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Arnold Berleant

Biographic Data

ID952651
NAMEArnold Berleant
GIVEN NAMESArnold
FAMILY NAMEBerleant
SIGNATUREBERLEANT A
AFFILIATIONSLong Island University
VERIFIEDNo
TOTAL WORKS58
TOTAL CITATIONS37
AUTHOR COUNT58
EDITOR COUNT0
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR2021
H-INDEX3
  • Aesthetics and the Arts of Engagement

    Open Access•Arnold Berleant•ARTICLE•Roczniki Kulturoznawcze•2021

    Estetyka i sztuka zaangażowania We wcześniejszym opracowaniu zasugerowałem, że badanie estetyki, zamiast wychodzić od podstawowych zasad, przyniosłoby większe korzyści przez zaznajomienie ze współczesnymi osiągnięciami w sztuce. W ciągu ostatnich dwóch stuleci przemiany społeczne, technologiczne i kulturowe wywarły wielki wpływ na sztukę i doznania estetyczne. Owe fundamentalne zmiany wymagały nowego opisu, który by je objaśniał i racjonalizował.…

  • The Sublime Troubles of Postmodernism. A Tribute to S.M

    Open Access•Arnold Berleant•ARTICLE•Przegląd Kulturoznawczy•2021

    This essay interweaves Stefan Morawski’s critique of postmodernism and Jean-François Lyotard’s expression of the postmodern sublime as “the presentation of the unpresentable” in a wide-ranging appraisal of the culmination of the postmodern age. This juxtaposition finds expression in the concept of the two modes of a negative sublime: the negative dynamical sublime exemplified in the stockpiles of nuclear warheads scattered widely across the globe…

  • L'art de connaître un paysage

    Arnold Berleant, Jeanne Delbaere‐Garant et al.•ARTICLE•Diogène•2012

    The arts can contribute to an intimate, engaged experience of landscape, and this process can itself be construed as an art. Experiencing landscape through the arts and as an art, the art of environmental appreciation, offers a clearer understanding of landscape, of environment, and of art, as well as what it is to "know" in the context of environmental experience. This essay offers a new fabric for understanding the relation of art and landscape…

  • The Art in Knowing a Landscape

    Open Access•Arnold Berleant•ARTICLE•Diogenes•2012•Cited by: 1•References: 3

    The arts can contribute to an intimate, engaged experience of landscape, and this process can itself be construed as an art. Experiencing landscape through the arts and as an art, the art of environmen-tal appreciation, offers a clearer understanding of landscape, of environment, and of art, as well as what it is to "know" in the context of environmental experience. This essay offers a new fabric for understanding the relation of art and landscap…

  • Making Theory, Making Sense

    Arnold Berleant•ARTICLE•Ethics Place & Environment•2009

    The broad scope and coherence of Natural Beauty are among its major strengths. Moore's syncretic theory tries to integrate diverse and sometimes conflicting theoretical strands. Of special importance is his recognition that the natural world is a social institution embodying perceptions that are conditioned, experiences communicated through language, and social beliefs and conventions. These lead him to consider the natural world as actually arti…

  • Aesthetics and community

    Open Access•Arnold Berleant•ARTICLE•The Journal of Value Inquiry•1994

  • Beyond Disinterestedness

    Arnold Berleant•ARTICLE•The British Journal of Aesthetics•1994

    Journal Article BEYOND DISINTERESTEDNESS Get access Arnold Berleant Arnold Berleant 18 Stonebridge Lanoe, Goshen, Connecticut 06756, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 34, Issue 3, July 1994, Pages 242–254, https://doi.org/10.1093/bjaesthetics/34.3.242 Published: 01 July 1994

  • The Eighteenth Century Assumptions of Analytic Aesthetics

    Open Access•Arnold Berleant•CHAPTER•History and Anti-History in…•1989

  • The Historicity of Aesthetics - Ii

    Arnold Berleant•ARTICLE•The British Journal of Aesthetics•1986

    Journal Article THE HISTORICITY OF AESTHETICS - II Get access Arnold Berleant Arnold Berleant Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 26, Issue 3, SUMMER 1986, Pages 195–203, https://doi.org/10.1093/bjaesthetics/26.3.195 Published: 01 March 1986

