Mirjana Gligorijevic-Maksimovic
Biographic Data
| ID | 9328253 |
|---|---|
| NAME | Mirjana Gligorijevic-Maksimovic |
| GIVEN NAMES | Mirjana |
| FAMILY NAME | Gligorijevic-Maksimovic |
| SIGNATURE | GLIGORIJEVIC-MAKSIMOVIC M |
| AFFILIATIONS | nema |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
Classical elements in the endowments of Serbian XIII century donors
In Byzantine painting, starting from the XIII and particularly during the XIV century, there was a visible return to models from the period of Antiquity. The influences of ancient, ostensibly, Hellenistic heritage were reflected in the shapes, in the content of the compositions, as well as in the drawing, modellation and colours. In the art that came into being in the course of the XIII century, in the endowments of the Serbian donors numerous el…
Classical elements in the Serbian painting of the fourteenth century
In the early 14th century influences of a new style emanating from Constantinople contained reminiscences of classical ideas and forms (contents of compositions, the painted landscape, the human figures, genre scenes based on everyday life, classical figures, personifications and allegorical figures). Towards the end of the century classical influences in painting began to wane
L'iconographie des préfigurations de la Vierge dans la peinture serbe du milieu du XIVe jusqu'au milieu du XVe siècle
nema
Slikarstvo XIV veka u manastiru Treskavcu
(francuski) Le monast?re de Treskavac, dont l'?glise remonte vraisemblablement au XIII?me si?cle, a connu un net essor sous le r?gne du roi Dusan. Son entr?e dans le cadre de l'Etat serbe en 1334, a ?t? suivie, dans le bref intervalle d'une d?cennie, par l'octroi de trois (voire quatre) chrysobulles d?livr?s par Dusan. Par ces chartes ce monast?re s'est notamment vu rattacher de nombreux biens et privil?ges. Simultan?ment, son sanctuaire originel…
No prominent works on this page.
Slikarstvo XIV veka u manastiru Treskavcu
(francuski) Le monast?re de Treskavac, dont l'?glise remonte vraisemblablement au XIII?me si?cle, a connu un net essor sous le r?gne du roi Dusan. Son entr?e dans le cadre de l'Etat serbe en 1334, a ?t? suivie, dans le bref intervalle d'une d?cennie, par l'octroi de trois (voire quatre) chrysobulles d?livr?s par Dusan. Par ces chartes ce monast?re s'est notamment vu rattacher de nombreux biens et privil?ges. Simultan?ment, son sanctuaire originel…
L'iconographie des préfigurations de la Vierge dans la peinture serbe du milieu du XIVe jusqu'au milieu du XVe siècle
nema
Classical elements in the Serbian painting of the fourteenth century
In the early 14th century influences of a new style emanating from Constantinople contained reminiscences of classical ideas and forms (contents of compositions, the painted landscape, the human figures, genre scenes based on everyday life, classical figures, personifications and allegorical figures). Towards the end of the century classical influences in painting began to wane
Classical elements in the endowments of Serbian XIII century donors
In Byzantine painting, starting from the XIII and particularly during the XIV century, there was a visible return to models from the period of Antiquity. The influences of ancient, ostensibly, Hellenistic heritage were reflected in the shapes, in the content of the compositions, as well as in the drawing, modellation and colours. In the art that came into being in the course of the XIII century, in the endowments of the Serbian donors numerous el…
Art (4 works) · Byzantine Studies and History (4 works) · History (3 works) · Art history (2 works) · Balkan and Eastern European Studies (2 works) · Painting (2 works) · Philosophy (2 works) · Serbian (2 works) · Ancient and Medieval Archaeology Studies (1 work) · Ancient history (1 work)