Linan Xian
Biographic Data
| ID | 9598091 |
|---|---|
| NAME | Linan Xian |
| GIVEN NAMES | Linan |
| FAMILY NAME | Xian |
| SIGNATURE | XIAN L |
| AFFILIATIONS | UNSW Sydney |
| ORCID | 0000-0003-4144-2051 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Bodily Encounter
The pursuit of a utopian community through theatre-making involves re-examining the concept of stage presence. This article contributes to the discourse on the nature of stage presence in theatre, proposing a middle ground between the views that stage presence is solely a result of the performer’s quality and that it is an effect that technology can produce. Through a phenomenological lens, the author argues that stage presence is a contingent an…
Directorial strategies for enhancing stage presence
Combining phenomenological methods with practice-based research, this article explores what and how directorial strategies influence stage presence. Drawing on Maurice Merleau-Ponty’s phenomenology and Joseph Chaikin’s idea of heightened awareness, in particular, it describes directorial strategies that can heighten awareness in the interdependent actor–audience relationship. Adopting the vocative method addresses the research questions by provid…
No prominent works on this page.
Directorial strategies for enhancing stage presence
Combining phenomenological methods with practice-based research, this article explores what and how directorial strategies influence stage presence. Drawing on Maurice Merleau-Ponty’s phenomenology and Joseph Chaikin’s idea of heightened awareness, in particular, it describes directorial strategies that can heighten awareness in the interdependent actor–audience relationship. Adopting the vocative method addresses the research questions by provid…
The Bodily Encounter
The pursuit of a utopian community through theatre-making involves re-examining the concept of stage presence. This article contributes to the discourse on the nature of stage presence in theatre, proposing a middle ground between the views that stage presence is solely a result of the performer’s quality and that it is an effect that technology can produce. Through a phenomenological lens, the author argues that stage presence is a contingent an…
Aesthetics (2 works) · Art (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Artistic and Creative Research (1 work) · Creativity in Education and Neuroscience (1 work) · Epistemology (1 work) · Geology (1 work) · History (1 work) · Interdependence (1 work)