Marie Chabbert
Biographic Data
| ID | 955865 |
|---|---|
| NAME | Marie Chabbert |
| GIVEN NAMES | Marie |
| FAMILY NAME | Chabbert |
| SIGNATURE | CHABBERT M |
| AFFILIATIONS | Oxford University Press (United Kingdom) |
| ORCID | 0000-0002-5182-0987 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
An Ethics Worthy of the Name
This paper sheds light on the relation of mutual exclusion and implication that binds Derridean ethics with the figure of God. In rupture with existing scholarship that categorizes Derridean ethics as either radically atheistic or dialectically pertaining to the Judeo-Christian moral order, I put forward the argument that Derrida's ethical thinking is best considered outside of the dialectics of a/theism. I demonstrate that, far from plainly disp…
Une perte irréparable
Jean-Luc Nancy (1940-2021) s’est efforcé de penser la finitude contre toute consolation, qu’elle soit métaphysique, politique ou religieuse : nous ne faisons en effet que passer. Mais il refusait également la désolation, prolongeant son passage par une greffe de cœur et vivant chaque instant comme unique. Sa perte est donc irréparable, mais son passage se poursuit par-delà la mort, grâce à sa leçon d’écologie
The Eternal Return of Religion
At the opening of the first volume of his Deconstruction of Christianity, Nancy argues that "The much discussed 'return of the religious,' which denotes a real phenomenon, deserves no more attention than any other 'return'" (1). This statement may seem paradoxical in light of Nancy's extensive study of the logic of the return - including, of the divine - in texts such as "Of Divine Places," Noli me tangere, Dis-Enclosure and Adoration. Nancy does…
The World's Fragile Skin
Some ancient philosophers compared the world to a big animal. This was vigorously opposed by modernity - the Enlightenment and the nineteenth century - , which compared it to a machine. Today, nobo
Spread Body and Exposed Body
The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida's dialogue with Nancy in On Touching. In constant conversation with Christianity ("This is my body" or Dis-Enclosure), corporeality in Nancy can be summarised using the figure of the "exposed body (corps ex-peausé)": a demonstration of the surface of the skin (peau) and an exposition of the self to the other in the sense of a "sta…
The Pulse of Sense
This special issue stages a series of encounters between the French philosopher Jean-Luc Nancy and leading scholars of his work. They are grouped along four major themes of Nancy’s thought: sense
An Accordion Tune
Tireless, Marie and Nikolaas, the architects of this special issue and the accompanying conference, asked me to retrace my “international trajectory.” I find this somewhat awkward for two reasons
Apprendre à refaire société
Le procès des attentats de Charlie Hebdo permettra-t-il de réconcilier la nation ? Il doit s'accompagner du respect de l'égalité des droits et d'un effort dans l'éducation
No prominent works on this page.
Apprendre à refaire société
Le procès des attentats de Charlie Hebdo permettra-t-il de réconcilier la nation ? Il doit s'accompagner du respect de l'égalité des droits et d'un effort dans l'éducation
Une perte irréparable
Jean-Luc Nancy (1940-2021) s’est efforcé de penser la finitude contre toute consolation, qu’elle soit métaphysique, politique ou religieuse : nous ne faisons en effet que passer. Mais il refusait également la désolation, prolongeant son passage par une greffe de cœur et vivant chaque instant comme unique. Sa perte est donc irréparable, mais son passage se poursuit par-delà la mort, grâce à sa leçon d’écologie
The Eternal Return of Religion
At the opening of the first volume of his Deconstruction of Christianity, Nancy argues that "The much discussed 'return of the religious,' which denotes a real phenomenon, deserves no more attention than any other 'return'" (1). This statement may seem paradoxical in light of Nancy's extensive study of the logic of the return - including, of the divine - in texts such as "Of Divine Places," Noli me tangere, Dis-Enclosure and Adoration. Nancy does…
The World's Fragile Skin
Some ancient philosophers compared the world to a big animal. This was vigorously opposed by modernity - the Enlightenment and the nineteenth century - , which compared it to a machine. Today, nobo
Spread Body and Exposed Body
The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida's dialogue with Nancy in On Touching. In constant conversation with Christianity ("This is my body" or Dis-Enclosure), corporeality in Nancy can be summarised using the figure of the "exposed body (corps ex-peausé)": a demonstration of the surface of the skin (peau) and an exposition of the self to the other in the sense of a "sta…
The Pulse of Sense
This special issue stages a series of encounters between the French philosopher Jean-Luc Nancy and leading scholars of his work. They are grouped along four major themes of Nancy’s thought: sense
An Accordion Tune
Tireless, Marie and Nikolaas, the architects of this special issue and the accompanying conference, asked me to retrace my “international trajectory.” I find this somewhat awkward for two reasons
An Ethics Worthy of the Name
This paper sheds light on the relation of mutual exclusion and implication that binds Derridean ethics with the figure of God. In rupture with existing scholarship that categorizes Derridean ethics as either radically atheistic or dialectically pertaining to the Judeo-Christian moral order, I put forward the argument that Derrida's ethical thinking is best considered outside of the dialectics of a/theism. I demonstrate that, far from plainly disp…
Philosophy (6 works) · Philosophy (4 works) · Epistemology (3 works) · Sociology (3 works) · Theology (3 works) · Aesthetics (2 works) · Christianity (2 works) · Humanities (2 works) · Law (2 works) · Law (2 works)