Dietmar Najock
Biographic Data
| ID | 9448477 |
|---|---|
| NAME | Dietmar Najock |
| GIVEN NAMES | Dietmar |
| FAMILY NAME | Najock |
| SIGNATURE | NAJOCK D |
| AFFILIATIONS | Freie Universität Berlin |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Greek and Latin Texts on the Harp and Similar Instruments in Byzantine Times
In Byzantine sources, both literary and iconographic, the harp occurs surprisingly seldom. Harpa as a term for a musical instrument is first encountered in Venantius Fortunatus. It is usually translated as ‘harp’, but at that time it most likely meant a lyre. Since the Carolingian Renaissance – when in the West often the harp, in Byzantium the psaltery gradually took the place of the lyre – the old name apparently passed to the new instrument, as…
A Few Notes on the Kοινὴ Ὁρμασία and Some Musical Examples of the Old Organum
The article discusses – on the basis of manuscript readings and the wider context – two musical examples from the Old organum ( Musica enchiriadis 14 and Micrologus 19), both with respect to an occursus at the end of the melody. These examples were previously used by the author for the illustration of similar features in the κοινὴ ὁρμασία , but without the critical discussion given here. The discussion shows that the Micrologus example most proba…
LatMor
We present the first large-coverage finite-state open-source morphology for Latin (called LatMor) which parses as well as generates vowel quantity information. LatMor is based on the Berlin Latin Lexicon comprising about 70,000 lemmata of classical Latin compiled by the group of Dietmar Najock in theirwork on concordances of Latin authors (see Rapsch and Najock, 1991) which was recently updated by us. Compared to the well-known Morpheus system of…
No prominent works on this page.
LatMor
We present the first large-coverage finite-state open-source morphology for Latin (called LatMor) which parses as well as generates vowel quantity information. LatMor is based on the Berlin Latin Lexicon comprising about 70,000 lemmata of classical Latin compiled by the group of Dietmar Najock in theirwork on concordances of Latin authors (see Rapsch and Najock, 1991) which was recently updated by us. Compared to the well-known Morpheus system of…
A Few Notes on the Kοινὴ Ὁρμασία and Some Musical Examples of the Old Organum
The article discusses – on the basis of manuscript readings and the wider context – two musical examples from the Old organum ( Musica enchiriadis 14 and Micrologus 19), both with respect to an occursus at the end of the melody. These examples were previously used by the author for the illustration of similar features in the κοινὴ ὁρμασία , but without the critical discussion given here. The discussion shows that the Micrologus example most proba…
Greek and Latin Texts on the Harp and Similar Instruments in Byzantine Times
In Byzantine sources, both literary and iconographic, the harp occurs surprisingly seldom. Harpa as a term for a musical instrument is first encountered in Venantius Fortunatus. It is usually translated as ‘harp’, but at that time it most likely meant a lyre. Since the Carolingian Renaissance – when in the West often the harp, in Byzantium the psaltery gradually took the place of the lyre – the old name apparently passed to the new instrument, as…
Art (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Archaeology (1 work) · Art history (1 work) · Artificial Intelligence (1 work)