Konstantinos Koutras
Biographic Data
| ID | 9711441 |
|---|---|
| NAME | Konstantinos Koutras |
| GIVEN NAMES | Konstantinos |
| FAMILY NAME | Koutras |
| SIGNATURE | KOUTRAS K |
| AFFILIATIONS | NSCAD University |
| ORCID | 0000-0003-3922-9251 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Politics of Film Aesthetics
The question of aesthetics in film-theoretical discourse today is split between, on the one hand, a film-phenomenological or “filmosophical” approach that values the putatively immanent relation between film and the mind and, on the other, the naturalizing epistemology of post-theory, which reduces the question of film aesthetics to one of poetics. What unites these otherwise disparate projects is the consideration of aesthetics divorced from the…
Documentary Fictions
The indexicality of film and sound recordings remains an unresolved problem in contemporary documentary theory. The prevailing conceptualisation of the documentary assigns it the status of a sober discourse, a framing in which history is modelled as absent cause and the unqualified distinction between fiction and non-fiction is considered sacrosanct. The denotative literalism characteristic of indexical media, however, confounds this conceptualis…
No prominent works on this page.
Documentary Fictions
The indexicality of film and sound recordings remains an unresolved problem in contemporary documentary theory. The prevailing conceptualisation of the documentary assigns it the status of a sober discourse, a framing in which history is modelled as absent cause and the unqualified distinction between fiction and non-fiction is considered sacrosanct. The denotative literalism characteristic of indexical media, however, confounds this conceptualis…
The Politics of Film Aesthetics
The question of aesthetics in film-theoretical discourse today is split between, on the one hand, a film-phenomenological or “filmosophical” approach that values the putatively immanent relation between film and the mind and, on the other, the naturalizing epistemology of post-theory, which reduces the question of film aesthetics to one of poetics. What unites these otherwise disparate projects is the consideration of aesthetics divorced from the…
Aesthetics (2 works) · Cinema and Media Studies (2 works) · Critical Theory and Political Philosophy (2 works) · Epistemology (2 works) · Philosophy (2 works) · Sociology (2 works) · Appropriation (1 works) · Art (1 works) · Artistic and Creative Research (1 works) · CLARITY (1 works)