  • The Historicity of Aesthetics — I

    Arnold Berleant•ARTICLE•The British Journal of Aesthetics•1986•Cited by: 1

  • Cultivating an Urban Aesthetic

    Open Access•Arnold Berleant•ARTICLE•Diogenes•1986•Cited by: 1

    For most people the city, particularly the industrial city, is the antithesis of the aesthetic. While there may be sections that have their charm, trucks and automobiles have conquered the urban streets and pedestrians scurry before them like vanquished before a victor. Gardens and parks are occasional oases amidst the stone desert of concrete and asphalt, but the dominating features of urban experience remain mechanical and electronic noise, tra…

  • Art, artistry and sculpture

    Open Access•Arnold Berleant•ARTICLE•Human Studies•1985

  • Visual Arts and the Arts of the Unseen

    Arnold Berleant•ARTICLE•Leonardo•1980

  • Morality and Architecture

    Arnold Berleant, David Watkin•ARTICLE•Leonardo•1980

  • Inquiries into the Fundamentals of Aesthetics

    Arnold Berleant, Stefan Morawski•ARTICLE•Leonardo•1979

    This collection of essays by the Polish philosopher, Stefan Morawski, offers both a critical and original approach to the aesthetics of classical and contemporary art by an independent thinker

  • The Visual Arts and the Art of the Unseen

    Arnold Berleant•ARTICLE•Leonardo•1979

    After a century of innovation and revolt, it might seem that visual artists would have exhausted the possibilities of the perceptual world. In a series of movements protesting the complacent attitude of 19th-century Western 'academic' art, painters, led by Cezanne, Manet, Gauguin and van Gogh, fought the battle of Impressionism, Fauvism, Cubism and succeeding schools until, by the last third of the 20th century, a kind of art has arisen in which …

  • Art and Morality

    Arnold Berleant, Nishida Kitaro et al.•ARTICLE•Leonardo•1978

  • Aesthetic Paradigms for an Urban Ecology

    Open Access•Arnold Berleant•ARTICLE•Diogenes•1978

    Environmental aesthetics has become a matter of concern to many different groups in recent years-to conservationists, to legislators, reluctantly to industrialists, and indeed to the public at large. This interest seems to have a clear purpose. It is regarded as an effort, belated and desperate, to save the resources and beauties of our natural world from the possibility of complete and irrecoverable exploitation, and from the disfigurement and l…

  • Ethics and science

    Open Access•Arnold Berleant•ARTICLE•The Journal of Value Inquiry•1977

  • Reflections on the Screen

    Arnold Berleant, George W Linden et al.•ARTICLE•Philosophy and Phenomenological…•1977

  • Artists and Morality

    Arnold Berleant•ARTICLE•Leonardo•1977

    The author distinguishes and explores a number of moral questions raised by the social influence of artistic activity. He begins by claiming that the moral discussion of art actually centres around two distinct but related axes. Thefirst involves the moraljudgment of the art object itself and raises empirical and philosophical questions. The second, less often pondered but no less puzzling, concerns moral issues that center around the artist as a…

  • Artists on Art

    Arnold Berleant, Robert Goldwater et al.•ARTICLE•Leonardo•1977

  • Aesthetics and the Theory of Criticism

    Arnold Berleant, Arnold Isenberg•ARTICLE•Philosophy and Phenomenological…•1976•Cited by: 2

  • The Aesthetics of Modernism

    Arnold Berleant, Joseph Chiari•ARTICLE•Leonardo•1976

  • Varieties of Visual Experience

    Edmund Burke Feldman, Arnold Berleant•ARTICLE•Leonardo•1975

Next
  • Information Theory and Esthetic Perception

    Arnold Berleant, Abraham Moles et al.•ARTICLE•Philosophy and Phenomenological…•1967•Cited by: 10

  • The Aesthetic Field

    Thomas Munro, Arnold Berleant•ARTICLE•Philosophy and Phenomenological…•1971•Cited by: 5

  • Reason in Society

    Arnold Berleant, Paul Diesing•ARTICLE•Philosophy and Phenomenological…•1963•Cited by: 3

