Danielle Terceiro
Biographic Data
| ID | 9339789 |
|---|---|
| NAME | Danielle Terceiro |
| GIVEN NAMES | Danielle |
| FAMILY NAME | Terceiro |
| SIGNATURE | DANIELLE |
| AFFILIATIONS | Alphacrucis University College |
| ORCID | 0000-0002-0370-8376 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Learning from the Good Shepherd in Multimodal Texts
Retellings of biblical stories for children encode a story for their young audiences to live by. This article undertakes a textual analysis of picture book retellings of Psalm 23 and the Parable of the Lost Sheep. These books blend everyday schemas and scripts to make meaning for their young readers. Readers are invited to project the original biblical pretexts onto their own everyday experience in varied ways. These picture books encode differen…
Marzi
This article examines ideas about children’s spirituality that are inscribed in the graphic memoir Marzi. Marzi uses word and image, and comic conventions, to represent the religious imagination and the spiritual experiences of the narrator-protagonist during the last years of communism in Poland. Marzi uses visual metaphor and conceptual blending to show the cognitive processes that lead Marzi to differentiate herself from her family’s version o…
Three graphic memoirs and the “family mind” in action
This article looks at three graphic memoirs and considers the specific ways in which the comic medium allows for the representation of complex and non-verbal interactions between the members of a family. The selected texts show how the sequencing of panels in a comic can depict the unspoken affects that circulate within a family unit. The comic medium seems to be apt for representing the distributed consciousness of a family, and also for splinte…
Containing Epidemics through Metaphor
This essay will examine two “graphic novel” depictions of WWI epidemics: one that depicts scientific advances during the dysentery epidemic on the European front in World War One; and another that depicts the Spanish influenza epidemic unfolding across the United States of America. Both texts narrativise an epidemic through a verbal and visual engagement with historical and scientific discourses. These texts were produced within five years of our…
No prominent works on this page.
Containing Epidemics through Metaphor
This essay will examine two “graphic novel” depictions of WWI epidemics: one that depicts scientific advances during the dysentery epidemic on the European front in World War One; and another that depicts the Spanish influenza epidemic unfolding across the United States of America. Both texts narrativise an epidemic through a verbal and visual engagement with historical and scientific discourses. These texts were produced within five years of our…
Three graphic memoirs and the “family mind” in action
This article looks at three graphic memoirs and considers the specific ways in which the comic medium allows for the representation of complex and non-verbal interactions between the members of a family. The selected texts show how the sequencing of panels in a comic can depict the unspoken affects that circulate within a family unit. The comic medium seems to be apt for representing the distributed consciousness of a family, and also for splinte…
Learning from the Good Shepherd in Multimodal Texts
Retellings of biblical stories for children encode a story for their young audiences to live by. This article undertakes a textual analysis of picture book retellings of Psalm 23 and the Parable of the Lost Sheep. These books blend everyday schemas and scripts to make meaning for their young readers. Readers are invited to project the original biblical pretexts onto their own everyday experience in varied ways. These picture books encode differen…
Marzi
This article examines ideas about children’s spirituality that are inscribed in the graphic memoir Marzi. Marzi uses word and image, and comic conventions, to represent the religious imagination and the spiritual experiences of the narrator-protagonist during the last years of communism in Poland. Marzi uses visual metaphor and conceptual blending to show the cognitive processes that lead Marzi to differentiate herself from her family’s version o…
Art (3 works) · Comics and Graphic Narratives (3 works) · History (3 works) · Literature (3 works) · Memoir (2 works) · Philosophy (2 works) · Adversary (1 work) · Aesthetics (1 work) · Ancient history (1 work) · Biblical Studies and Interpretation (1 work)