Decentering Music
A Critique of Contemporary Musical Research
Bibliographic Data
| ID | 8080451 |
|---|---|
| Authors | Kevin Korsyn (University of Michigan, corresponding author), Kevin Ernest Korsyn |
| Year | 2003 |
| Pages | 221 |
| Publication date | 2003-03-27 |
| Open Access | No |
| Type | BOOK |
| Venue | Decentering music (SOURCE_BOOK) |
| Publisher | Oxford University PressNew York (PUBLISHER) |
| DOI | 10.1093/acprof:oso/9780195104547.001.0001 |
| OpenAlex | W4248656177 |
| Open Library | OL17611196M |
| ISBN | 9780195104547 |
| Language | EN |
| Citations received | 15 |
This book examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to complex historical changes such as globalization and the commodification of knowledge, this book undertakes a critique of musical scholarship as an institutional discourse, while contributing to a general theory of disciplinary structures that goes beyond the limits of any single field. In asking a number of fundamental questions about the models through which disciplinary objects in music are constructed, the book suggests unexpected relationships between works of musical scholarship and the cultural networks in which they participate. Thus, David Lewin's theory of musical perceptions is compared to Richard Rorty's concept of the “liberal ironist”, Susan McClary's feminist narrative of music history is juxtaposed with T.S. Eliot's “dissociation of sensibility”, and Steven Feld's work in recording the music of the Kaluli people is compared to the treatment of ambient sound in contemporary cinema. Developing a framework for interpretation in dialogue with a number of poststructuralist writers, the book goes far beyond applying their thought to the analysis of music; by showing the cultural dilemmas to which their work responds, it suggests how musical research already participates in these ideas
Aesthetics · Art · Commodification · Discipline · Epistemology · Interpretation (philosophy · Linguistics · Literature · Music history · Musical · Musicology · Narrative · Pedagogy · Political science · Popular music · Scholarship · Sensibility · Social science · Sociology · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · General · Instruction & Study · Music · Music theory · Research · Law · Philosophy
Music
Musical Characteristics of the Western Flute Integration Into Chinese Music
Stratégies pour une pédagogie alternative de l’histoire de la musique
The Eclipse Effects of Stardom
Whoever pays the piper calls the tune
Beyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 80
The Techne of YouTube Performance
Music Theory in Serbia
Corpus Studies and ‘Close Listening’
Notes on troubling ‘the popular
Decolonising sociology through popular culture-music research
Ethnomusicological Insights into the Sociocultural Dynamics of Folk Songs in Southern Shaanxi, China
Fraught with Ought
Changing Content in Flagship Music Theory Journals, 1979-2014
Different Temporalities
| Unique citing works | 15 |
|---|---|
| Citations per year | 0,71 |
| Citation span | 2005 - 2025 (21) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 15 |