Michel Bret
Biographic Data
| ID | 961553 |
|---|---|
| NAME | Michel Bret |
| GIVEN NAMES | Michel |
| FAMILY NAME | Bret |
| SIGNATURE | BRET M |
| AFFILIATIONS | Département Arts et Technologies de l'Image, University of Paris 8, 93256 Saint-Denis, France. E-mail: <>. |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
Interacting with an Intelligent Dancing Figure
The authors (a neurophysiologist and two computer artists) give an account of a collaboration that took place within the framework of a study-cum- artistic experiment on virtual interactive figures at the boundary of art and cognitive science. This study, called "'Intelligent' Interactivity (Connectionism, Evolutionary Science and Artificial Life) in Digital Arts in Relation with the Physiology of the Perception of Action and Movement," was suppo…
Procedural Art with Computer Graphics Technology
While traditional tools enable visual artists to work only on objects, the computer gives them access to the processes and sources of creative activity. Through dialogue with the model, the artist is no longer limited by the material constraints or the irreversibility of real actions. By emphasizing the process rather than the object, the computer enables formalizing of the creative act and the application of formal categories of discourse. Gradu…
Interacting with an Intelligent Dancing Figure
The authors (a neurophysiologist and two computer artists) give an account of a collaboration that took place within the framework of a study-cum- artistic experiment on virtual interactive figures at the boundary of art and cognitive science. This study, called "'Intelligent' Interactivity (Connectionism, Evolutionary Science and Artificial Life) in Digital Arts in Relation with the Physiology of the Perception of Action and Movement," was suppo…
Procedural Art with Computer Graphics Technology
While traditional tools enable visual artists to work only on objects, the computer gives them access to the processes and sources of creative activity. Through dialogue with the model, the artist is no longer limited by the material constraints or the irreversibility of real actions. By emphasizing the process rather than the object, the computer enables formalizing of the creative act and the application of formal categories of discourse. Gradu…
Interacting with an Intelligent Dancing Figure
The authors (a neurophysiologist and two computer artists) give an account of a collaboration that took place within the framework of a study-cum- artistic experiment on virtual interactive figures at the boundary of art and cognitive science. This study, called "'Intelligent' Interactivity (Connectionism, Evolutionary Science and Artificial Life) in Digital Arts in Relation with the Physiology of the Perception of Action and Movement," was suppo…
Art (2 works) · Computer Science (2 works) · Visual arts (2 works) · 3D Shape Modeling and Analysis (1 work) · Action (physics) (1 work) · Action Observation and Synchronization (1 work) · Aesthetics (1 work) · Art history (1 work) · Christian ministry (1 work) · Cognition (1 work)