V D Evallyo
Biographic Data
| ID | 9972716 |
|---|---|
| NAME | V D Evallyo |
| GIVEN NAMES | V D |
| FAMILY NAME | Evallyo |
| SIGNATURE | EVALLYO V D |
| AFFILIATIONS | Russian State University for the Humanities |
| ORCID | 0000-0002-4531-4922 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Representation of the Ideal Hero’s Environment in Pre-Revolutionary and Soviet Silent Cinema Worldviews
This article focuses on the spaces of large and provincial cities, interiors, and the specifics of frame construction in the context of the relationship between the human and the material. In our analysis, we examined Ya. Protazanov’s silent films The Tailor from Torzhok (1925), Don Diego and Pelageya (The Case of Pelageya Demina) (1927), The Man from the Restaurant (1927), and The White Eagle (1928). A comparative analysis of these films allowed…
The Concept of Document in Art. Documentality, Authenticity, Truth
We continue the tradition of the journal to publish collective articles on complex concepts that are relevant to art and can be considered at the intersection of art criticism, culture studies, and aesthetics. The article analyses the problem of understanding document and documentality in screen arts, photography, theatre, and music. Individual chapters develop the theses that were the subject of a large roundtable discussion held at the State In…
“Tears Were Dripping”
The article analyzes the structure of the spatial solution of Georgy Danelia’s film “Tears were dripping”; the three most clearly defined worlds are emerged: this is fairy-tale, real and imaginary areas. Danelia builds the dramaturgy on the subtle interweaving of these realities, on the blurring and permeability of their boundaries. The fairy-tale world passes through the film narrative as counterpoint, creating the effect of high tragedy and “li…
The Adventures of Road Workers (1974–1980)
The author focuses on a series of short films about road workers, created in 1974–1980 by different directors of the Georgia Film studio based on the scripts by Rezo Gabriadze. Despite the light comedic structure, each of the films in the cycle correlates with traditional art forms and is a kind of a parable about the important work of three friends who continue the work of their great ancestors in an already built-up world. This comedy cycle tur…
Ghost City in Late Soviet Cinema
In the Late Soviet years, there was a feeling of the collapse of many former creative attitudes and traditions, the destruction or withering away of the ethical and aesthetic values of the Soviet era, which was perceived as the collapse of artistry itself in its substantive and formal aspects. The blurring of the boundaries between realities and the absence of stable temporary “anchors” characterize the aura of film substance. The concept of “Gho…
An Imaginary Capital City and a Real Province in L. Gaidai’s Сomedy Incognito from St. Petersburg
The article analyzes the film by Leonid Gaidai Incognito from St. Petersburg (1977) based on the N.V. Gogol’s play The Government Inspector. The author draws attention to the preservation of theatrical aesthetics, which is revealed in the spatial accents and the interaction of the characters. The comedic core of the play, the misunderstanding, is enhanced by the eccentric accents characteristic of the aesthetics of silent cinema. The key dramatic…
Round Table “Aesthetics of Soviet Film Comedy”. Eccentric, Author’s Principle, Official Context
In the modern period the aesthetics of comedy in cinema was on the periphery of the attention of the science of art. Not least, this was due to the fact that the analysis of the comic was relegated to the background by the study of the playful relativity characteristic of postmodern trends in the screen arts of the late 20th and early 21st centuries. Meanwhile, Soviet film comedy remains one of the pinnacles in the development of this genre in th…
The Demonization of a Rock Musician’s Image in Western Cinema
In this article, attention is mainly focused on the images of musicians with supernormal abilities in Western cinema, their recognizable external and behavioral features, which are largely a clichéd perception of one or another stylistic of rock music. Why do the images of rock musicians fit so well into the visual structure? First of all, this is the high potential of the represented stories for multilevel decryption. The interest of mass cultur…
“Humanization” of Art
In this article, the digital museum is examined through the perspective of the “humanization” processes, which is the reorientation of museums to reach the widest audience and to introduce works of art in media discourse. First of all, these problems cover the transformation of the usual communication between museums and their visitors. Thus, new accents are formed and landmarks are shifted from a work of art to its recipient. The purpose of this…
Images of Machines and Technology. Author’s Interpretations
The problem of interaction between machines and humans has been relevant at all times of human civilization’s development. This subject arose most acutely in the era of scientific and technical progress, giving rise to a wide problem field, many aspects of which still require scientific understanding. In this discussion, the researchers tried to analyze the situation of the widespread implantation of new technologies and machines into the art fie…
