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Susan Reid

Biographic Data

ID93781
NAMESusan Reid
GIVEN NAMESSusan
FAMILY NAMEReid
SIGNATUREREID S
AFFILIATIONSUniversity of Sheffield
ORCID0000-0002-8955-7563
VERIFIEDYes
TOTAL WORKS41
TOTAL CITATIONS231
AUTHOR COUNT41
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2026
H-INDEX8
  • Black Mothering Communities as Homeplaces for Black LGBTQ+ Youth

    Open Access•Susan Reid, Jaron Reid et al.•ARTICLE•Urban Education•2026•References: 30

    In our critical duo-ethnography, we reflect on our shared childhood as Black queer youth growing up within a Black mothering community in an urban context. Our analysis illustrates how our Black mothering community created homeplaces centered around the themes of resistance, restoration, and re-storying. And we draw on our analysis to articulate the possibilities of creating more inclusive K-12 spaces within urban contexts for Black LGBTQ+ youth.…

  • Multibeing Ocean

    Open Access•Susan Reid•ARTICLE•Swamphen a Journal of Cultural…•2025

    Kingston, Jamaica, rolling toward the sun. Cyclone Beryl recently stormed the nation—scalping houses, smashing boats, and shredding crops. Now, a different kind and scale of planetary force gathers at the city’s foreshore. A super-swarm of delegates, corporate lawyers, and observers have flown in for the 29th Session of the International Seabed Authority (ISA), which is now underway at the Jamaica Convention Centre

  • Beyond single-identity spaces of Black mattering: Homeplaces for Black LGBTQ+ identities in K-12 schools

    Susan Reid•ARTICLE•Theory Into Practice•2024•Cited by: 3•References: 21

    Many scholars have documented the critical importance of youth having access to spaces of joy and homeplaces in which they learn to matter. Research has shown that Black LGBTQ+ youth often struggle to locate homeplaces and spaces of joy in K-12 schooling contexts due to societal beliefs flowing from anti-blackness, (hetero)sexism, homophobia, transphobia, and classism. These discriminatory beliefs coupled with the lack of understanding many educa…

  • “Love Liberates: ” A Kitchen Table Talk on Black Liberatory Education

    Dasmen Richards, Gholnecsar E Muhammad et al.•ARTICLE•Equity & Excellence in Education•2023

    Rooted in the Black feminist tradition, this kitchen table talk brings together scholars who are doing work in the name of liberation. We begin by naming people who ground us in our beings and our work, and from these offerings, we discuss the power of love in the fight for liberation with the hopes of cultivating educational spaces for Black students where they feel loved, seen, validated, and heard. Furthermore, the disruption of the ways knowl…

  • Ocean Justice

    Susan Reid•ARTICLE•Cultural Politics an International…•2023•Cited by: 4•References: 10

    The continued campaign of violence by extractivists against multibeing relations, embodied beings, and ecological living is bewildering. Coded by mastery, and as a carrier of its values, international laws of the sea facilitate these campaigns by legitimating ecological abuse. As such, responding to the ocean's declining conditions with more laws and regulations alone misses how underlying cultural values contribute to the production of ecologica…

  • Exploring the Agency of Black LGBTQ+ Youth in Schools and in NYC’s Ballroom Culture

    Open Access•Susan Reid, Shamari Reid•ARTICLE•Teachers College Record The Voice…•2022

    Background/Context: In recent years, youth agency has become more prevalent in education research, with many scholars agreeing that youth agency is highly contextual, reliant on multiple forces, and inextricably connected to social identity. However, relatively few studies have explored the agency of Black LGBTQ+ youth and how these youth understand their own agency. This fact connects to the reality that although there is a growing body of resea…

  • Using a Queer of Color Critique to work toward a Black LGBTQ+ inclusive K–12 curriculum

    Susan Reid•ARTICLE•Curriculum Inquiry•2022•Cited by: 6•References: 13

    To date six states (Oregon, California, Colorado, Illinois, Nevada, and New Jersey) have adopted legislation that amends curricular standards to include affirming representations of LGBTQ+ people and identities in schools. Nonetheless, the legislation falls short of clarifying what constitutes an LGBTQ+ inclusive curriculum. Thus, the decision of what to teach is left up to individual districts, schools, and, in many cases, individual teachers wh…

