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Dale E Peterson

Biographic Data

ID966875
NAMEDale E Peterson
GIVEN NAMESDale E
FAMILY NAMEPeterson
SIGNATUREPETERSON D E
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS3
WORKS AS AUTHOR19
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR2001
H-INDEX1
  • Up from Bondage

    M Keith Booker, Dale E Peterson et al.•ARTICLE•African American Review•2001

  • Civilizing the Race

    Dale E Peterson, Dale Peterson•ARTICLE•The Russian Review•1997

    It is a truth universally acknowledged that a single man possessed of a good education, Peter Iakovlevich Chaadaev, initiated modern Russia's search for a national identity. It is equally true that this forefather of Russian cultural studies and ethnic self-consciousness has always struck a sensitive nerve in his compatriots, largely because of his paradoxical combination of a thoroughly Eurocentric mind with a mystical intuition of Russia's uniq…

  • Cross-Cultural Reckonings

    Dale E Peterson, Blanche H Gelfant•ARTICLE•The Slavic and East European…•1996

  • Forum Introduction

    Dale E Peterson, Dale Peterson•ARTICLE•The Slavic and East European…•1995

  • Samovar Life

    Dale E Peterson, Dale Peterson•ARTICLE•The Russian Review•1994

    O ne lovingly extended scene from Valentin Rasputin's favorite major work, The Last Phase (1970), perhaps best accounts for the centrality of this Siberian writer in the resurgence of traditional cultural values that has characterized the contemporary conservationist movement in Russia.1 The scene offers a powerful reaffirmation of Russian literary prototypes while it also reasserts a sentimental paradigm familiar to Soviet popular culture. Like …

  • Richard Wright's Long Journey from Gorky to Dostoevsky

    Dale E Peterson, Dale Peterson•ARTICLE•African American Review•1994

    Ours is an age, in Russia as in the United States, which revels in ethnic revivals and romanticizes cultural difference. In such a time of enthusiastic and sometimes euphoric reconstruction of a usable national identity, Richard Wright, like Maxim Gorky, appears to be a toppled idol of proletarian internationalism, a massive remnant from a discredited humanism. Yet monuments, especially literary monuments, pile up high ruins--all those uncirculat…

  • Turgenev

    Dale E Peterson, Dale Peterson et al.•ARTICLE•The Russian Review•1993

    Preface Introduction: Turgenev and his antinomies 1. Life and reputation 2. Poetry, plays, criticism 3. First stories 4. Serfs and serf-owners: A Sportsman's Sketches 5. Transition: the end of serfdom: the 'superfluous man' 6. Love and the superfluous man 7. 'Hamlet and Don Quixote' - Rudin 8. The 'Turgenev heroine': A Nest of Gentry 9. The New Man and the New Woman: On the Eve 10. The first nihilist: Fathers and Children 11. The legacy of nihili…

  • Response and Call

    Dale E Peterson, Dale Peterson•ARTICLE•American Literature•1993

    Reevaluation bakhtinienne de la tradition litteraire afro-americaine: le dialogisme de Their Eyes Were Watching God de Z. N. Hurston et de Invisible Man de R. Ellison; les implications sociolinguistiques de cette reconstruction critique

  • Justifying the Margin

    Open Access•Dale E Peterson, Dale Peterson•ARTICLE•Slavic Review•1992•Cited by: 3

    In 1925 Alain Locke issued the first manifesto of the modern Black Arts movement, The New Negro. There could not have been a clearer call for the free expression of a suppressed native voice: "we have lately had an art that was stiltedly selfconscious, and racially rhetorical rather than racially expressive. Our poets have now stopped speaking for the Negro-they speak as Negroes." Even so, this liberating word of the Harlem Renaissance was uttere…

  • Find What the Sailor Has Hidden

    Dale E Peterson, Dale Peterson et al.•ARTICLE•The Slavic and East European…•1990

  • Critical Essays on Ivan Turgenev

    Dale E Peterson, Dale Peterson et al.•ARTICLE•The Russian Review•1990

  • Nabokov and the Poe-etics of Composition

    Dale E Peterson, Dale Peterson•ARTICLE•The Slavic and East European…•1989

  • Mayakovsky's Cubo-Futurist Vision

    Dale E Peterson, Juliette R Stapanian et al.•ARTICLE•The Russian Review•1988

  • The Russian Gothic Novel and Its British Antecedents

    Dale E Peterson, Mark S Simpson•ARTICLE•The Slavic and East European…•1987

  • From Russia With Love

    Dale E Peterson, Dale Peterson•ARTICLE•Canadian Slavonic Papers•1984

    (1984). From Russia With Love: Turgenev’s Maidens and Howells’s Heroines. Canadian Slavonic Papers: Vol. 26, No. 1, pp. 24-34

