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Visuality and socio-political communication in Nigeria’s banknote portraits

Bibliographic Data

ID18949110
AuthorsTrevor Vermont Morgan, Trevor Vt Morgan (0000-0002-0695-1531, corresponding author)
Year2022
Volume37
Issue5
Pages592-602
Publication date2022-10-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVisual Studies (JOURNAL)
Journal identifiersISSN: 1472-586X • E-ISSN: 1472-5878
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/1472586x.2020.1827974
OpenAlexW3094493840
LanguageEN
Citations received3
References cited19

In this article, I examine portraits in Nigeria’s banknotes offering an interpretive analysis of their significance with the purpose of espousing on existing knowledge. I believe the reading and interpretation of these portraits would provide a good communication and understanding of their socio-political and nationalistic properties. Located at the interface between visuality and society this paper discursively examines the repertoire of 10 portraits of Nigeria’s ‘nationalists’. My reading is based on nationalism, historiography, and iconology. The socio-political reflection in these portraits offers relevant clues to the current developments in Nigeria. Beyond being just images on the economic tool of money, the portraits act as indicators of Nigeria’s socio-political formation and historical trajectory. Understanding this might help to improve politics and society in a multi-ethnic country like Nigeria

Archaeology · Art history · Banknote · Historiography · Linguistics · Nationalism · Political science · Politics · Portrait · Sociology · History · Law · National Identity and Symbolism · Philosophy

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Unique citing works3
Citations per year1
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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