Mireille Calle-Gruber
Biographic Data
| ID | 981917 |
|---|---|
| NAME | Mireille Calle-Gruber |
| GIVEN NAMES | Mireille |
| FAMILY NAME | Calle-Gruber |
| SIGNATURE | CALLE-GRUBER M |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Je posthume comme je respire » (le postumus et l’ eskhaton )
Heidegger, Philosophy, and Politics: The Heidelberg Conference
In February 1988, philosophers Jacques Derrida, Hans-Georg Gadamer, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss the philosophical and political implications of Martin Heidegger’s thought. This event took place in the very amphitheater in which, more than fifty years earlier, Heidegger, as rector of the University of Freiburg and a member of the Nazi Party, had given a speech entitled "The University…
Heidegger, Philosophy, and Politics: The Heidelberg Conference
In February of 1988, philosophers Hans-Georg Gadamer, Jacques Derrida, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss the philosophical and political implications of Martin Heidegger’s thought. This event took place in the very amphitheater in which, more than fifty years earlier, Heidegger, as Rector of the University of Freiburg and a member of the Nazi Party, had given a speech entitled “The Univers…
Trois scolies et huit mille signes pour penser avec lui vers lui
Los sesgos de Aletheia
“Los sesgos de Aletheia” intenta seguir el recorrido del texto que Jacques Derrida escribió como prefacio a Light of the Dark, libro de fotografías de Kishin Shinoyama, fotógrafo japonés, y de su modelo Shinobu Otake. El texto de Derrida se titula Aletheia, lo que, de entrada, une la cuestión de la verdad a la desnudez, al desvelamiento de un velo y al erotismo. Pero también, con el mismo gesto, hace de la fotografía, blanco y negro, del cuerpo f…
A Blue Note
Scènes des différences: Où la philosophie et la poétique, indissociables, font événement d'écriture
The main issues of this interview are the continuity of Derrida’s work since Writing and Difference and Of Grammatology, and the future — in its per petually announced death — of deconstructionism
Tourner autour
The division of the subject in language requires circumspect readings for circumspect writings, which are illustrated with an instance of Derrida’s Circonfessions, Claude Cahun’s (Lucy Schwob) various self-portraits, and the notion of description in Claude Simon’s work
Liminaire
Helene Cixous's Imaginary Cities: Oran-Osnabruck-Manhattan--Places of Fascination, Places of Fiction
Cities have a very special status in Hélène Cixous's writings. The writer was born in Oran, grew up in Algiers, studied both in Paris and New York, lived a few years near Montaigne, the city of the famous philosopher Michel de Montaigne, heard a lot about the city of Osnabrück in Germany through her mother who was born and spent her childhood there. Cixous's imagination is consequently filled with highly diverse geographical elements coming from …
De lui faire synagogue
Jacques Derrida non si e « spento ». Risplende. Risplende nel presente, perche con lui e sempre ora per il dono. Egli vigila, fa da sentinella, lascia a noi un tesoro di opere da rimettere in opera con ogni lettura. Jacques Derrida non ha mai smesso di dare: la propria parola, il proprio tempo, la propria presenza, i propri seminari, i propri libri, le proprie lingue francesi... Ogni incontro, nel clima di polemica di quegli anni (a Heidelberg ne…
La langue des alliances. Mon Algériance
Il s'agit d'une lecture au plus près des alliances des langues et des cultures dans le récit d'Hélène Cixous intitulé : Mon Algériance. Où se dessinent les liaisons-déliaisons à l'Algérie, et où l'écriture décuple les facultés de la littérature lorsqu'elle pèse et pense de tout le poids des mots
L’essai comme forme de réécriture: Cixous à Montaigne
Où l’on considère, exemplaire dans les livres d’Hélène Cixous, la réécriture comme le processus génésique par excellence, et le lieu d’une exigeante réflexion théorique. Pas de genèse du texte littéraire sans une mise en oeuvre de ses généalogies. Mais aussi l’affirmation d’une réécriture qui procède sans (se) couper le nez, c’est-à-dire en revendiquant sa singularité. Où l’on voit comment Hélène Cixous défaçonne la langue de Montaigne pour en ti…
The Book Inside The Book
What is the book, of which the main character is the book? More precisely, not a book but this book that readers hold in their hands? Helene Cixous calls it 'the Coming [le Venant]. Of a progressive form, a present participle, it starts with the letter of speed [la Vitesse] and of vision [la Vision]. Is this an allegory? A proper name? Is this the name that is taken by the form of movement, when the language of a common place becomes a singular d…
Présentation
La naissance du troisième corps
La vision prise de vitesse par l'écriture: À propos de La Fiancée juive, d'Hélène Cixous
