Tommy Ender
Biographic Data
| ID | 934437 |
|---|---|
| NAME | Tommy Ender |
| GIVEN NAMES | Tommy |
| FAMILY NAME | Ender |
| SIGNATURE | ENDER T |
| AFFILIATIONS | University of North Carolina at Chapel Hill |
| ORCID | 0000-0002-2173-0964 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Wu-Tang for the Children: Swarming Elsewhere for Aesthetic (Re)Imaginings of Community, Theory, & Praxis
The work in this article (re)traces the nuances embedded within the aesthetics of the Wu-Tang Clan to draw attention to two theoretical, Wu-based concepts: Shaolin and swarming. This article leans into fugivity and critical race theory (CRT) to demonstrate how hip-hop music can be a capacious avenue for theorizing alternate ways to disrupt hegemonic, oppressive, and racist educational structures and master narratives. In particular, we use two Wu…
The Use of Music to Connect the Past, Present, and Future
Artists have long addressed social injustices within popular music. As teachers consider how to deconstruct and teach the events of 2020 (and beyond) with an eye toward the future, we offer a novel pedagogical approach to incorporating music into the social studies classroom: the set-list. The set-list can be understood as containing temporal conditions insofar that all traditional demarcations of time (e.g., past, present, and future) are implic…
Incorporating the Critical Music Framework: An Autoethnographic Reflection
I articulate an autoethnographic narrative of using different songs to counter dominant interpretations of gender, class, immigration, slavery, and education in the social studies classroom. Framing it as the Critical Music Framework, the practice of using music addressing social issues and historical representations of women and people of color provided secondary students with reflective, learning opportunities. The resulting conversations illus…
Using counter-narratives to expand from the margins
I position the use of counter-narratives as a critical approach that grants students agency and meaning in their learning and provides teachers with opportunities to present silenced curricular narratives as relevant and necessary in a globalized setting such as North America. Counter-narratives focus on a subject that preserves colonial and neo-colonial narratives to millions of K–12 students daily: social studies. The counter-narratives in this…
Letters to Our Children: Narrating Legacies of Love, Dissent, and Possibility
Drawing from Cervantes-Soon’s (2012) framework of testimonios as confessions, counter-narratives, and consejos, we explore how writing letters to our children serves as a process of historical documentation, healing, and a passing down of social justice principles and family history. Additionally, we expand on Cervantes-Soon’s framework by utilizing testimonios as a process by which to affirm intergenerational memory. Finally, connections are mad…
Using counter-narratives to expand from the margins
I position the use of counter-narratives as a critical approach that grants students agency and meaning in their learning and provides teachers with opportunities to present silenced curricular narratives as relevant and necessary in a globalized setting such as North America. Counter-narratives focus on a subject that preserves colonial and neo-colonial narratives to millions of K–12 students daily: social studies. The counter-narratives in this…
Letters to Our Children: Narrating Legacies of Love, Dissent, and Possibility
Drawing from Cervantes-Soon’s (2012) framework of testimonios as confessions, counter-narratives, and consejos, we explore how writing letters to our children serves as a process of historical documentation, healing, and a passing down of social justice principles and family history. Additionally, we expand on Cervantes-Soon’s framework by utilizing testimonios as a process by which to affirm intergenerational memory. Finally, connections are mad…
The Use of Music to Connect the Past, Present, and Future
Artists have long addressed social injustices within popular music. As teachers consider how to deconstruct and teach the events of 2020 (and beyond) with an eye toward the future, we offer a novel pedagogical approach to incorporating music into the social studies classroom: the set-list. The set-list can be understood as containing temporal conditions insofar that all traditional demarcations of time (e.g., past, present, and future) are implic…
Letters to Our Children: Narrating Legacies of Love, Dissent, and Possibility
Drawing from Cervantes-Soon’s (2012) framework of testimonios as confessions, counter-narratives, and consejos, we explore how writing letters to our children serves as a process of historical documentation, healing, and a passing down of social justice principles and family history. Additionally, we expand on Cervantes-Soon’s framework by utilizing testimonios as a process by which to affirm intergenerational memory. Finally, connections are mad…
Incorporating the Critical Music Framework: An Autoethnographic Reflection
I articulate an autoethnographic narrative of using different songs to counter dominant interpretations of gender, class, immigration, slavery, and education in the social studies classroom. Framing it as the Critical Music Framework, the practice of using music addressing social issues and historical representations of women and people of color provided secondary students with reflective, learning opportunities. The resulting conversations illus…
Using counter-narratives to expand from the margins
I position the use of counter-narratives as a critical approach that grants students agency and meaning in their learning and provides teachers with opportunities to present silenced curricular narratives as relevant and necessary in a globalized setting such as North America. Counter-narratives focus on a subject that preserves colonial and neo-colonial narratives to millions of K–12 students daily: social studies. The counter-narratives in this…
The Use of Music to Connect the Past, Present, and Future
Artists have long addressed social injustices within popular music. As teachers consider how to deconstruct and teach the events of 2020 (and beyond) with an eye toward the future, we offer a novel pedagogical approach to incorporating music into the social studies classroom: the set-list. The set-list can be understood as containing temporal conditions insofar that all traditional demarcations of time (e.g., past, present, and future) are implic…
Wu-Tang for the Children: Swarming Elsewhere for Aesthetic (Re)Imaginings of Community, Theory, & Praxis
The work in this article (re)traces the nuances embedded within the aesthetics of the Wu-Tang Clan to draw attention to two theoretical, Wu-based concepts: Shaolin and swarming. This article leans into fugivity and critical race theory (CRT) to demonstrate how hip-hop music can be a capacious avenue for theorizing alternate ways to disrupt hegemonic, oppressive, and racist educational structures and master narratives. In particular, we use two Wu…
Sociology (5 works) · Art (4 works) · Critical Race Theory in Education (4 works) · Educator Training and Historical Pedagogy (4 works) · Gender Studies (4 works) · Narrative (4 works) · Diverse Music Education Insights (3 works) · Epistemology (3 works) · Law (3 works) · Literature (3 works)