Classical elements in the Serbian painting of the fourteenth century
Bibliographic Data
| ID | 20477348 |
|---|---|
| Authors | Mirjana Gligorijevic-Maksimovic (Belgrade, corresponding author) |
| Year | 2007 |
| Issue | 44 |
| Pages | 363-370 |
| Publication date | 2007-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Zbornik radova Vizantoloskog instituta (JOURNAL) |
| Journal identifiers | ISSN: 0584-9888 • E-ISSN: 2406-0917 |
| Publisher | National Library of Serbia (PUBLISHER • RS) |
| DOI | 10.2298/zrvi0744363g |
| OpenAlex | W2087334081 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
In the early 14th century influences of a new style emanating from Constantinople contained reminiscences of classical ideas and forms (contents of compositions, the painted landscape, the human figures, genre scenes based on everyday life, classical figures, personifications and allegorical figures). Towards the end of the century classical influences in painting began to wane
Art · Art history · Classical Literature · Epistemology · Everyday life · Linguistics · Literature · Painting · Serbian · Byzantine Studies and History · History · Philosophy
| Citations per year | 0.18 |
|---|---|
| Citation span | 2009 - 2025 (17) |
| Highly cited | No |