  • Aesthetics and the Theory of Criticism

    Arnold Berleant, Arnold Isenberg•ARTICLE•Philosophy and Phenomenological…•1976•Cited by: 2

  • Guide to the Works of John Dewey

    Arnold Berleant, Jo Ann Boydston•ARTICLE•Philosophy and Phenomenological…•1971•Cited by: 2

    This volume presents first comprehensive survey of entire corpus of John Dewey s work almost one thousand items and groups all these writings in twelve logical categories, so that user can gain insight into interrelationships among areas of Dewey s thought and into Dewey s total contribution to American letters. By arranging and analyzing the complete body of Dewey s published writings within twelve areas, each with an introductory essay and bibl…

  • Absolutism and Relativism in Ethics

    Arnold Berleant, Shia Moser•ARTICLE•Philosophy and Phenomenological…•1969•Cited by: 2

  • A Current Appraisal of the Behavioral Sciences

    Arnold Berleant, Rollo Handy et al.•ARTICLE•Philosophy and Phenomenological…•1965•Cited by: 2

  • Philosophies of History

    Arnold Berleant, Grace E Cairns•ARTICLE•Philosophy and Phenomenological…•1964•Cited by: 2

  • The Art in Knowing a Landscape

    Open Access•Arnold Berleant•ARTICLE•Diogenes•2012•Cited by: 1•References: 3

    The arts can contribute to an intimate, engaged experience of landscape, and this process can itself be construed as an art. Experiencing landscape through the arts and as an art, the art of environmen-tal appreciation, offers a clearer understanding of landscape, of environment, and of art, as well as what it is to "know" in the context of environmental experience. This essay offers a new fabric for understanding the relation of art and landscap…

  • The Historicity of Aesthetics — I

    Arnold Berleant•ARTICLE•The British Journal of Aesthetics•1986•Cited by: 1

  • Cultivating an Urban Aesthetic

    Open Access•Arnold Berleant•ARTICLE•Diogenes•1986•Cited by: 1

    For most people the city, particularly the industrial city, is the antithesis of the aesthetic. While there may be sections that have their charm, trucks and automobiles have conquered the urban streets and pedestrians scurry before them like vanquished before a victor. Gardens and parks are occasional oases amidst the stone desert of concrete and asphalt, but the dominating features of urban experience remain mechanical and electronic noise, tra…

  • The Measurement of Values, Behavioral Science and Philosophical Approaches

    Arnold Berleant, Rollo Handy•ARTICLE•Philosophy and Phenomenological…•1972•Cited by: 1

  • Art and Human Intelligence

    Arnold Berleant, Victorino Tejera•ARTICLE•Philosophy and Phenomenological…•1968•Cited by: 1

  • Haeckel's Theory of the Unity of Nature

    Arnold Berleant, David H DeGrood•ARTICLE•Philosophy and Phenomenological…•1966•Cited by: 1

  • Aesthetics and the Philosophy of Criticism

    Arnold Berleant, Marvin Levich•ARTICLE•Philosophy and Phenomenological…•1965•Cited by: 1

  • John Dewey and Self-Realization

    Arnold Berleant, Robert J Roth•ARTICLE•Philosophy and Phenomenological…•1964•Cited by: 1

  • Chauncey Wright and the Foundations of Pragmatism

    Arnold Berleant, Edward H Madden•ARTICLE•Philosophy and Phenomenological…•1964•Cited by: 1

  • Marx's Concept of Man

    Arnold Berleant, Erich Fromm•ARTICLE•Philosophy and Phenomenological…•1962

  • Reason in Society

    Arnold Berleant, Paul Diesing•ARTICLE•Philosophy and Phenomenological…•1963•Cited by: 3

  • A Note on the Problem on Defining `Art

    Arnold Berleant•ARTICLE•Philosophy and Phenomenological…•1964

    A short note describing the difficulties that surround the definition of "art

  • John Dewey and Self-Realization

    Arnold Berleant, Robert J Roth•ARTICLE•Philosophy and Phenomenological…•1964•Cited by: 1

  • Chauncey Wright and the Foundations of Pragmatism

    Arnold Berleant, Edward H Madden•ARTICLE•Philosophy and Phenomenological…•1964•Cited by: 1

