Natela I Enukidze
Biographic Data
| ID | 9456896 |
|---|---|
| NAME | Natela I Enukidze |
| GIVEN NAMES | Natela I |
| FAMILY NAME | Enukidze |
| SIGNATURE | ENUKIDZE N I |
| AFFILIATIONS | Gnessin Russian Academy of Music |
| ORCID | 0000-0003-0487-7371 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Fiametta’s Four Dead Men by Nikolai Evreinov
Dramatic pantomime, shaped in large part by Vsevolod Meyerhold’s 1910 production of Columbine’s Scarf at the House of Interludes, held a modest yet meaningful place in the repertoire of the Crooked Mirror Miniature Theatre (St. Petersburg). Nikolai Evreinov’s Fiametta’s Four Dead Men, the theatre’s first commedia dell’arte pantomime, premiered in 1911 and, as theatre historian Vadim Shcherbakov notes, grew out of this same experiment. The premier…
Pantomimes in the repertoire of the Crooked Mirror Miniature Theater
Pantomime can rightfully be considered one of the most innovative and sought-after theatrical genres of the Silver Age. Iconic productions of the 1910s, such as Vsevolod Meyerhold’s Columbine’s Scarf (1910, House of Interludes) and Alexander Tairov’s The Veil of Pierrette (first staged in 1913 at the Moscow Free Theater)—both based on Arthur Schnitzler’s play with music by Ernst von Dohnányi—resonated deeply within Russia’s artistic and theatrica…
“Arkhangelsky and Baliev, Baliev and Arkhangelsky”
The article is devoted to the issue of the “sound space” of one of the leading Russian theaters of small caliber – “Letuchaya mysh’” [“The Bat”] directed by Nikita Feodorovich Baliev. The musical setting for the theatrical programs was based on two principles of work with the musical material, conditionally labelled as “the original” and “the derived.” What is meant here under “the original” is the music especially written for theatrical numbers,…
No prominent works on this page.
“Arkhangelsky and Baliev, Baliev and Arkhangelsky”
The article is devoted to the issue of the “sound space” of one of the leading Russian theaters of small caliber – “Letuchaya mysh’” [“The Bat”] directed by Nikita Feodorovich Baliev. The musical setting for the theatrical programs was based on two principles of work with the musical material, conditionally labelled as “the original” and “the derived.” What is meant here under “the original” is the music especially written for theatrical numbers,…
Fiametta’s Four Dead Men by Nikolai Evreinov
Dramatic pantomime, shaped in large part by Vsevolod Meyerhold’s 1910 production of Columbine’s Scarf at the House of Interludes, held a modest yet meaningful place in the repertoire of the Crooked Mirror Miniature Theatre (St. Petersburg). Nikolai Evreinov’s Fiametta’s Four Dead Men, the theatre’s first commedia dell’arte pantomime, premiered in 1911 and, as theatre historian Vadim Shcherbakov notes, grew out of this same experiment. The premier…
Pantomimes in the repertoire of the Crooked Mirror Miniature Theater
Pantomime can rightfully be considered one of the most innovative and sought-after theatrical genres of the Silver Age. Iconic productions of the 1910s, such as Vsevolod Meyerhold’s Columbine’s Scarf (1910, House of Interludes) and Alexander Tairov’s The Veil of Pierrette (first staged in 1913 at the Moscow Free Theater)—both based on Arthur Schnitzler’s play with music by Ernst von Dohnányi—resonated deeply within Russia’s artistic and theatrica…
Arts, Culture, and Music Studies (2 works) · Cultural Studies and Interdisciplinary Research (2 works) · Performance art (2 works) · Repertoire (2 works) · Theatre and Performance Studies (2 works) · Art (1 work) · Art history (1 work) · Dramaturgy (1 work) · European Linguistics and Anthropology (1 work) · Key (lock) (1 work)