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Ainsley Hawthorn

Biographic Data

ID9313502
NAMEAinsley Hawthorn
GIVEN NAMESAinsley
FAMILY NAMEHawthorn
SIGNATUREHAWTHORN A
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Wherefore Art Thou Juanita

    Open Access•Audrey Hawthorn, Ainsley Hawthorn•ARTICLE•Names•2022•References: 4

    The name Juanita should have been an unlikely candidate for popularity in a place like Newfoundland, where only 0.1% of the population of half a million speaks Spanish as a mother tongue and 0.4% identifies as having Spanish, Latin American, Central American, or South American ethnic origins. Nonetheless, the name is a well-established member of the Newfoundland onomasticon. Drawing on archival research, census data, and other primary source mate…

  • La popularisation de la « danse du ventre »

    Audrey Hawthorn, Ainsley Hawthorn•ARTICLE•Recherches en danse•2020

    Cet article retrace le contexte historique de l’expression « danse du ventre », désignant les danses solos improvisées, d’origine proche-orientale et nord-africaine, qui met l’accent sur des mouvements du torse. Ces danses folkloriques ont été baptisées « danses du ventre » lors du Salon de 1864 à Paris, où l’on a exposé pour la première fois le tableau La danse de l’almée de Jean-Léon Gérôme. Expression du fantasme français sur le Proche-Orient,…

  • Middle Eastern Dance and What We Call It

    Open Access•Audrey Hawthorn, Ainsley Hawthorn•ARTICLE•Dance Research•2019

    This article traces the historical background of the term ‘belly dance’, the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre – literally, ‘dance of the belly’ – was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer a…

No prominent works on this page.

  • Middle Eastern Dance and What We Call It

    Open Access•Audrey Hawthorn, Ainsley Hawthorn•ARTICLE•Dance Research•2019

    This article traces the historical background of the term ‘belly dance’, the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre – literally, ‘dance of the belly’ – was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer a…

  • La popularisation de la « danse du ventre »

    Audrey Hawthorn, Ainsley Hawthorn•ARTICLE•Recherches en danse•2020

    Cet article retrace le contexte historique de l’expression « danse du ventre », désignant les danses solos improvisées, d’origine proche-orientale et nord-africaine, qui met l’accent sur des mouvements du torse. Ces danses folkloriques ont été baptisées « danses du ventre » lors du Salon de 1864 à Paris, où l’on a exposé pour la première fois le tableau La danse de l’almée de Jean-Léon Gérôme. Expression du fantasme français sur le Proche-Orient,…

  • Wherefore Art Thou Juanita

    Open Access•Audrey Hawthorn, Ainsley Hawthorn•ARTICLE•Names•2022•References: 4

    The name Juanita should have been an unlikely candidate for popularity in a place like Newfoundland, where only 0.1% of the population of half a million speaks Spanish as a mother tongue and 0.4% identifies as having Spanish, Latin American, Central American, or South American ethnic origins. Nonetheless, the name is a well-established member of the Newfoundland onomasticon. Drawing on archival research, census data, and other primary source mate…

Art (3 works) · History (2 works) · Literature (2 works) · Art history (1 work) · Ballad (1 work) · Ballet (1 work) · Canadian Identity and History (1 work) · Census (1 work) · Concert dance (1 work) · Cultural Identity and Heritage (1 work)

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