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Yulia N Panteleeva

Biographic Data

ID9456903
NAMEYulia N Panteleeva
GIVEN NAMESYulia N
FAMILY NAMEPanteleeva
SIGNATUREPANTELEEVA Y N
AFFILIATIONSGnessin Russian Academy of Music
ORCID0000-0003-1122-7668
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX0
  • On Viktor Ekimovsky’s Minimalism

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2026

    The article explores the creative work of the prominent Russian composer Viktor Alekseyevich Ekimovsky (1947–2024). His compositions are diverse not only in their artistic and aesthetic concepts but also in their writing techniques. Categorizing his works based on the prevailing compositional method, Ekimovsky classified several of his pieces as minimalist. This study focuses on three works characterized by features inherent to minimalism as a me…

  • Contemporary Music as Reflected in Scholarly Texts

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2025

    The article reviews scholarly texts on contemporary music published in Russian art history journals in 2022–2024. The list of journals includes nearly twenty periodicals. The present article provides insights into which composers and national traditions are currently studied by musicologists, what theoretical issues are addressed by researchers, what new terminology has been introduced into the vocabulary of musicology, and what methodological is…

  • The Structural Poetics of Nikolai Korndorf’s Piano Trio

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2024

    The article is devoted to Nikolai Sergeyevich Korndorf’s Trio for Violin, Cello and Piano Are you ready, brother? (1996). Stemming from analytical observations of the structure of the musical text and the path of hermeneutic interpretation of the content-based aspect of the composition, the author of the article formulates important principles concerning the artistic structure of this composition. The peculiar architectonic aspects of the trio se…

  • On N.S. Gulyanitskaya’s Scientific Creation

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2023

    The article is devoted to the anniversary date — 95th anniversary of the outstanding scientist, professor of the Gnessin Russian Academy of Music, Doctor of Art History Natalia Sergeevna Gulyanitskaya. Gulyanitskaya is a prominent figure in modern musical science, whose works are well-known in Russia and abroad, for thirty years she headed Department of Music Theory of Gnessin Russian Academy of Music, for twenty years she headed the Dissertation…

  • «The Composer’s word and the Composer as seen by others

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2019

    The article «The Composer’s word and the Composer as seen by others: the 18th anniversary of the musicology project in the Gnessins Russian Academy of Music» is devoted to the theme of composer musicology – a concept that has become central to the series of collections «The Composer’s Word». This musicology project arose in the Gnessins Russian Academy of music in 2001. The article offers a general view of the concept of the collection, the mater…

No prominent works on this page.

  • «The Composer’s word and the Composer as seen by others

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2019

    The article «The Composer’s word and the Composer as seen by others: the 18th anniversary of the musicology project in the Gnessins Russian Academy of Music» is devoted to the theme of composer musicology – a concept that has become central to the series of collections «The Composer’s Word». This musicology project arose in the Gnessins Russian Academy of music in 2001. The article offers a general view of the concept of the collection, the mater…

  • On N.S. Gulyanitskaya’s Scientific Creation

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2023

    The article is devoted to the anniversary date — 95th anniversary of the outstanding scientist, professor of the Gnessin Russian Academy of Music, Doctor of Art History Natalia Sergeevna Gulyanitskaya. Gulyanitskaya is a prominent figure in modern musical science, whose works are well-known in Russia and abroad, for thirty years she headed Department of Music Theory of Gnessin Russian Academy of Music, for twenty years she headed the Dissertation…

  • The Structural Poetics of Nikolai Korndorf’s Piano Trio

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2024

    The article is devoted to Nikolai Sergeyevich Korndorf’s Trio for Violin, Cello and Piano Are you ready, brother? (1996). Stemming from analytical observations of the structure of the musical text and the path of hermeneutic interpretation of the content-based aspect of the composition, the author of the article formulates important principles concerning the artistic structure of this composition. The peculiar architectonic aspects of the trio se…

  • Contemporary Music as Reflected in Scholarly Texts

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2025

    The article reviews scholarly texts on contemporary music published in Russian art history journals in 2022–2024. The list of journals includes nearly twenty periodicals. The present article provides insights into which composers and national traditions are currently studied by musicologists, what theoretical issues are addressed by researchers, what new terminology has been introduced into the vocabulary of musicology, and what methodological is…

  • On Viktor Ekimovsky’s Minimalism

    Open Access•Yulia N Panteleeva•ARTICLE•Contemporary Musicology•2026

    The article explores the creative work of the prominent Russian composer Viktor Alekseyevich Ekimovsky (1947–2024). His compositions are diverse not only in their artistic and aesthetic concepts but also in their writing techniques. Categorizing his works based on the prevailing compositional method, Ekimovsky classified several of his pieces as minimalist. This study focuses on three works characterized by features inherent to minimalism as a me…

Art (4 works) · Diverse Musicological Studies (4 works) · Literature (4 works) · Musical (4 works) · Art history (3 works) · History (3 works) · Musicology (2 works) · Musicology and Musical Analysis (2 works) · Cello (1 work) · Classics (1 work)

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