Sandya Maulana
Biographic Data
| ID | 9703873 |
|---|---|
| NAME | Sandya Maulana |
| GIVEN NAMES | Sandya |
| FAMILY NAME | Maulana |
| SIGNATURE | MAULANA S |
| AFFILIATIONS | Padjadjaran University |
| ORCID | 0009-0009-2857-2039 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Écriture Féminine in Ken Bugul’s De L’Autre Côté du Regard
The article analyzes the representation of écriture féminine in Ken Bugul's De L’Autre Côté du Regard (DLCR) and its connection to feminist ideology and the narrator’s hybrid cultural identity. This research applies a close reading technique, utilizing the framework of feminist narratology by Lanser (1986) and écriture féminine by Cixous (1976) and Brahimi (2000). Through data analysis, it is found that the narrative structure of DLCR, which repr…
Wandering in Pakistan: The Paradoxical World of the Marginalized in Nadeem Aslam’s The Golden Legend (2017)
This study explores the idea of place in Nadeem Aslam’s The Golden Legend (2017) to frame the identity crisis befalling the Christian community in Pakistan as a mirror of the similar experiences of marginalized groups in Britain. As a British novel expected to be read by Western readers, the depiction of the marginalization happening in Pakistan is utilized to allude to the condition outside the country: a paradox. The depicted paradox also recal…
Creating a Home Elsewhere: Diasporic Imagination in Lee Isaac Chung’s Minari
Minari, a film screened in 2020 directed by Lee Isaac Chung, presents a Korean immigrant family having moved to Arkansas in fulfilling their American dream at the cost of being displaced and out of place. By focusing on the attempt made by Jacob, the father, to recreate the imagined home which refers to South Korea, this study aims to show how the displacement and unhomeliness in the construction of diasporic imagination are displayed in the film…
No prominent works on this page.
Wandering in Pakistan: The Paradoxical World of the Marginalized in Nadeem Aslam’s The Golden Legend (2017)
This study explores the idea of place in Nadeem Aslam’s The Golden Legend (2017) to frame the identity crisis befalling the Christian community in Pakistan as a mirror of the similar experiences of marginalized groups in Britain. As a British novel expected to be read by Western readers, the depiction of the marginalization happening in Pakistan is utilized to allude to the condition outside the country: a paradox. The depicted paradox also recal…
Creating a Home Elsewhere: Diasporic Imagination in Lee Isaac Chung’s Minari
Minari, a film screened in 2020 directed by Lee Isaac Chung, presents a Korean immigrant family having moved to Arkansas in fulfilling their American dream at the cost of being displaced and out of place. By focusing on the attempt made by Jacob, the father, to recreate the imagined home which refers to South Korea, this study aims to show how the displacement and unhomeliness in the construction of diasporic imagination are displayed in the film…
Écriture Féminine in Ken Bugul’s De L’Autre Côté du Regard
The article analyzes the representation of écriture féminine in Ken Bugul's De L’Autre Côté du Regard (DLCR) and its connection to feminist ideology and the narrator’s hybrid cultural identity. This research applies a close reading technique, utilizing the framework of feminist narratology by Lanser (1986) and écriture féminine by Cixous (1976) and Brahimi (2000). Through data analysis, it is found that the narrative structure of DLCR, which repr…
Aesthetics (2 works) · Diaspora, migration, transnational identity (2 works) · Gender Studies (2 works) · History (2 works) · Law (2 works) · Narrative (2 works) · Political science (2 works) · Sociology (2 works) · African history and culture studies (1 works) · Archaeology (1 works)