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The Bodily Encounter

Towards a Utopian Community through Stage Presence

Bibliographic Data

ID21517004
AuthorsLinan Xian (0000-0003-4144-2051, corresponding author)
Year2025
Volume50
Issue2
Pages125-143
Publication date2025-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheatre Research International (JOURNAL)
Journal identifiersISSN: 0307-8833 • E-ISSN: 1474-0672
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1017/s030788332500001x
OpenAlexW4414021570
LanguageEN
Citations received1

The pursuit of a utopian community through theatre-making involves re-examining the concept of stage presence. This article contributes to the discourse on the nature of stage presence in theatre, proposing a middle ground between the views that stage presence is solely a result of the performer’s quality and that it is an effect that technology can produce. Through a phenomenological lens, the author argues that stage presence is a contingent and relational phenomenon achieved through the bodily communicative process of both the performer and the spectator. Through the exploration of traditional Chinese theatre, this research found that the bodily encounter between the performer and the spectator contributes to stage presence. The article aims to stimulate further discourse on the significance of stage presence in constructing a utopian community

Aesthetics · Art · Psychoanalysis · History · Political Economy and Marxism · Psychology · Geology · Paleontology

  • Brechtian Alienation and Chinese Theater Tradition

    Open Access•Jiawen Xu•Культура и искусство•2026

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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