Reinhard Strohm
Biographic Data
| ID | 983089 |
|---|---|
| NAME | Reinhard Strohm |
| GIVEN NAMES | Reinhard |
| FAMILY NAME | Strohm |
| SIGNATURE | STROHM R |
| AFFILIATIONS | University of Oxford |
| VERIFIED | No |
| TOTAL WORKS | 29 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 25 |
| WORKS AS EDITOR | 4 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Sounding the Past
The title of Karl Kügle’s book contains one obvious pun and one hidden ambiguity. The term ‘Sounding’ in the title suggests both a scientific approach to a depth (of the past, in this case) and the ‘turning of the past into sound’, performing it acoustically. The ambiguity is hidden in the little word ‘as’: this could mean that history and memory are represented by (or reflected in?) music, or that they are identical with it. The latter meaning w…
Scipione impasticciato
The study discusses practical and aesthetic aspects of the pasticcio principle, which characterised London's Italian operas of 1730–31 and still concern revivals, source research, and editions today. Twentieth-century revivals of Handel's opera Scipione pose the question of how to evaluate the original version of 1726 vs its pasticcio-like revival of 1730. Details of the 1730–31 season under Handel, concerning for example the status of the vocal …
Italian Opera' in 'Central Europe', 1600–1780
This brief survey of literature, provided with a bibliography, proposes to critically inform about research carried out over the last 30 years, and to identify research trends regarding subject definition, methodology and epistemology of the apparent duality, 'Italian Opera' and 'Central Europe'. A main question is how researchers have imagined their subject as a geographical space, and what their changing priorities had to do with developing reg…
Music and Instruments of the Middle Ages
The Fullness of Time
Leonardo da Vinci's contribution to the Paragone—a debate comparing the qualities of painting, sculpture, and other arts, on which the artist left manuscript notes to his student Francesco Melzi—awarded painting and music the prize over poetry, because painting could display harmony and proportion between its components at a glance, and (polyphonic) music could make them heard at one moment, whereas poetry had to state the different elements from…
The Music Road
The book, derived from the Balzan musicology project ‘Towards a global history of music’, describes cultural traditions and communication patterns of music, dance and theatre in the world region between India and the Mediterranean in the last 2000 years. The new metaphor of the ‘Music Road’—the western half of the ‘Silk Road’—refers to the travels of musical songs, instruments and ideas across both space and time. The book has an introduction and…
Margret Scharrer
Studies on a Global History of Music
Silke Leopold
Arnold Jacobshagen
Georg Friedrich Händel
Leonardo Vinci e il suo tempo
Music as Concept and Practice in the Late Middle Ages
Music as Concept and Practice in the Late Middle Ages' is an entirely new addition to the New Oxford History of Music series rather than a revision of the volume's predecessor published in 1960. It takes account not only of the developments in late-medieval music scholarship during the latter decades of the twentieth century, but also of the experience gained through significant changes in the performance practice of the late-medieval repertory w…
Isaac [Ysaak, Ysac, Yzac], Henricus
Opera (i)
Th century Opera
Music, Humanism, And The Idea Of A ‘Rebirth’ Of The Arts
The following contribution seeks to identify the beginnings of the idea of a musical ‘Renaissance’ by evaluating testimonies of fifteenth-century humanists and musicians. That European music experienced a ‘Renaissance’ comparable to that of literature and the other arts is a proposition both familiar and controversial. It will be argued here that this idea originated as a by-product of humanist reflections on the arts in the fifteenth and early s…
Postmoderni problemi v evropskem glasbenem zgodovinopisju
Razprava se ukvarja s vprašanjem, kaj vse se lahko glasbeno zgodovinopisje nauči od postmodernega diskurza, ki se odvija okoli nas. Splošne zgodovinske implikacije koncepta »postmodernizma« kot izboljšave in napredka glede na »modernizem« se kažejo kot protislovje lastnemu sporočilu o nezaupljivosti do progresističnih meta-pripovedi. Opravljena je bila primerjava med negativnim odnosom do srednjeveške preteklosti, kakršnega je najti v okviru rene…
Music in the German Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The ‘Rise of European Music’ and the Rights of Others
Two conspicuous scholars have honoured the publication of my book The Rise of European Music, 1380–1500 (Cambridge, 1993) with reactions that may interest a much wider readership. Lewis Lockwood's review of the book, in Journal of the Royal Musical Association , 120 (1995), 151–62, and Christopher Page's essay ‘Towards: Music in the Rise of Europe’, in The Musical Times , 136 (1995), 127–34, are both highly engaging, masterly studies of the basic…
The Rise of European Music, 1380-1500
New Oxford history of music.