  • Human Papillomavirus (HPV) Self-Sampling among Never-and Under-Screened Indigenous Māori, Pacific and Asian Women in Aotearoa New Zealand: A Feasibility Study

    Open Access•Collette Bromhead, Helen Wihongi et al.•ARTICLE•International Journal of…•2021

    In Aotearoa, New Zealand, the majority of cervical cancer cases occur in women who have never been screened or are under-screened. Wāhine Māori, Pacific and Asian women have the lowest rate of cervical screening. Self-sampling for human papillomavirus (HPV-SS) has been shown to increase participation in cervical cancer screening. A whole-of-system approach, driven by evidence in the most effective delivery of HPV-SS, is required to mitigate furth…

  • What does culturally relevant pedagogy have to offer with regard to teaching and learning during a time of physical distancing

    Open Access•Susan Reid•ARTICLE•Journal for Multicultural Education•2021•Cited by: 2•References: 7

    Purpose This conceptual paper, framed as a letter to educators, explores what the theory of culturally relevant pedagogy (CRP) offers us as we reimagine our approaches to teaching and learning amidst a pandemic and during a time of physical distancing. Design/methodology/approach To make my argument that CRP is a frame for teaching that is based in a particular set of beliefs and ideologies, I draw on my experience as a K-12 educator, teacher edu…

  • The Edinburgh Companion to D. H. Lawrence and the Arts

    Catherine Brown, Susan Reid•BOOK•Edinburgh Companion to D. H.…•2020

    A detailed assessment of D. H. Lawrence’s wide-ranging engagements across the verbal, visual and performance arts Offers the most comprehensive assessment yet of Lawrence’s relationship with the arts Places Lawrence in the context of the latest developments in fields including life writing, posthumanism, queer theory, and technology studies Considers Lawrence's continued reception in other people's art, and the nature of his relevance today This …

  • Edinburgh Companion to D. H. Lawrence and the Arts

    Catherine Brown, Susan Reid•BOOK•Edinburgh Companion to D. H.…•2020

  • Justice Through a Multispecies Lens

    Open Access•Danielle Celermajer, Sria Chatterjee et al.•ARTICLE•Contemporary Political Theory•2020•Cited by: 60•References: 73

  • Modernism in a global context; D.H. Lawrence’s Australia: Anxiety at the edge of empire; The American Lawrence

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2017

    “Comes over one an absolute necessity to move”, D.H. Lawrence stated at the beginning of his 1921 travel book, Sea and Sardinia (1997, 7), in an imperative that resonates with a wider state of dias

  • Cold War Cultural Transactions: Designing the USSR for the West at Brussels Expo ’58

    Susan Reid•ARTICLE•Design and Culture•2017•References: 14

    Focusing on the Cold War Expo in Brussels in 1958, this article takes the metaphor of “design diplomacy” as a lens through which to explore the dilemmas of Soviet exhibition planners charged with designing a modern image of the USSR at the World Fair. Seeking ways to represent the advantages of socialism to foreign, especially Western, publics, the exhibition organizers began to question established Soviet tradecraft in the production of mass exh…

  • Still Life and the Vanity of Socialist Realism: Robert Fal'k's Potatoes , 1955

    Open Access•Susan Reid, Susan E Reid•ARTICLE•The Russian Review•2017•References: 3

    Still life occupied a position in the Socialist Realist canon so marginal that it could barely be called Socialist Realism at all. Although some artists attempted, in the Stalin era, to prove the genre's credentials at least as a component of Socialist Realist visual culture, a number of its genre characteristics rendered it ill‐suited and even antithetical to the mandatory tasks of “depicting reality in its revolutionary development” and demonst…

  • Makeshift Modernity. DIY, Craft and the Virtuous Homemaker in New Soviet Housing of the 1960s

    Open Access•Susan Reid, Susan E Reid•ARTICLE•International Journal for History…•2014

    In cities across the Soviet Union in the late 1950s and early 1960s, new\nhousing developments of plain five-storey apartment blocks mushroomed\nthanks to an intensive programme for mass industrialised housing\nconstruction launched by the Party-State in 1957. Modern living conditions\nwere to be created for millions, it was promised, through state planning and\ninvestment in the modernisation of construction, making maximum use of\ntechnology an…

  • Makeshift Modernity

    Open Access•Susan Reid, Susan E Reid•ARTICLE•International Journal for History…•2014