Vision Outstripped by Writing : On Cixous' la Fiancée juive The title suggests a stranger to French, poised on the brink of the realisation of a promise, and refers to Rembrandt while exploiting in particular the Song of Songs ; indeed Cixous writes the in-between of past and future, here and there, where life takes place, and creates the mobility proper to a painting
Alain Robbe-Grillet, l'enchanteur bio-graphe
Robbe-Grillet, in his latest novels, insists on their autobiographical character. He gives a new twist to the Nouveau Roman ambition of dethroning humanist fiction, while preventing this form from becoming a new norm
Claude Simon: Le Temps, l'Écriture
L'Acacia, a new kind of autobiography, in which fictional story and fiction of writing are strictly linked, tells two alternate stories, the narrator' s one and his father' s one. The different generations are involved in a kind of a-chrony. Son and Father are tied together in Nobody's writings : all kind of connections are developped in that text, and make it an homo- and hetero-biography more than an auto-biography . The subject is indefinitly …
Pourquoi n'a-t-on plus peur de Marguerite Duras
Fabula in lapsus
La nouvelle d'Alphonse Allais Les Templiers ', en ce qu'elle constitue une petite machinerie textuelle, offre l'occasion de preciser certains principes de narratologie : par les entorses qu'il se fait a leur egard et qui inscrivent, en ses lieu et place, le contradictoire proces du recit imperceptible lorsque tout fonctionne. Non sans se garder, certes, de la seduction d'une piece d'ouvrage qui, pour etre trop exemplaire, tend au specimen ou a la…
Figures de l'imposture
Scènes des différences: Où la philosophie et la poétique, indissociables, font événement d'écriture
The main issues of this interview are the continuity of Derrida’s work since Writing and Difference and Of Grammatology, and the future — in its per petually announced death — of deconstructionism
Tourner autour
The division of the subject in language requires circumspect readings for circumspect writings, which are illustrated with an instance of Derrida’s Circonfessions, Claude Cahun’s (Lucy Schwob) various self-portraits, and the notion of description in Claude Simon’s work
The Book Inside The Book
What is the book, of which the main character is the book? More precisely, not a book but this book that readers hold in their hands? Helene Cixous calls it 'the Coming [le Venant]. Of a progressive form, a present participle, it starts with the letter of speed [la Vitesse] and of vision [la Vision]. Is this an allegory? A proper name? Is this the name that is taken by the form of movement, when the language of a common place becomes a singular d…
La vision prise de vitesse par l'écriture: À propos de La Fiancée juive, d'Hélène Cixous
Vision Outstripped by Writing : On Cixous' la Fiancée juive The title suggests a stranger to French, poised on the brink of the realisation of a promise, and refers to Rembrandt while exploiting in particular the Song of Songs ; indeed Cixous writes the in-between of past and future, here and there, where life takes place, and creates the mobility proper to a painting
Figures de l'imposture
Fabula in lapsus
La nouvelle d'Alphonse Allais Les Templiers ', en ce qu'elle constitue une petite machinerie textuelle, offre l'occasion de preciser certains principes de narratologie : par les entorses qu'il se fait a leur egard et qui inscrivent, en ses lieu et place, le contradictoire proces du recit imperceptible lorsque tout fonctionne. Non sans se garder, certes, de la seduction d'une piece d'ouvrage qui, pour etre trop exemplaire, tend au specimen ou a la…
Pourquoi n'a-t-on plus peur de Marguerite Duras
Claude Simon: Le Temps, l'Écriture
L'Acacia, a new kind of autobiography, in which fictional story and fiction of writing are strictly linked, tells two alternate stories, the narrator' s one and his father' s one. The different generations are involved in a kind of a-chrony. Son and Father are tied together in Nobody's writings : all kind of connections are developped in that text, and make it an homo- and hetero-biography more than an auto-biography . The subject is indefinitly …
Alain Robbe-Grillet, l'enchanteur bio-graphe
Robbe-Grillet, in his latest novels, insists on their autobiographical character. He gives a new twist to the Nouveau Roman ambition of dethroning humanist fiction, while preventing this form from becoming a new norm
La vision prise de vitesse par l'écriture: À propos de La Fiancée juive, d'Hélène Cixous
Vision Outstripped by Writing : On Cixous' la Fiancée juive The title suggests a stranger to French, poised on the brink of the realisation of a promise, and refers to Rembrandt while exploiting in particular the Song of Songs ; indeed Cixous writes the in-between of past and future, here and there, where life takes place, and creates the mobility proper to a painting
