Shadia Imanuella Pradsmadji
Biographic Data
| ID | 9939284 |
|---|---|
| NAME | Shadia Imanuella Pradsmadji |
| GIVEN NAMES | Shadia Imanuella |
| FAMILY NAME | Pradsmadji |
| SIGNATURE | PRADSMADJI S I |
| AFFILIATIONS | Universitas Jayabaya |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Indonesian Cinema
The practice of film censorship has been in Indonesia since the Dutch East Indies era. Since then, film stakeholders have always been the battleground, as the different values and norms generate different views and beliefs. The critical constructionism paradigm is used to examine the contestation of film censorship in Indonesia. Four films released after the enactment of the 2009 Film Law are used as the case study: The Act of Killing, The Look o…
Media Convergence in the Platform of Video-on-Demand
The advancement of technology and society has led to innovations, including in the field of media. Media convergence has given birth to a novel audiovisual medium called Video-on-Demand (VOD), which combined the logics of television, film, home video, the internet, as well as technology. This conceptual research applied a literature review method to discuss the journey of the logic of watching television with a specific schedule and a particular …
No prominent works on this page.
Media Convergence in the Platform of Video-on-Demand
The advancement of technology and society has led to innovations, including in the field of media. Media convergence has given birth to a novel audiovisual medium called Video-on-Demand (VOD), which combined the logics of television, film, home video, the internet, as well as technology. This conceptual research applied a literature review method to discuss the journey of the logic of watching television with a specific schedule and a particular …
Indonesian Cinema
The practice of film censorship has been in Indonesia since the Dutch East Indies era. Since then, film stakeholders have always been the battleground, as the different values and norms generate different views and beliefs. The critical constructionism paradigm is used to examine the contestation of film censorship in Indonesia. Four films released after the enactment of the 2009 Film Law are used as the case study: The Act of Killing, The Look o…
Indonesian (2 works) · Advertising (1 work) · Aesthetics (1 work) · Archaeology (1 work) · Art (1 work) · Battle (1 work) · Business (1 work) · Censorship (1 work) · Computer Science (1 work) · Digital Marketing and Social Media (1 work)