    This paper was published as Open Access under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Full details of this \nlicence are available at: http://creativecommons.org/licenses/ by/4.0

  • Cardiovascular disease medication health literacy among Indigenous peoples: Design and protocol of an intervention trial in Indigenous primary care services

    Open Access•Sue Crengle, Janet Smylie et al.•ARTICLE•BMC Public Health•2014

    Australian and New Zealand Clinical Trials Register (ACTRN12612001309875; date of registration 18/12/2012)

  • Public Attitudes to Gaelic and the Debate about Scottish Autonomy

    Lindsay Paterson, Fiona O'Hanlon et al.•ARTICLE•Regional & Federal Studies•2014•Cited by: 4•References: 15

    Scotland seems to be a counter-example to general theories of the relationship between language and national identity or nationalism. These theories point to three components in the ideology of language and nation – that being able to speak the national language is necessary for full national membership, that the national language is a core part of the nation’s culture, and that the future of national political autonomy and the future of the nati…

  • Decolonizing time: The Mexican temporalities of D.H. Lawrence, Aldous Huxley and Carlos Fuentes

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2014•Cited by: 1•References: 20

    A recent exhibition at the Royal Academy in London, Mexico: A Revolution in Art 1910–1940, highlighted a juxtaposition of past and present that fascinated intellectuals, novelists and artists from around the world. Against this background, this article explores how tensions between what Adam Marrows describes as "the cosmic time of empire" and the more fluid senses of local, historical Mexican time in the modernist novels of D.H. Lawrence (The Pl…

  • Modernist literature and postcolonial studies; Modernism, imperialism, and the historical sense; The cosmic time of empire: Modern Britain and world literature; The colonisation of time: ritual, routi…

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2014

    When was modernism? Rajeev S. Patke neatly disposes of this perennial question by asserting an “asynchronous” (xxiv) concept of the “modern” as opposed to modernism, in accordance with Rabindranath

  • Global modernisms, post/colonialism and time

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2014•References: 7

    In addition to thanking each other for this enriching and enjoyable collaboration, Veronica Barnsley, Jade Munslow Ong and Susan Reid would like to thank the conference organizers, the participants of the panel session, and Andrew Thacker, the panel chair; Anastasia Valassopoulos and Howard J. Booth for reading and commenting on various drafts of these articles; and the journal’s anonymous readers for their insightful suggestions

  • Race and modernism

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2012

    edited by Len Platt, Cambridge, Cambridge University Press, 2011, 219 pp., £50.00 (hbk), ISBN 978 0 5215 1944 1 by Donna V. Jones, New York and Chichester, Columbia University Press, 2010, 231 pp

  • Art for the Soviet home

    Open Access•Susan Reid•ARTICLE•Human Affairs•2011•Cited by: 1•References: 19

    As an intensive housing construction drive in the late 1950s began to provide separate apartments for millions of Soviet citizens, aesthetic experts envisioned the Soviet home as a potential site for the display of works of art and for amateur aesthetic production. In the context of de-Stalinization, reformist artists and aestheticians committed to the liberalization and modernization of Soviet artistic criteria, promoted the value of amateur art…

  • Katherine Mansfield and Modernism: Katherine Mansfield Studies, Volume 2

    Delia Da Sousa Correa, Gerri Kimber et al.•BOOK•Katherine Mansfield and Modernism•2010

    New analysis of Katherine Mansfield's contribution to modernism, above all her underexplored relationship with D.H. Lawrence Katherine Mansfield and Modernism is given a distinct focus in this volume by an emphasis on her under-explored relationship with D. H. Lawrence, to whom, both as artist and person, she felt herself uncannily alike. In addition to investigating Mansfield’s literary and biographical relationship with Lawrence, the essays for…

Next
  • Justice Through a Multispecies Lens

    Open Access•Danielle Celermajer, Sria Chatterjee et al.•ARTICLE•Contemporary Political Theory•2020•Cited by: 60•References: 73

  • Cold War in the Kitchen: Gender and the De-Stalinization of Consumer Taste in the Soviet Union under Khrushchev

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Slavic Review•2002•Cited by: 52•References: 23

    Consumption, a key issue in the study of post-Soviet culture, was already a central concern during the Cold War. In the late 1950s and early 1960s, the Khrushchev regime staked its legitimacy at home, and its credibility abroad, on its ability to provide its population with consumer goods and a decent standard of living. Despite promising "abundance for all" as the precondition for the imminent transition to communism, the regime could not afford…

