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Trevor Vermont Morgan

Biographic Data

ID933694
NAMETrevor Vermont Morgan
GIVEN NAMESTrevor Vermont
FAMILY NAMEMorgan
SIGNATUREMORGAN T V
AFFILIATIONSTrevor Vermont Morgan is an artist, researcher and lecturer in the Department of Fine and Applied Arts at University of Nigeria, Nsukka.
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Visuality and socio-political communication in Nigeria’s banknote portraits

    Trevor Vermont Morgan, Trevor Vt Morgan•ARTICLE•Visual Studies•2022

    In this article, I examine portraits in Nigeria’s banknotes offering an interpretive analysis of their significance with the purpose of espousing on existing knowledge. I believe the reading and interpretation of these portraits would provide a good communication and understanding of their socio-political and nationalistic properties. Located at the interface between visuality and society this paper discursively examines the repertoire of 10 port…

  • Sociocultural materials and visual art

    Open Access•Trevor Vermont Morgan, Trevor Vt Morgan et al.•ARTICLE•Cogent Arts and Humanities•2016•Cited by: 1•References: 1

    In the past, crude material such as foodstuffs, textile materials, and ornaments (cowrie shells, manillas, and beads) served as money across nations and communities. In the time being, forms of monies have totally differed. Modern notes undergo processes of deliberate design, considering forms and imageries. Such imageries and elements included in currency design convey humanistic preoccupations relevant to societies in several ways. And as part …

  • Anya Fulu Ugo

    Trevor Vermont Morgan, Trevor Vt Morgan•ARTICLE•African Arts•2016•References: 1

    “Anya Fulu Ugo,” curated by Chijioke Onuora, was an art exhibition that drew together artists from around the world who are professionally influenced by El Anatsui and Obiora Udechukwu. The Igbo proverb “anya fulu ugo jaa ya mma, na-adighi ahu ugo kwa daa” (“the eye that sees an eagle should adore it, for only rarely are eagles seen”) captured the spirit of the exhibition in honor of the outstanding geniuses of the two artists. The artist-celebri…

  • Sociocultural materials and visual art

    Open Access•Trevor Vermont Morgan, Trevor Vt Morgan et al.•ARTICLE•Cogent Arts and Humanities•2016•Cited by: 1•References: 1

    In the past, crude material such as foodstuffs, textile materials, and ornaments (cowrie shells, manillas, and beads) served as money across nations and communities. In the time being, forms of monies have totally differed. Modern notes undergo processes of deliberate design, considering forms and imageries. Such imageries and elements included in currency design convey humanistic preoccupations relevant to societies in several ways. And as part …

  • Sociocultural materials and visual art

    Open Access•Trevor Vermont Morgan, Trevor Vt Morgan et al.•ARTICLE•Cogent Arts and Humanities•2016•Cited by: 1•References: 1

    In the past, crude material such as foodstuffs, textile materials, and ornaments (cowrie shells, manillas, and beads) served as money across nations and communities. In the time being, forms of monies have totally differed. Modern notes undergo processes of deliberate design, considering forms and imageries. Such imageries and elements included in currency design convey humanistic preoccupations relevant to societies in several ways. And as part …

  • Anya Fulu Ugo

    Trevor Vermont Morgan, Trevor Vt Morgan•ARTICLE•African Arts•2016•References: 1

    “Anya Fulu Ugo,” curated by Chijioke Onuora, was an art exhibition that drew together artists from around the world who are professionally influenced by El Anatsui and Obiora Udechukwu. The Igbo proverb “anya fulu ugo jaa ya mma, na-adighi ahu ugo kwa daa” (“the eye that sees an eagle should adore it, for only rarely are eagles seen”) captured the spirit of the exhibition in honor of the outstanding geniuses of the two artists. The artist-celebri…

  • Visuality and socio-political communication in Nigeria’s banknote portraits

    Trevor Vermont Morgan, Trevor Vt Morgan•ARTICLE•Visual Studies•2022

    In this article, I examine portraits in Nigeria’s banknotes offering an interpretive analysis of their significance with the purpose of espousing on existing knowledge. I believe the reading and interpretation of these portraits would provide a good communication and understanding of their socio-political and nationalistic properties. Located at the interface between visuality and society this paper discursively examines the repertoire of 10 port…

Art (2 works) · Art history (2 works) · Sociology (2 works) · Visual arts (2 works) · African history and culture studies (1 works) · Anthropology (1 works) · Archaeology (1 works) · Banknote (1 works) · Computer Science (1 works) · Cultural Heritage Management and Preservation (1 works)

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