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Wiktor Kulinski

Biographic Data

ID9606008
NAMEWiktor Kulinski
GIVEN NAMESWiktor
FAMILY NAMEKulinski
SIGNATUREKULINSKI W
AFFILIATIONSYork University
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2022
H-INDEX0
  • “It Comes with Practice”

    Wiktor Kulinski•ARTICLE•Canadian Theatre Review•2022

    Pierogi-making is an everyday performance that is both an act of preservation and an active force that shapes the very heritage from which it draws. During participant observation that I engaged in with members of the Women’s Circle at a Polish Canadian cultural centre in Brantford, Ontario—referred to by its members as “the Hall”—in the summer of 2016, I was taught, through apprenticeship, how to make pierogi. The women under whom I apprenticed …

  • Food for Thought

    Edward Whittall, Wiktor Kulinski•ARTICLE•InTensions•2018

    The paradox of studying food is that scholars necessarily rely on the very instruments of discourse that reify a hierarchy of the senses designed to render food unworthy of serious thought: Images and texts appeal to the “higher” sense of sight; they “figure the material as intellectual, imaginative, symbolic, aesthetic,” Priscilla Parkhurst Ferguson claims (2004, 17). Reason cannot be found in the “lower” senses while eating reminds us too much …

No prominent works on this page.

  • Food for Thought

    Edward Whittall, Wiktor Kulinski•ARTICLE•InTensions•2018

    The paradox of studying food is that scholars necessarily rely on the very instruments of discourse that reify a hierarchy of the senses designed to render food unworthy of serious thought: Images and texts appeal to the “higher” sense of sight; they “figure the material as intellectual, imaginative, symbolic, aesthetic,” Priscilla Parkhurst Ferguson claims (2004, 17). Reason cannot be found in the “lower” senses while eating reminds us too much …

  • “It Comes with Practice”

    Wiktor Kulinski•ARTICLE•Canadian Theatre Review•2022

    Pierogi-making is an everyday performance that is both an act of preservation and an active force that shapes the very heritage from which it draws. During participant observation that I engaged in with members of the Women’s Circle at a Polish Canadian cultural centre in Brantford, Ontario—referred to by its members as “the Hall”—in the summer of 2016, I was taught, through apprenticeship, how to make pierogi. The women under whom I apprenticed …

Aesthetics (2 works) · Anthropology (2 works) · Epistemology (2 works) · Philosophy (2 works) · Sociology (2 works) · Action (physics) (1 works) · Appeal (1 works) · Apprenticeship (1 works) · Art (1 works) · Art Education and Development (1 works)

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