  • The Khrushchev Kitchen: Domesticating the Scientific-Technological Revolution

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Journal of Contemporary History•2005•Cited by: 19

    In the Soviet Union in the late 1950s, the Khrushchev regime launched an intensive campaign to build mass housing. This period, known as The Thaw, is generally regarded as one of liberalization in comparison to the preceding Stalin era. Moreover, the proposed new housing, promising separate, one-family flats to replace the communal apartments and barracks in which most urban dwellers lived, seemed to offer the possibility of a ‘private’ home life…

  • The birth of brand: 4000 Years of Branding

    Karl Moore, Susan Reid•ARTICLE•Business History•2008•Cited by: 17•References: 17

    This article seeks to show that brands and branding are as old as known civilisation. We derive evidence of branding, in various forms, from historical periods beginning 2250 BC in the Indus Valley, through to 300 BC in Greece. This evidence is compared with modern research directed toward developing a meaning of ‘brand’. We observe a gradual transition from a more utilitarian provision of information regarding origin and quality to the addition …

  • All Stalin's Women: Gender and Power in Soviet Art of the 1930s

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Slavic Review•1998•Cited by: 15•References: 10

    This article will examine how the representation of gender in Soviet art during the second and third Five-Year Plans articulated relationships of domination in Stalinist society. Using female characters to stand for "the people" as a whole, painting and sculpture drew on conventional gender codes and hierarchy to naturalize the subordination of society to the Stalinist state and legitimate the sacrifice of women's needs to those of industrializat…

  • Communist Comfort: Socialist Modernism and the Making of Cosy Homes in the Khrushchev Era

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Gender & History•2009•Cited by: 12

    In the Khrushchev Era Soviet Union, housing and homemaking became widely shared preoccupations both for specialist agents of the state and for individual homemakers, as standard, prefabricated apartments were erected on a mass scale. This essay examines a series of tensions and contradictions: between mobilisation and dwelling; between the chiliasm of the official ideology of communism and the process of settling and making home in these new sing…

  • Khrushchev modern: Agency and modernization in the Soviet home

    Susan Reid, Susan E Reid•ARTICLE•Cahiers du monde russe•2006•Cited by: 12•References: 14

    Modernité à la Hruščev. L’espace domestique soviétique. – Les nouvelles zones urbaines en préfabriqué, qui ont fait leur apparition à la fin des années 1950 au centre des villes soviétiques et à leur périphérie par suite d’une campagne de construction intensive de logements lancée en 1957, représentaient clairement la volonté affichée du régime poststalinien d’améliorer le niveau de vie du plus grand nombre. L’ère khrouchtchévienne a fait forteme…

  • Biotechnology and Nanotechnology: Science-based Enabling Technologies as Windows of Opportunity for LDCs

    Open Access•Jorge Niosi, Susan Reid et al.•ARTICLE•World Development•2007•Cited by: 10

  • Using a Queer of Color Critique to work toward a Black LGBTQ+ inclusive K–12 curriculum

    Susan Reid•ARTICLE•Curriculum Inquiry•2022•Cited by: 6•References: 13

    To date six states (Oregon, California, Colorado, Illinois, Nevada, and New Jersey) have adopted legislation that amends curricular standards to include affirming representations of LGBTQ+ people and identities in schools. Nonetheless, the legislation falls short of clarifying what constitutes an LGBTQ+ inclusive curriculum. Thus, the decision of what to teach is left up to individual districts, schools, and, in many cases, individual teachers wh…

  • The Soviet Art World in the Early Thaw

    Susan Reid, Susan E Reid•ARTICLE•Third Text•2006•Cited by: 5

  • Ocean Justice

    Susan Reid•ARTICLE•Cultural Politics an International…•2023•Cited by: 4•References: 10

    The continued campaign of violence by extractivists against multibeing relations, embodied beings, and ecological living is bewildering. Coded by mastery, and as a carrier of its values, international laws of the sea facilitate these campaigns by legitimating ecological abuse. As such, responding to the ocean's declining conditions with more laws and regulations alone misses how underlying cultural values contribute to the production of ecologica…

  • Public Attitudes to Gaelic and the Debate about Scottish Autonomy

    Lindsay Paterson, Fiona O'Hanlon et al.•ARTICLE•Regional & Federal Studies•2014•Cited by: 4•References: 15

