Kevin Korsyn
Biographic Data
| ID | 954767 |
|---|---|
| NAME | Kevin Korsyn |
| GIVEN NAMES | Kevin |
| FAMILY NAME | Korsyn |
| SIGNATURE | KORSYN K |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 32 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 4 |
Predgovor
Zgodovina recepcije in travma resnične zgodovine: "Dekodiranje pantomime v Haydnovi "Simfoniji slovesa
Haydnova vključitev pantomime v finale »Simfonije slovesa« predstavlja radikalno kršitev splošnih pričakovanj, podobno kot Beethovnova uvedba zbora v IX. Simfonijo, pa vendar ni še nobeden analiziral te pantomime ali dekodiral njene pomene. Zgodovina recepcije te skladbe vsiljuje misel o paradoksalni mešanici stopnjevanja zgodovinskega spominjanja in nekakšne hotene amnezije
Schenker's Vienna: NicholasCook onCulture, Race andMusicTheory infin-de-siècleAustria
Musicology as an Institutional Discourse: Deconstruction and the Future of Musicology
This essay analyzes musicology as an institutional discourse, as a collective and social practice that is not only produced and transmitted within particular institutional networks, but is also profoundly shaped by those networks. By insisting on the paradoxical status of his own work vis-à-vis institutions, Derrida might provide an opening for musicologists to negotiate with the structures and traditions that simultaneously enable and constrain …
The Death of Musical Analysis? The Concept of Unity Revisited
Decentering Music: A Critique of Contemporary Musical Research
This book examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to complex historical changes such as globalization and the commodification of knowledge, this book undertakes a critique of musical scholarship as an institutional discourse, while contributing to a general theory of dis…
The 'New Poetics' of Musical Influence: A Response to Kevin Korsyn
Brahms Research and Aesthetic Ideology
Towards a New Poetics of Musical Influence
Exploratory Essays
And Pupil
Towards a New Poetics of Musical Influence
The Death of Musical Analysis? The Concept of Unity Revisited
Decentering Music: A Critique of Contemporary Musical Research
This book examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to complex historical changes such as globalization and the commodification of knowledge, this book undertakes a critique of musical scholarship as an institutional discourse, while contributing to a general theory of dis…
Brahms Research and Aesthetic Ideology
Schenker's Vienna: NicholasCook onCulture, Race andMusicTheory infin-de-siècleAustria
And Pupil
Exploratory Essays
Towards a New Poetics of Musical Influence
Brahms Research and Aesthetic Ideology
The 'New Poetics' of Musical Influence: A Response to Kevin Korsyn
Decentering Music: A Critique of Contemporary Musical Research
This book examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to complex historical changes such as globalization and the commodification of knowledge, this book undertakes a critique of musical scholarship as an institutional discourse, while contributing to a general theory of dis…
The Death of Musical Analysis? The Concept of Unity Revisited
Musicology as an Institutional Discourse: Deconstruction and the Future of Musicology
This essay analyzes musicology as an institutional discourse, as a collective and social practice that is not only produced and transmitted within particular institutional networks, but is also profoundly shaped by those networks. By insisting on the paradoxical status of his own work vis-à-vis institutions, Derrida might provide an opening for musicologists to negotiate with the structures and traditions that simultaneously enable and constrain …
Predgovor
Zgodovina recepcije in travma resnične zgodovine: "Dekodiranje pantomime v Haydnovi "Simfoniji slovesa
Haydnova vključitev pantomime v finale »Simfonije slovesa« predstavlja radikalno kršitev splošnih pričakovanj, podobno kot Beethovnova uvedba zbora v IX. Simfonijo, pa vendar ni še nobeden analiziral te pantomime ali dekodiral njene pomene. Zgodovina recepcije te skladbe vsiljuje misel o paradoksalni mešanici stopnjevanja zgodovinskega spominjanja in nekakšne hotene amnezije
Schenker's Vienna: NicholasCook onCulture, Race andMusicTheory infin-de-siècleAustria
Art (9 works) · Musicology and Musical Analysis (7 works) · Diverse Musicological Studies (5 works) · Literature (4 works) · Musical (4 works) · Aesthetics (3 works) · Music History and Culture (3 works) · Political science (3 works) · Sociology (3 works) · Computer Science (2 works)