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The Demonization of a Rock Musician’s Image in Western Cinema
In this article, attention is mainly focused on the images of musicians with supernormal abilities in Western cinema, their recognizable external and behavioral features, which are largely a clichéd perception of one or another stylistic of rock music. Why do the images of rock musicians fit so well into the visual structure? First of all, this is the high potential of the represented stories for multilevel decryption. The interest of mass cultur…
“Humanization” of Art
In this article, the digital museum is examined through the perspective of the “humanization” processes, which is the reorientation of museums to reach the widest audience and to introduce works of art in media discourse. First of all, these problems cover the transformation of the usual communication between museums and their visitors. Thus, new accents are formed and landmarks are shifted from a work of art to its recipient. The purpose of this…
Images of Machines and Technology. Author’s Interpretations
The problem of interaction between machines and humans has been relevant at all times of human civilization’s development. This subject arose most acutely in the era of scientific and technical progress, giving rise to a wide problem field, many aspects of which still require scientific understanding. In this discussion, the researchers tried to analyze the situation of the widespread implantation of new technologies and machines into the art fie…
Round Table “Aesthetics of Soviet Film Comedy”. Eccentric, Author’s Principle, Official Context
In the modern period the aesthetics of comedy in cinema was on the periphery of the attention of the science of art. Not least, this was due to the fact that the analysis of the comic was relegated to the background by the study of the playful relativity characteristic of postmodern trends in the screen arts of the late 20th and early 21st centuries. Meanwhile, Soviet film comedy remains one of the pinnacles in the development of this genre in th…
Ghost City in Late Soviet Cinema
In the Late Soviet years, there was a feeling of the collapse of many former creative attitudes and traditions, the destruction or withering away of the ethical and aesthetic values of the Soviet era, which was perceived as the collapse of artistry itself in its substantive and formal aspects. The blurring of the boundaries between realities and the absence of stable temporary “anchors” characterize the aura of film substance. The concept of “Gho…
An Imaginary Capital City and a Real Province in L. Gaidai’s Сomedy Incognito from St. Petersburg
The article analyzes the film by Leonid Gaidai Incognito from St. Petersburg (1977) based on the N.V. Gogol’s play The Government Inspector. The author draws attention to the preservation of theatrical aesthetics, which is revealed in the spatial accents and the interaction of the characters. The comedic core of the play, the misunderstanding, is enhanced by the eccentric accents characteristic of the aesthetics of silent cinema. The key dramatic…
“Tears Were Dripping”
The article analyzes the structure of the spatial solution of Georgy Danelia’s film “Tears were dripping”; the three most clearly defined worlds are emerged: this is fairy-tale, real and imaginary areas. Danelia builds the dramaturgy on the subtle interweaving of these realities, on the blurring and permeability of their boundaries. The fairy-tale world passes through the film narrative as counterpoint, creating the effect of high tragedy and “li…
The Adventures of Road Workers (1974–1980)
The author focuses on a series of short films about road workers, created in 1974–1980 by different directors of the Georgia Film studio based on the scripts by Rezo Gabriadze. Despite the light comedic structure, each of the films in the cycle correlates with traditional art forms and is a kind of a parable about the important work of three friends who continue the work of their great ancestors in an already built-up world. This comedy cycle tur…
Representation of the Ideal Hero’s Environment in Pre-Revolutionary and Soviet Silent Cinema Worldviews
This article focuses on the spaces of large and provincial cities, interiors, and the specifics of frame construction in the context of the relationship between the human and the material. In our analysis, we examined Ya. Protazanov’s silent films The Tailor from Torzhok (1925), Don Diego and Pelageya (The Case of Pelageya Demina) (1927), The Man from the Restaurant (1927), and The White Eagle (1928). A comparative analysis of these films allowed…
The Concept of Document in Art. Documentality, Authenticity, Truth
We continue the tradition of the journal to publish collective articles on complex concepts that are relevant to art and can be considered at the intersection of art criticism, culture studies, and aesthetics. The article analyses the problem of understanding document and documentality in screen arts, photography, theatre, and music. Individual chapters develop the theses that were the subject of a large roundtable discussion held at the State In…
Art (8 works) · Movie theater (7 works) · Aesthetics (6 works) · Literature (6 works) · History (5 works) · Philosophy (5 works) · Psychoanalysis (5 works) · Psychology (5 works) · Law (4 works) · Sociology (4 works)