    Scotland seems to be a counter-example to general theories of the relationship between language and national identity or nationalism. These theories point to three components in the ideology of language and nation – that being able to speak the national language is necessary for full national membership, that the national language is a core part of the nation’s culture, and that the future of national political autonomy and the future of the nati…

  • Socialist Realism in the Stalinist Terror: The Industry of Socialism Art Exhibition, 1935-41

    Open Access•Susan Reid, Susan E Reid•ARTICLE•The Russian Review•2001•Cited by: 4

  • Beyond single-identity spaces of Black mattering: Homeplaces for Black LGBTQ+ identities in K-12 schools

    Susan Reid•ARTICLE•Theory Into Practice•2024•Cited by: 3•References: 21

    Many scholars have documented the critical importance of youth having access to spaces of joy and homeplaces in which they learn to matter. Research has shown that Black LGBTQ+ youth often struggle to locate homeplaces and spaces of joy in K-12 schooling contexts due to societal beliefs flowing from anti-blackness, (hetero)sexism, homophobia, transphobia, and classism. These discriminatory beliefs coupled with the lack of understanding many educa…

  • Masters of the Earth: Gender and Destalinisation in Soviet Reformist Painting of the Khrushchev Thaw

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Gender & History•1999•Cited by: 3

  • What does culturally relevant pedagogy have to offer with regard to teaching and learning during a time of physical distancing

    Open Access•Susan Reid•ARTICLE•Journal for Multicultural Education•2021•Cited by: 2•References: 7

    Purpose This conceptual paper, framed as a letter to educators, explores what the theory of culturally relevant pedagogy (CRP) offers us as we reimagine our approaches to teaching and learning amidst a pandemic and during a time of physical distancing. Design/methodology/approach To make my argument that CRP is a frame for teaching that is based in a particular set of beliefs and ideologies, I draw on my experience as a K-12 educator, teacher edu…

  • Decolonizing time: The Mexican temporalities of D.H. Lawrence, Aldous Huxley and Carlos Fuentes

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2014•Cited by: 1•References: 20

    A recent exhibition at the Royal Academy in London, Mexico: A Revolution in Art 1910–1940, highlighted a juxtaposition of past and present that fascinated intellectuals, novelists and artists from around the world. Against this background, this article explores how tensions between what Adam Marrows describes as "the cosmic time of empire" and the more fluid senses of local, historical Mexican time in the modernist novels of D.H. Lawrence (The Pl…

  • Art for the Soviet home

    Open Access•Susan Reid•ARTICLE•Human Affairs•2011•Cited by: 1•References: 19

    As an intensive housing construction drive in the late 1950s began to provide separate apartments for millions of Soviet citizens, aesthetic experts envisioned the Soviet home as a potential site for the display of works of art and for amateur aesthetic production. In the context of de-Stalinization, reformist artists and aestheticians committed to the liberalization and modernization of Soviet artistic criteria, promoted the value of amateur art…

  • The Kwakiutl Man Eater

    Open Access•Susan Reid•ARTICLE•Anthropologica•1979•Cited by: 1

    Complement a l'analyse de R. Ridington (1976) du cannibalisme des Beaver, par une comparaison avec les Kwakiutl, chez qui on trouve les animaux mangeurs d'hommes, des mythes et des rituels cannibales

  • The Kwakiutl Man Eater

    Open Access•Susan Reid•ARTICLE•Anthropologica•1979•Cited by: 1

    Complement a l'analyse de R. Ridington (1976) du cannibalisme des Beaver, par une comparaison avec les Kwakiutl, chez qui on trouve les animaux mangeurs d'hommes, des mythes et des rituels cannibales

  • Racism and the Helping Process

    Susan Reid•ARTICLE•Ethnic studies review•1980

  • A long-range follow-up study of former inpatients at a children's psychiatric hospital

    Open Access•Clara Parham, Susan Reid et al.•ARTICLE•Child Psychiatry & Human…•1987

  • All Stalin's Women: Gender and Power in Soviet Art of the 1930s

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Slavic Review•1998•Cited by: 15•References: 10

    This article will examine how the representation of gender in Soviet art during the second and third Five-Year Plans articulated relationships of domination in Stalinist society. Using female characters to stand for "the people" as a whole, painting and sculpture drew on conventional gender codes and hierarchy to naturalize the subordination of society to the Stalinist state and legitimate the sacrifice of women's needs to those of industrializat…