Présentation
La naissance du troisième corps
The Book Inside The Book
What is the book, of which the main character is the book? More precisely, not a book but this book that readers hold in their hands? Helene Cixous calls it 'the Coming [le Venant]. Of a progressive form, a present participle, it starts with the letter of speed [la Vitesse] and of vision [la Vision]. Is this an allegory? A proper name? Is this the name that is taken by the form of movement, when the language of a common place becomes a singular d…
L’essai comme forme de réécriture: Cixous à Montaigne
Où l’on considère, exemplaire dans les livres d’Hélène Cixous, la réécriture comme le processus génésique par excellence, et le lieu d’une exigeante réflexion théorique. Pas de genèse du texte littéraire sans une mise en oeuvre de ses généalogies. Mais aussi l’affirmation d’une réécriture qui procède sans (se) couper le nez, c’est-à-dire en revendiquant sa singularité. Où l’on voit comment Hélène Cixous défaçonne la langue de Montaigne pour en ti…
De lui faire synagogue
Jacques Derrida non si e « spento ». Risplende. Risplende nel presente, perche con lui e sempre ora per il dono. Egli vigila, fa da sentinella, lascia a noi un tesoro di opere da rimettere in opera con ogni lettura. Jacques Derrida non ha mai smesso di dare: la propria parola, il proprio tempo, la propria presenza, i propri seminari, i propri libri, le proprie lingue francesi... Ogni incontro, nel clima di polemica di quegli anni (a Heidelberg ne…
La langue des alliances. Mon Algériance
Il s'agit d'une lecture au plus près des alliances des langues et des cultures dans le récit d'Hélène Cixous intitulé : Mon Algériance. Où se dessinent les liaisons-déliaisons à l'Algérie, et où l'écriture décuple les facultés de la littérature lorsqu'elle pèse et pense de tout le poids des mots
Scènes des différences: Où la philosophie et la poétique, indissociables, font événement d'écriture
The main issues of this interview are the continuity of Derrida’s work since Writing and Difference and Of Grammatology, and the future — in its per petually announced death — of deconstructionism
Tourner autour
The division of the subject in language requires circumspect readings for circumspect writings, which are illustrated with an instance of Derrida’s Circonfessions, Claude Cahun’s (Lucy Schwob) various self-portraits, and the notion of description in Claude Simon’s work
Liminaire
Helene Cixous's Imaginary Cities: Oran-Osnabruck-Manhattan--Places of Fascination, Places of Fiction
Cities have a very special status in Hélène Cixous's writings. The writer was born in Oran, grew up in Algiers, studied both in Paris and New York, lived a few years near Montaigne, the city of the famous philosopher Michel de Montaigne, heard a lot about the city of Osnabrück in Germany through her mother who was born and spent her childhood there. Cixous's imagination is consequently filled with highly diverse geographical elements coming from …
A Blue Note
Los sesgos de Aletheia
“Los sesgos de Aletheia” intenta seguir el recorrido del texto que Jacques Derrida escribió como prefacio a Light of the Dark, libro de fotografías de Kishin Shinoyama, fotógrafo japonés, y de su modelo Shinobu Otake. El texto de Derrida se titula Aletheia, lo que, de entrada, une la cuestión de la verdad a la desnudez, al desvelamiento de un velo y al erotismo. Pero también, con el mismo gesto, hace de la fotografía, blanco y negro, del cuerpo f…
Trois scolies et huit mille signes pour penser avec lui vers lui
Heidegger, Philosophy, and Politics: The Heidelberg Conference
In February 1988, philosophers Jacques Derrida, Hans-Georg Gadamer, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss the philosophical and political implications of Martin Heidegger’s thought. This event took place in the very amphitheater in which, more than fifty years earlier, Heidegger, as rector of the University of Freiburg and a member of the Nazi Party, had given a speech entitled "The University…
Heidegger, Philosophy, and Politics: The Heidelberg Conference
In February of 1988, philosophers Hans-Georg Gadamer, Jacques Derrida, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss the philosophical and political implications of Martin Heidegger’s thought. This event took place in the very amphitheater in which, more than fifty years earlier, Heidegger, as Rector of the University of Freiburg and a member of the Nazi Party, had given a speech entitled “The Univers…
Je posthume comme je respire » (le postumus et l’ eskhaton )
Art (17 works) · Philosophy (14 works) · Humanities (9 works) · Philosophy (8 works) · French Literature and Critical Theory (5 works) · Literature (5 works) · Art history (4 works) · French Urban and Social Studies (4 works) · Psychoanalysis and Psychopathology Research (4 works) · Cultural Insights and Digital Impacts (3 works)