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Three graphic memoirs and the “family mind” in action

Bibliographic Data

ID22003377
AuthorsDanielle Terceiro (0000-0002-0370-8376, Alphacrucis University College, corresponding author)
Year2023
Volume14
Issue6
Pages833-852
Publication date2023-11-02
Open AccessNo
TypeARTICLE
VenueJournal of Graphic Novels & Comics (JOURNAL)
Journal identifiersISSN: 2150-4857 • E-ISSN: 2150-4865
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/21504857.2023.2195674
OpenAlexW4362584319
LanguageEN
Citations received1
References cited12

This article looks at three graphic memoirs and considers the specific ways in which the comic medium allows for the representation of complex and non-verbal interactions between the members of a family. The selected texts show how the sequencing of panels in a comic can depict the unspoken affects that circulate within a family unit. The comic medium seems to be apt for representing the distributed consciousness of a family, and also for splintering a character temporally so that older and younger versions of the character can be put into dialogue with each other in a family context

Art · Cognitive science · Comic strip · Comics · Consciousness · Literature · Memoir · Politics · Comics and Graphic Narratives · Digital Storytelling and Education · History · Narrative Theory and Analysis · Psychology

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    Sara Ahmed, Sara Ahmed Sayed Ali•Cultural Politics of Emotion•2014

  • Visual modality versus authenticity

    Elisabeth El Refaie•Visual Studies•2010

  • Reading Images - The Grammar of Visual Design

    Open Access•Ta Thu Thuy, Tran Thi Hieu Thuy•VNU Journal of Foreign Studies•2017

  • Narrative Theory and the Sciences of Mind

    Open Access•D Herman•Literature Compass•2013

  • What to Expect When You Pick up a Graphic Novel

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  • The Language Animal

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Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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