European politics and the distribution of music in the early fifteenth century
Bibliographic Data
| ID | 23155383 |
|---|---|
| Authors | Reinhard Strohm (University of London, corresponding author) |
| Year | 1981 |
| Volume | 1 |
| Pages | 305-323 |
| Publication date | 1981-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Early Music History (JOURNAL) |
| Journal identifiers | ISSN: 0261-1279 • E-ISSN: 1474-0559 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261127900000334 |
| OpenAlex | W2100355140 |
| Language | EN |
| Citations received | 10 |
| References cited | 17 |
Early-fifteenth-century music seems to be different from that of previous ages not only in that it contains new stylistic elements, but also in the way in which its novelty was brought about. Perotinus composed in a more advanced style than Leoninus, Philippe de Vitry superseded Petrus de Cruce: in such cases a renewal takes place within a tradition, or even a ‘school’, which may be unrelated to the state of music-making in other areas. The novelties introduced in the music of certain centres (which were emphasised by the musicians who belonged to these centres), could then spread to other areas and affect more traditionally minded musicians elsewhere. A distinction between ‘centre’ and ‘periphery’, between ‘creation’ and ‘distribution’ can be suggested, although it may have to be modified by assuming polycentrism, that is, several centres, and several networks of distribution.
Art · Distribution (mathematics) · Fifteenth · Humanities · Novelty · Political science · Politics · State (computer science) · Style (visual arts) · Visual arts · Classics · Computer Science · Historical Studies and Socio-cultural Analysis · Law · Medieval Literature and History · Philosophy · Reformation and Early Modern Christianity
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Zur Geschichte der Kapelle Papst Eugens IV
A Fourteenth-Century Ceremonial Motet and Its Composer
Manuscript Structure in the Dufay Era
Histoire de la musique, de la fin du XIVe siecle a la fin du XVIe
The Early Cyclic Mass as an Expression of Royal and Papal Supremacy
Music at the Court of Burgundy, 1364-1419, a Documentary History
| Citations per year | 0.24 |
|---|---|
| Citation span | 1985 - 2023 (39) |
| Highly cited | No |