Interacting with an Intelligent Dancing Figure
Artistic Experiments at the Crossroads between Art and Cognitive Science
Bibliographic Data
| ID | 3460241 |
|---|---|
| Authors | Michel Bret (Département Arts et Technologies de l'Image, University of Paris 8, 93256 Saint-Denis, France. E-mail: <>.), Marie-Hélène Tramus (Département Arts et Technologies de l'Image, University of Paris 8, 93256 Saint-Denis, France. E-mail: <>.), Alain Berthoz (Collège de France (Laboratoire de la Physiologie de la Perception et de l'Action), 75005 Paris, France. E-mail: <>.) |
| Year | 2005 |
| Volume | 38 |
| Issue | 1 |
| Pages | 46-53 |
| Publication date | 2005-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon.2005.38.1.46 |
| OpenAlex | W2101287225 |
| Language | EN |
| Citations received | 2 |
| References cited | 2 |
The authors (a neurophysiologist and two computer artists) give an account of a collaboration that took place within the framework of a study-cum- artistic experiment on virtual interactive figures at the boundary of art and cognitive science. This study, called "'Intelligent' Interactivity (Connectionism, Evolutionary Science and Artificial Life) in Digital Arts in Relation with the Physiology of the Perception of Action and Movement," was supported by the Cognitique 2000 Program on Art and Cognition, an initiative of the French Ministry of Research
Action (physics) · Aesthetics · Art · Art history · Christian ministry · Cognition · Cognitive science · Connectionism · Digital art · Interactivity · Movement (music) · Multimedia · Perception · Performance art · Relation (database) · The arts · Visual arts · Action Observation and Synchronization · Computer Science · Human Motion and Animation · Human Pose and Action Recognition · Philosophy · Psychology
| Citations per year | 0.14 |
|---|---|
| Citation span | 2012 - 2019 (8) |
| Highly cited | No |