  • Masters of the Earth: Gender and Destalinisation in Soviet Reformist Painting of the Khrushchev Thaw

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Gender & History•1999•Cited by: 3

  • The Art Market and the History of Socialist Realism

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Art History•1999

    Book reviewed in this article: Cullerne Brown, Matthew, Socialist Realist Painting

  • Socialist Realism in the Stalinist Terror: The Industry of Socialism Art Exhibition, 1935-41

    Open Access•Susan Reid, Susan E Reid•ARTICLE•The Russian Review•2001•Cited by: 4

  • Cold War in the Kitchen: Gender and the De-Stalinization of Consumer Taste in the Soviet Union under Khrushchev

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Slavic Review•2002•Cited by: 52•References: 23

    Consumption, a key issue in the study of post-Soviet culture, was already a central concern during the Cold War. In the late 1950s and early 1960s, the Khrushchev regime staked its legitimacy at home, and its credibility abroad, on its ability to provide its population with consumer goods and a decent standard of living. Despite promising "abundance for all" as the precondition for the imminent transition to communism, the regime could not afford…

  • Two Russian Sculptors of the Twentieth Century

    Open Access•Susan Reid, Susan E Reid•ARTICLE•The Russian Review•2004

  • The Khrushchev Kitchen: Domesticating the Scientific-Technological Revolution

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Journal of Contemporary History•2005•Cited by: 19

    In the Soviet Union in the late 1950s, the Khrushchev regime launched an intensive campaign to build mass housing. This period, known as The Thaw, is generally regarded as one of liberalization in comparison to the preceding Stalin era. Moreover, the proposed new housing, promising separate, one-family flats to replace the communal apartments and barracks in which most urban dwellers lived, seemed to offer the possibility of a ‘private’ home life…

  • Khrushchev modern: Agency and modernization in the Soviet home

    Susan Reid, Susan E Reid•ARTICLE•Cahiers du monde russe•2006•Cited by: 12•References: 14

    Modernité à la Hruščev. L’espace domestique soviétique. – Les nouvelles zones urbaines en préfabriqué, qui ont fait leur apparition à la fin des années 1950 au centre des villes soviétiques et à leur périphérie par suite d’une campagne de construction intensive de logements lancée en 1957, représentaient clairement la volonté affichée du régime poststalinien d’améliorer le niveau de vie du plus grand nombre. L’ère khrouchtchévienne a fait forteme…

  • The Soviet Art World in the Early Thaw

    Susan Reid, Susan E Reid•ARTICLE•Third Text•2006•Cited by: 5

  • Biotechnology and Nanotechnology: Science-based Enabling Technologies as Windows of Opportunity for LDCs

    Open Access•Jorge Niosi, Susan Reid et al.•ARTICLE•World Development•2007•Cited by: 10

  • Who Will Beat Whom?: Soviet Popular Reception of the American National Exhibition in Moscow, 1959

    Susan Reid, Susan E Reid•ARTICLE•Kritika•2008

    Who Will Beat Whom? Soviet Popular Reception of the American National Exhibition in Moscow, 1959 Susan E. Reid (bio) The U.S. industrialist Norman K. Winston, special adviser to the American National Exhibition held in Moscow from 25 July to 4 September 1959, had predicted to This Week magazine earlier that year: We know the life we have is good. By the end of the summer, the millions of Russians who have seen our exhibit will know it too.... Unl…

  • The birth of brand: 4000 Years of Branding

    Karl Moore, Susan Reid•ARTICLE•Business History•2008•Cited by: 17•References: 17

    This article seeks to show that brands and branding are as old as known civilisation. We derive evidence of branding, in various forms, from historical periods beginning 2250 BC in the Indus Valley, through to 300 BC in Greece. This evidence is compared with modern research directed toward developing a meaning of ‘brand’. We observe a gradual transition from a more utilitarian provision of information regarding origin and quality to the addition …

  • Communist Comfort: Socialist Modernism and the Making of Cosy Homes in the Khrushchev Era