  • Maiakovskii's Lenin

    Open Access•Dale E Peterson, Dale Peterson•ARTICLE•Slavic Review•1982•References: 1

    A single witty remark delivered by Roman Jakobson at the expense of Maiakovskii's last, civic-minded poems may still be cited as a measure of prevailing Western attitudes toward the postrevolutionary bard of Russian Bolshevism: "Very good, but not as good as Mayakovsky." Certainly, many Western appreciators of Russia's most Soviet, major poet have tuned out large portions of Maiakovskii's music. In that long oscillation between lyric and civic im…

  • The Clement Vision

    Judith M Mills, Dale E Peterson et al.•ARTICLE•The Slavic and East European…•1976

  • Mayakovsky and Whitman

    Open Access•Dale E Peterson, Dale Peterson•ARTICLE•Slavic Review•1969•References: 1

    Vladimir Mayakovsky, who knew hardly a word of English, once upbraided his friend Kornei Chukovsky for his "too confectionized" (chereschur bonbon'-erochno) rendering of Walt Whitman into Russian. Chukovsky, it seems, was deeply impressed by Mayakovsky's instinctive feel for Whitman's rugged diction. Ever since, Chukovsky has detected in the Russian poet's verse the permanent impress of the American "kosmos." This notion, propagated by the transl…

  • The Generation That Squandered Its Poets (Excerpts)

    Roman Jakobson, Dale E Peterson et al.•ARTICLE•Yale French Studies•1967

  • Justifying the Margin

    Open Access•Dale E Peterson, Dale Peterson•ARTICLE•Slavic Review•1992•Cited by: 3

    In 1925 Alain Locke issued the first manifesto of the modern Black Arts movement, The New Negro. There could not have been a clearer call for the free expression of a suppressed native voice: "we have lately had an art that was stiltedly selfconscious, and racially rhetorical rather than racially expressive. Our poets have now stopped speaking for the Negro-they speak as Negroes." Even so, this liberating word of the Harlem Renaissance was uttere…

  • The Generation That Squandered Its Poets (Excerpts)

    Roman Jakobson, Dale E Peterson et al.•ARTICLE•Yale French Studies•1967

  • Mayakovsky and Whitman

    Open Access•Dale E Peterson, Dale Peterson•ARTICLE•Slavic Review•1969•References: 1

    Vladimir Mayakovsky, who knew hardly a word of English, once upbraided his friend Kornei Chukovsky for his "too confectionized" (chereschur bonbon'-erochno) rendering of Walt Whitman into Russian. Chukovsky, it seems, was deeply impressed by Mayakovsky's instinctive feel for Whitman's rugged diction. Ever since, Chukovsky has detected in the Russian poet's verse the permanent impress of the American "kosmos." This notion, propagated by the transl…

  • The Clement Vision

    Judith M Mills, Dale E Peterson et al.•ARTICLE•The Slavic and East European…•1976

  • Maiakovskii's Lenin

    Open Access•Dale E Peterson, Dale Peterson•ARTICLE•Slavic Review•1982•References: 1

    A single witty remark delivered by Roman Jakobson at the expense of Maiakovskii's last, civic-minded poems may still be cited as a measure of prevailing Western attitudes toward the postrevolutionary bard of Russian Bolshevism: "Very good, but not as good as Mayakovsky." Certainly, many Western appreciators of Russia's most Soviet, major poet have tuned out large portions of Maiakovskii's music. In that long oscillation between lyric and civic im…

  • From Russia With Love

    Dale E Peterson, Dale Peterson•ARTICLE•Canadian Slavonic Papers•1984

    (1984). From Russia With Love: Turgenev’s Maidens and Howells’s Heroines. Canadian Slavonic Papers: Vol. 26, No. 1, pp. 24-34