Drawing on the work of leading British and American scholars, this revised volume presents an informed, timely picture of music from the fourth through the fourteenth century A.D. It begins with a discussion of Christian chant in the Mediterranean and goes on to cover Gregorian chant, liturgical drama, medieval song, instrumental music, and early polyphony down to the monumental organa composed at the cathedral of Notre Dame in the twelfth centur…
Music in Late Medieval Bruges
The musical achievements of the so-called ‘Franco-Flemish School’ have attracted many writers, yet Bruges itself has still to be put back on the map of European music history. This book describes how the people of Bruges shaped their acoustic environment and gave musical expression to their spiritual needs. It is based on a scrutiny of musical sources, stylistic trends in music, composers’ achievements, and the function of musical genres; all the…
Round Table II
Drammaturgia Musicale Veneta. Musical Theater in the Venetian-Republic
No prominent works on this page.
Rienzi' in Perspective
"Die Missa super „Nos amis" von Johannes Tinctoris
European politics and the distribution of music in the early fifteenth century
Early-fifteenth-century music seems to be different from that of previous ages not only in that it contains new stylistic elements, but also in the way in which its novelty was brought about. Perotinus composed in a more advanced style than Leoninus, Philippe de Vitry superseded Petrus de Cruce: in such cases a renewal takes place within a tradition, or even a ‘school’, which may be unrelated to the state of music-making in other areas. The novel…
The Ars Nova Fragments of Gent
Drammaturgia Musicale Veneta. Musical Theater in the Venetian-Republic
Round Table II
New Oxford history of music.
Drawing on the work of leading British and American scholars, this revised volume presents an informed, timely picture of music from the fourth through the fourteenth century A.D. It begins with a discussion of Christian chant in the Mediterranean and goes on to cover Gregorian chant, liturgical drama, medieval song, instrumental music, and early polyphony down to the monumental organa composed at the cathedral of Notre Dame in the twelfth centur…
Music in Late Medieval Bruges
The musical achievements of the so-called ‘Franco-Flemish School’ have attracted many writers, yet Bruges itself has still to be put back on the map of European music history. This book describes how the people of Bruges shaped their acoustic environment and gave musical expression to their spiritual needs. It is based on a scrutiny of musical sources, stylistic trends in music, composers’ achievements, and the function of musical genres; all the…
The Rise of European Music, 1380-1500
The ‘Rise of European Music’ and the Rights of Others
Two conspicuous scholars have honoured the publication of my book The Rise of European Music, 1380–1500 (Cambridge, 1993) with reactions that may interest a much wider readership. Lewis Lockwood's review of the book, in Journal of the Royal Musical Association , 120 (1995), 151–62, and Christopher Page's essay ‘Towards: Music in the Rise of Europe’, in The Musical Times , 136 (1995), 127–34, are both highly engaging, masterly studies of the basic…
Music in the German Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Postmoderni problemi v evropskem glasbenem zgodovinopisju
Razprava se ukvarja s vprašanjem, kaj vse se lahko glasbeno zgodovinopisje nauči od postmodernega diskurza, ki se odvija okoli nas. Splošne zgodovinske implikacije koncepta »postmodernizma« kot izboljšave in napredka glede na »modernizem« se kažejo kot protislovje lastnemu sporočilu o nezaupljivosti do progresističnih meta-pripovedi. Opravljena je bila primerjava med negativnim odnosom do srednjeveške preteklosti, kakršnega je najti v okviru rene…
Music as Concept and Practice in the Late Middle Ages
Music as Concept and Practice in the Late Middle Ages' is an entirely new addition to the New Oxford History of Music series rather than a revision of the volume's predecessor published in 1960. It takes account not only of the developments in late-medieval music scholarship during the latter decades of the twentieth century, but also of the experience gained through significant changes in the performance practice of the late-medieval repertory w…
Isaac [Ysaak, Ysac, Yzac], Henricus
Opera (i)
Th century Opera
Music, Humanism, And The Idea Of A ‘Rebirth’ Of The Arts
The following contribution seeks to identify the beginnings of the idea of a musical ‘Renaissance’ by evaluating testimonies of fifteenth-century humanists and musicians. That European music experienced a ‘Renaissance’ comparable to that of literature and the other arts is a proposition both familiar and controversial. It will be argued here that this idea originated as a by-product of humanist reflections on the arts in the fifteenth and early s…
Leonardo Vinci e il suo tempo
Georg Friedrich Händel
Silke Leopold
Arnold Jacobshagen
Margret Scharrer
Studies on a Global History of Music
The Music Road
The book, derived from the Balzan musicology project ‘Towards a global history of music’, describes cultural traditions and communication patterns of music, dance and theatre in the world region between India and the Mediterranean in the last 2000 years. The new metaphor of the ‘Music Road’—the western half of the ‘Silk Road’—refers to the travels of musical songs, instruments and ideas across both space and time. The book has an introduction and…
Music and Instruments of the Middle Ages
Art (25 works) · Historical Influence and Diplomacy (13 works) · History (11 works) · Visual arts (11 works) · Literature (10 works) · Musicology and Musical Analysis (8 works) · Art history (7 works) · Musical (7 works) · Philosophy (7 works) · Reformation and Early Modern Christianity (6 works)