  • Reason and Conduct; New Bearings in Moral Philosophy

    Arnold Berleant, Henry David Aiken•ARTICLE•Philosophy and Phenomenological…•1964

  • Philosophies of History

    Arnold Berleant, Grace E Cairns•ARTICLE•Philosophy and Phenomenological…•1964•Cited by: 2

  • A Current Appraisal of the Behavioral Sciences

    Arnold Berleant, Rollo Handy et al.•ARTICLE•Philosophy and Phenomenological…•1965•Cited by: 2

  • Aesthetics and the Philosophy of Criticism

    Arnold Berleant, Marvin Levich•ARTICLE•Philosophy and Phenomenological…•1965•Cited by: 1

  • Essays in Aesthetics

    Arnold Berleant, Jean-Paul Sartre et al.•ARTICLE•Philosophy and Phenomenological…•1965

  • On the Circularity of the Cogito

    Arnold Berleant•ARTICLE•Philosophy and Phenomenological…•1966

  • Haeckel's Theory of the Unity of Nature

    Arnold Berleant, David H DeGrood•ARTICLE•Philosophy and Phenomenological…•1966•Cited by: 1

  • The Arts of the Beautiful

    Arnold Berleant, Etienne Gilson•ARTICLE•Philosophy and Phenomenological…•1966

    With his usual lucidity, Etienne Gilson addresses the idea that is the making of beauty for beauty's own sake. By distinguishing between aesthetics, which promotes art as a form of knowledge, and philosophy, which focuses on the presence of the artist's own talent or genius, Gilson maintains that art belongs to a different category entirely, the category of making. Gilson's intellectually stimulating meditation on the relation of beauty and art i…

  • The experience & judgment of values

    Open Access•Arnold Berleant•ARTICLE•The Journal of Value Inquiry•1967

  • Information Theory and Esthetic Perception

    Arnold Berleant, Abraham Moles et al.•ARTICLE•Philosophy and Phenomenological…•1967•Cited by: 10

  • What Happens in Art

    Arnold Berleant, Matthew Lipman•ARTICLE•Philosophy and Phenomenological…•1968

  • Art and Human Intelligence

    Arnold Berleant, Victorino Tejera•ARTICLE•Philosophy and Phenomenological…•1968•Cited by: 1

  • Absolutism and Relativism in Ethics

    Arnold Berleant, Shia Moser•ARTICLE•Philosophy and Phenomenological…•1969•Cited by: 2

  • Surrogate Theories of Art

    Arnold Berleant•ARTICLE•Philosophy and Phenomenological…•1969

  • The social postulate of theoretical ethics

    Open Access•Arnold Berleant•ARTICLE•The Journal of Value Inquiry•1970

  • The Aesthetic Field

    Thomas Munro, Arnold Berleant•ARTICLE•Philosophy and Phenomenological…•1971•Cited by: 5

  • Guide to the Works of John Dewey

    Arnold Berleant, Jo Ann Boydston•ARTICLE•Philosophy and Phenomenological…•1971•Cited by: 2

    This volume presents first comprehensive survey of entire corpus of John Dewey s work almost one thousand items and groups all these writings in twelve logical categories, so that user can gain insight into interrelationships among areas of Dewey s thought and into Dewey s total contribution to American letters. By arranging and analyzing the complete body of Dewey s published writings within twelve areas, each with an introductory essay and bibl…

  • Theory and Taste

    Arnold Berleant, Teddy Brunius•ARTICLE•Philosophy and Phenomenological…•1971

  • Aesthetics and the Artist Today (Continued)

    Arnold Berleant•ARTICLE•Leonardo•1971

  • The Measurement of Values, Behavioral Science and Philosophical Approaches

    Arnold Berleant, Rollo Handy•ARTICLE•Philosophy and Phenomenological…•1972•Cited by: 1

Philosophy (37 works) · Art (33 works) · Epistemology (29 works) · Philosophy (29 works) · Aesthetics (27 works) · Visual arts (20 works) · Psychology (19 works) · Visual Culture and Art Theory (11 works) · Sociology (9 works) · Aesthetic Perception and Analysis (8 works)

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