  • The Russian Gothic Novel and Its British Antecedents

    Dale E Peterson, Mark S Simpson•ARTICLE•The Slavic and East European…•1987

  • Mayakovsky's Cubo-Futurist Vision

    Dale E Peterson, Juliette R Stapanian et al.•ARTICLE•The Russian Review•1988

  • Nabokov and the Poe-etics of Composition

    Dale E Peterson, Dale Peterson•ARTICLE•The Slavic and East European…•1989

  • Find What the Sailor Has Hidden

    Dale E Peterson, Dale Peterson et al.•ARTICLE•The Slavic and East European…•1990

  • Critical Essays on Ivan Turgenev

    Dale E Peterson, Dale Peterson et al.•ARTICLE•The Russian Review•1990

  • Justifying the Margin

    Open Access•Dale E Peterson, Dale Peterson•ARTICLE•Slavic Review•1992•Cited by: 3

    In 1925 Alain Locke issued the first manifesto of the modern Black Arts movement, The New Negro. There could not have been a clearer call for the free expression of a suppressed native voice: "we have lately had an art that was stiltedly selfconscious, and racially rhetorical rather than racially expressive. Our poets have now stopped speaking for the Negro-they speak as Negroes." Even so, this liberating word of the Harlem Renaissance was uttere…

  • Turgenev

    Dale E Peterson, Dale Peterson et al.•ARTICLE•The Russian Review•1993

    Preface Introduction: Turgenev and his antinomies 1. Life and reputation 2. Poetry, plays, criticism 3. First stories 4. Serfs and serf-owners: A Sportsman's Sketches 5. Transition: the end of serfdom: the 'superfluous man' 6. Love and the superfluous man 7. 'Hamlet and Don Quixote' - Rudin 8. The 'Turgenev heroine': A Nest of Gentry 9. The New Man and the New Woman: On the Eve 10. The first nihilist: Fathers and Children 11. The legacy of nihili…

  • Response and Call

    Dale E Peterson, Dale Peterson•ARTICLE•American Literature•1993

    Reevaluation bakhtinienne de la tradition litteraire afro-americaine: le dialogisme de Their Eyes Were Watching God de Z. N. Hurston et de Invisible Man de R. Ellison; les implications sociolinguistiques de cette reconstruction critique

  • Samovar Life

    Dale E Peterson, Dale Peterson•ARTICLE•The Russian Review•1994

    O ne lovingly extended scene from Valentin Rasputin's favorite major work, The Last Phase (1970), perhaps best accounts for the centrality of this Siberian writer in the resurgence of traditional cultural values that has characterized the contemporary conservationist movement in Russia.1 The scene offers a powerful reaffirmation of Russian literary prototypes while it also reasserts a sentimental paradigm familiar to Soviet popular culture. Like …

  • Richard Wright's Long Journey from Gorky to Dostoevsky

    Dale E Peterson, Dale Peterson•ARTICLE•African American Review•1994

    Ours is an age, in Russia as in the United States, which revels in ethnic revivals and romanticizes cultural difference. In such a time of enthusiastic and sometimes euphoric reconstruction of a usable national identity, Richard Wright, like Maxim Gorky, appears to be a toppled idol of proletarian internationalism, a massive remnant from a discredited humanism. Yet monuments, especially literary monuments, pile up high ruins--all those uncirculat…

  • Forum Introduction

    Dale E Peterson, Dale Peterson•ARTICLE•The Slavic and East European…•1995

  • Cross-Cultural Reckonings

    Dale E Peterson, Blanche H Gelfant•ARTICLE•The Slavic and East European…•1996

  • Civilizing the Race

    Dale E Peterson, Dale Peterson•ARTICLE•The Russian Review•1997

    It is a truth universally acknowledged that a single man possessed of a good education, Peter Iakovlevich Chaadaev, initiated modern Russia's search for a national identity. It is equally true that this forefather of Russian cultural studies and ethnic self-consciousness has always struck a sensitive nerve in his compatriots, largely because of his paradoxical combination of a thoroughly Eurocentric mind with a mystical intuition of Russia's uniq…

  • Up from Bondage

    M Keith Booker, Dale E Peterson et al.•ARTICLE•African American Review•2001

Art (15 works) · Literature (12 works) · Philosophy (11 works) · History (10 works) · Philosophy (9 works) · History (7 works) · Soviet and Russian History (5 works) · Art history (4 works) · Poetry (4 works) · Russian Literature and Bakhtin Studies (4 works)

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