    Open Access•Susan Reid, Susan E Reid•ARTICLE•Gender & History•2009•Cited by: 12

    In the Khrushchev Era Soviet Union, housing and homemaking became widely shared preoccupations both for specialist agents of the state and for individual homemakers, as standard, prefabricated apartments were erected on a mass scale. This essay examines a series of tensions and contradictions: between mobilisation and dwelling; between the chiliasm of the official ideology of communism and the process of settling and making home in these new sing…

  • Katherine Mansfield and Modernism: Katherine Mansfield Studies, Volume 2

    Delia Da Sousa Correa, Gerri Kimber et al.•BOOK•Katherine Mansfield and Modernism•2010

    New analysis of Katherine Mansfield's contribution to modernism, above all her underexplored relationship with D.H. Lawrence Katherine Mansfield and Modernism is given a distinct focus in this volume by an emphasis on her under-explored relationship with D. H. Lawrence, to whom, both as artist and person, she felt herself uncannily alike. In addition to investigating Mansfield’s literary and biographical relationship with Lawrence, the essays for…

  • Art for the Soviet home

    Open Access•Susan Reid•ARTICLE•Human Affairs•2011•Cited by: 1•References: 19

    As an intensive housing construction drive in the late 1950s began to provide separate apartments for millions of Soviet citizens, aesthetic experts envisioned the Soviet home as a potential site for the display of works of art and for amateur aesthetic production. In the context of de-Stalinization, reformist artists and aestheticians committed to the liberalization and modernization of Soviet artistic criteria, promoted the value of amateur art…

  • Race and modernism

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2012

    edited by Len Platt, Cambridge, Cambridge University Press, 2011, 219 pp., £50.00 (hbk), ISBN 978 0 5215 1944 1 by Donna V. Jones, New York and Chichester, Columbia University Press, 2010, 231 pp

  • Makeshift Modernity. DIY, Craft and the Virtuous Homemaker in New Soviet Housing of the 1960s

    Open Access•Susan Reid, Susan E Reid•ARTICLE•International Journal for History…•2014

    In cities across the Soviet Union in the late 1950s and early 1960s, new\nhousing developments of plain five-storey apartment blocks mushroomed\nthanks to an intensive programme for mass industrialised housing\nconstruction launched by the Party-State in 1957. Modern living conditions\nwere to be created for millions, it was promised, through state planning and\ninvestment in the modernisation of construction, making maximum use of\ntechnology an…

  • Makeshift Modernity

    Open Access•Susan Reid, Susan E Reid•ARTICLE•International Journal for History…•2014

    This paper was published as Open Access under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Full details of this \nlicence are available at: http://creativecommons.org/licenses/ by/4.0

  • Cardiovascular disease medication health literacy among Indigenous peoples: Design and protocol of an intervention trial in Indigenous primary care services

    Open Access•Sue Crengle, Janet Smylie et al.•ARTICLE•BMC Public Health•2014

    Australian and New Zealand Clinical Trials Register (ACTRN12612001309875; date of registration 18/12/2012)

  • Public Attitudes to Gaelic and the Debate about Scottish Autonomy

    Lindsay Paterson, Fiona O'Hanlon et al.•ARTICLE•Regional & Federal Studies•2014•Cited by: 4•References: 15

    Scotland seems to be a counter-example to general theories of the relationship between language and national identity or nationalism. These theories point to three components in the ideology of language and nation – that being able to speak the national language is necessary for full national membership, that the national language is a core part of the nation’s culture, and that the future of national political autonomy and the future of the nati…

  • Decolonizing time: The Mexican temporalities of D.H. Lawrence, Aldous Huxley and Carlos Fuentes

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2014•Cited by: 1•References: 20

    A recent exhibition at the Royal Academy in London, Mexico: A Revolution in Art 1910–1940, highlighted a juxtaposition of past and present that fascinated intellectuals, novelists and artists from around the world. Against this background, this article explores how tensions between what Adam Marrows describes as "the cosmic time of empire" and the more fluid senses of local, historical Mexican time in the modernist novels of D.H. Lawrence (The Pl…

  • Modernist literature and postcolonial studies; Modernism, imperialism, and the historical sense; The cosmic time of empire: Modern Britain and world literature; The colonisation of time: ritual, routi…

    Susan Reid•ARTICLE•Journal of Postcolonial Writing•2014

    When was modernism? Rajeev S. Patke neatly disposes of this perennial question by asserting an “asynchronous” (xxiv) concept of the “modern” as opposed to modernism, in accordance with Rabindranath

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