |
| ORCID | 0000-0002-3373-9464 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2021 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 0 |
Married to the Cape
Influential theoretical paradigms posit that television is unlike cinema because it creates personalities rather than stars. Conversely, Deborah Jermyn challenges prior theories through analysis of Sarah Jessica Parker’s image, suggesting that it may be time to revisit the notion that true stardom needs to be associated with a range of different roles. However, though this is pertinent to contemporary figures, it is also relevant to those who cam…
Kathryn Bigelow as a neo-star director
Scholarship on Kathryn Bigelow contends that auteurist thinking struggles to accommodate her eclectic career. Though her work displays recurring characteristics, contradictions are also evident that mean she is challenging to situate theoretically. In addition, an ironic component to the discourse about Bigelow is that disproportionate focus on her appearance serves to bolster her position as a significant filmmaker. In some respects, she therefo…
‘I Wanted Some Fucking Rinky-Dink Movie Career’
Sin obras prominentes en esta página.
Kathryn Bigelow as a neo-star director
Scholarship on Kathryn Bigelow contends that auteurist thinking struggles to accommodate her eclectic career. Though her work displays recurring characteristics, contradictions are also evident that mean she is challenging to situate theoretically. In addition, an ironic component to the discourse about Bigelow is that disproportionate focus on her appearance serves to bolster her position as a significant filmmaker. In some respects, she therefo…
‘I Wanted Some Fucking Rinky-Dink Movie Career’
Married to the Cape
Influential theoretical paradigms posit that television is unlike cinema because it creates personalities rather than stars. Conversely, Deborah Jermyn challenges prior theories through analysis of Sarah Jessica Parker’s image, suggesting that it may be time to revisit the notion that true stardom needs to be associated with a range of different roles. However, though this is pertinent to contemporary figures, it is also relevant to those who cam…
Art (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Cinema and Media Studies (2 obras) · Law (2 obras) · Movie theater (2 obras) · Political science (2 obras) · Psychology (2 obras) · Shakespeare, Adaptation, and Literary Criticism (2 obras) · Social Psychology (2 obras)